Chennai :
It’s been years since he chatted about art and life while eating Coorg food with his friend, the late painter Rani Nanjappa, but artist S G Vasudev remembers it as clearly as if it was yesterday. “My late wife Arnawaz and I spent most of our evenings at her house. We were extraordinarily close,” he says.
On Thursday, he will be returning to those years during a function organised by the Coorg Association of Madras to remember one of the few women painters of Madras of the 1960s. Former IAS officer P M Belliappa will donate one of Nanjappa’s paintings to the museum at Cholamandal Artists’ Village.
“Coorg has few artists of repute and I felt it was a glaring omission that Rani’s work was not in the museum, which traces the Madras movement she was part of,” says Belliappa, who knew Nanjappa as a child. Belliappa bought two of her works recently and decided to donate a figurative canvas from 1962 to the museum, while retaining the abstract she did later in her life.
Born Rani Pooviah in the early 1940s, she studied art in Chennai at Stella Maris and College of Arts and Crafts. She was one of principal K C S Paniker’s favourite students and taught at the college later. “She was vivacious and well-read with a wonderful sense of humour and brilliant organisational skills,” says Vasudev.
Her student, sculptor S Nandagopal, remembers her as vivacious and striking personality who made art fun. “I was a physics student and never planned to be an artist,” he says. “But Rani was so passionate about art and could spot talent and inspire people.” Nanjappa moved to the US in the 1970s after she got married and continued to hold shows there. “She wanted to return. Looking back to India can be problematic for an artist,” says Vasudev. In March 1982, she went into a coma following a serious car accident, from which she never recovered.
Nanjappa’s work is described as being balanced and contemplative yet full of energy and colour. She drew inspiration from large kolams and colourful rangolis. Writing for Illinois Art Council in Chicago, she said, “The complex geometric patterns of kolam in white, pure and strong and the colour contrast in the rangoli helped me discover geometric forms in Indian dance and music. For example, in Bharatanatyam, besides the graceful rhythm, there are strong angular movements, giving ideas of geometrical patterns traced in the air. These are my inspiration.”
source: http://www.articles.timesofindia.indiatimes.com / Home> City> Chennai> Art and Life / by Shalini Umachandran, TNN / March 21st, 2013
