Category Archives: Historical Links / Pre-Independence

Charles II silver sugar box stars in our pick of five auction highlights this week

ATG’s weekly selection of items that caught bidders’ eyes includes a rare Charles II silver sugar box described as “in an exceptional state of preservation” that sold above estimate in Nottingham.

Charles II silver sugar box – £19,000 at Mellors & Kirk.

1. Prattware coiled pipe – £880

Prattware coiled pipe – £880 at Sworders.

Sworders in Essex is dispersing one of the world’s finest collections of pipes and smoking accoutrements across a number of sales this year. The Trevor Barton (1920-2008) collection represents more than 50 years of acquisition and study by a Hertfordshire pipe collector known to many in the antiques trade as ‘The Pipe Man’.

Barton began collecting pipes and other tobacco-related items in 1947, shortly after he was demobbed. In addition to regular visits to Bermondsey market, he travelled widely during a sales and marketing career which helped him to grow his collection.

Selected items from the Barton collection were sold at Christie’s in 2010, but the remainder were kept by the family. The first tranche of the collection formed part of Sworders’ Fine Interiors auction on September 22.

Every lot (many of them multiples) sold above top estimate including this Prattware coiled pipe c.1820, elaborately coiled and painted in ochre and blue dashes. Expected to bring £400-600, it made £880.

2. Coorg War knife – £8000

This 19th century Indian knife with a shaped and carved horn handle comes in its original morocco case. A handwritten label says it was gift from the Raja of Coorg to Colonel George Mackenzie Stuart, the commander of a column of the Madras Army at the taking of Coorg and commandant at the fortress of Vallore where the Raja was later held.

This appears to reference the Coorg War fought between the British East India Company and the small south Indian state in February-April 1834. British losses during the campaign were 93 killed before the British ensign was raised and Chikavira Rajendra, the last ruler of the Coorg kingdom, was sent into exile.

Coupled with this provenance, this fine knife sold for £8000 (estimate £400-600) at Gildings of Market Harborough on September 22.

3. Harry Rountree illustration – £2600

An illustration for ‘The Lost World’ by Harry Rountree – £2600 at David Lay’s in Penzance.

It was estimated at £40-60 but this 14 x 10in (35 x 25cm) pen and ink by New-Zealand-born artist Harry Rountree (1878-1950) sold for £2600 at David Lay in Penzance on September 17.

Fully signed, is one of the original grisaille illustrations created for Conan Doyle’s sci-fi classic The Lost World. The story of an expedition to a plateau in the Amazon basin where prehistoric beasts still survive has spawned many films (the first in 1925). However, it was originally published serially in the Strand Magazine during the months of April-November 1912 with Rountree supplying the illustrations.

4. Charles II silver sugar box – £19,000

Charles II silver sugar box – £19,000 at Mellors & Kirk.

In family ownership for several generations, this 27oz Charles II sugar box was described by Nottingham auctioneers Mellors & Kirk as “in an exceptional state of preservation, with hardly any sign of wear and no damage or repair worthy of note”.

Probably last on the market a century ago, it is engraved with an armorial crest and fully marked to the rim, lid and hasp for London 1681 and the maker’s mark AR with a mullet and two pellets below.

Estimated at £10,000-15,000 on September 16, it took £19,000.

5. Portrait of WH Auden – £28,000

Portrait of WH Auden by Maurice Feild – £28,000 at Bonhams.

This oil on canvas portrait of WH Auden (1907-73), offered for sale at the Bonhams Modern British and Irish Art sale on September 16 is by Maurice Feild (1905-1988). It came by descent from the artist to a private collection in the UK.

Feild and Auden were colleagues and friends during their time teaching at the Downs School, Colwall during the early 1930s with this informal 22 x 15in (56 x 38cm) portrait signed titled and dated verso 1937. It was a key year for Auden: his visit to Spain where he experienced first-hand the horrors of civil war, provided the inspiration for his poem Spain.

Feild, an associate of the Euston Road School of painters, later went on to teach at the Slade in 1954.

A picture of obvious literary interest, it was pitched at an appealing £800-1200 but found sufficient admirers to bring £28,000.

source: http://www.antiquestradegazette.com / Antiques Trade Gazette / Home> News> 2020 / by Roland Arkell / September 25th, 2020

Who are the Kodavas? A riddle that ethnologists are yet to crack, says P.T. Bopanna

Author PT Bopanna says while there are a number of theories on who the Kodavas are, none are scientific enough to establish the origin of the race

After retiring from journalism in 2010, with four decades in the field, PT Bopanna has championed the cause of Kodagu (Coorg) district in Karnataka. Bopanna’s passion to showcase Kodagu’s beauty, culture, cuisine and people serves as a mirror to the hilly region.

“I have documented the lifestyle, language and cuisine of Kodagu beyond the well-known akki rotti and pandi curry,” says 70-year-old Bopanna, who runs five Kodagu-centric websites, has published seven books and produced a documentary on Kodagu. Bopanna’s latest book, My Coorg Chronicles, (Rolling Stone Publications) traces his journey from journalism to activism, and his efforts to chronicle the unknown facets of Kodagu. My Coorg Chronicles has colourful photographs, illustrations and a caricature of Bopanna by cartoonist Ponnappa.

Bopanna speaks to MetroPlus about the many aspects of his journey.

Excerpts.

Would you describe yourself as a journalist, activist or chronicler?

After studying journalism at Bhavan’s College of Journalism in Mumbai, I started my career in 1981 as the Coorg Correspondent of The Hindu. I registered my first domain www.coorgtourisminfo.com in 2005. Initially the traffic to my website was not encouraging. So I decided to bring out the content from the website as a book in 2006. Discover Coorg was a runaway success. I brought out two more editions of the book, adding more content with each edition. It was also translated into Kannada.

Your research reveals Kodavas as being different from the rest of Indians…

Kodava women are highly educated. There is no dowry system, and women drape their saris opposite to the style adopted by the rest of India. The customs are unique. Kodavas are Hindus, but priests have no role in their marriages. Kodavas revere the Cauvery River, they worship nature and guns. The Keil Murtha festival is dedicated to guns. The harvest festival, Puttari, is ushered in with a gunshot. When I realised that the land has a rich culinary tradition and I compiled traditional recipes in the website, coorgrecipes.com in 2006.

Who exactly are the Kodavas?

This is a riddle that ethnologists are yet to crack. There are any number of theories on who they are, but none scientific enough to establish the origin of the race. One theory says they are the descendants of Alexander the Great, while another traces their origins to a band of Kurds from Iraq.

Why did you bring out a video on Kodagu?

During the course of my work I realised there was a lack of documentation on Kodagu. This was mainly because Kodava language does not have a script. The language is a mixture of Kannada, Tamil and Malayalam. Any documentation was only after the British annexed Coorg in 1834. They kept records and maintained diaries. After Independence, especially after Coorg merged with Mysore State (Karnataka) in 1956, there wasn’t any documentation. I decided to produce a video on various aspects of Kodagu and in 2014 brought out a DVD, Discover Coorg. The video features tourist spots, homestays, jewellery, hockey and golf, Kodava marriages and traditional folk dances.

source: http://www.thehindu.com / The Hindu / Home> Society / by Ranjani Govind / Bengaluru – August 18th, 2020

Okkuta supports priests of Talacauvery

A view of Talacauvery Kshetra in Madikeri.

Kodagu Gowda Samajagala Okkuta has decided to support fully the priests who perform puja at Talacauvery Kshetra.

The decision was taken during a meeting held in the presence of Gowda Federation Youth wing, said Okkuta president Somanna Soorthale.

Okkuta office-bearers said, “The unscientific works at Gajagiri Betta led to its caving in. A delegation will be taken to the state government shortly demanding action against those who were responsible for such activities. At a time when the death of the Talacauvery priest and family members is still fresh in our mind, a few have been trying to recreate the history of Talacauvery, which is condemnable move.”

A few are trying to disrupt peace in peace-loving district, Somanna alleged. Kodi and Ballada families have been discharging their duties at Talacauvery and Sri Bhagandeshwara Temples for several centuries.

“We condemn all the unscientific activities that are carried out within 10-km radius of the Kshetra and all those that affect the sanctity of the Kshetra. However, we can not accept those who have been trying to harass those who are carrying out business activities in Talacauvery. Goddess Cauvery is worshiped by all. It is sad that a few are trying to distort the history of Talacauvery kshetra,” he added.

It is good that Akhila Kodava Samaja is planning to conduct Shatarudrabhisheka at Talacauvery on September 21. It would have been good if all the communities were invited for the same.

The meeting also condoled the death of Chief Priest Narayana Achar and four others in landslide at Gajagiri Betta in the first week of August.

source: http://www.deccanherald.com / Deccan Herald / Home> State> Karnataka Districts / by DHNS/ September 20th, 2020

Restoration Work Of Madikeri Monuments: HC Refrains ASI From Levying Service Charge On State Government

Bengaluru:

In a significant judgement regarding restoration work of monuments at Madikeri in Kodagu district, the Karnataka High Court on Monday directed the Archaeological Survey of India (ASI) to take up permanent restoration work of the ancient Fort, Palace premises and tombs (Gadduge) of Kodagu Kings at Madikeri town, the district headquarters of Kodagu, while also asking it not to levy service charge to the State Government for carrying out the work.

A Division Bench of the High Court, comprising Chief Justice Abhay Shreeniwas Oka and Justice Ashok S. Kinagi, which heard a PIL filed by J.S. Virupakshaiah, a retired IAS Officer and a resident of Kodlipet in Somwarpet taluk in Kodagu district in 2017, directed the Kodagu Deputy Commissioner to nominate an officer not below the rank of Assistant Commissioner to frequently visit the site of the monuments.

Instructing the officer to be designated to take up the issue with ASI if he/ she finds that the work is not carried out as per the DPR (Detailed Project Report), the bench also directed that the Assistant Commissioner shall submit a report as regards the status of the emergency work and also the status of major restoration or repair works.

Observing that it is a great deal of importance that the said work is carried out efficiently, properly and expeditiously as it is the duty of the ASI to ensure that the protected monuments are restored and maintained, the HC Bench directed the ASI to complete all emergency works within Oct. 14, 2020.

On the service charge issue, the Court directed the ASI, which had contemplated a 23.7 percent service charge on the State Government, not to levy the service charge for carrying out the restoration or repair work.

Noting that there is no justification at all for the ASI to levy service charge to the State Government, the Bench held that the ASI is not empowered and also not entitled to collect service charge from the State Govt.

The petitioner J.S. Virupakshaiah, in his PIL (Public Interest Litigation), had contended that instead of preserving the protected monuments, the State Government had been running its offices on the Palace premises.

However, during the course of the PIL hearing, the District Administration vacated the offices of Social Welfare Department, Land Records Department and District Library from the ancient Palace premises and had handed over the premises to ASI.

Also, following directions of the Court from time to time, the State Government has released Rs.10.76 crore for permanent works as per the DPR.

source: http://www.starofmysore.com / Star of Mysore / Home> News / August 26th, 2020

When a lion was brought to Kodagu

DoddaVeerarajendra Photo courtesy: C P Belliappa

By 1800, Dodda Veerarajendra had sat on the throne of Kodagu for more than ten years. He is well-remembered for making a daring escape from a prison in Periyapatna in 1788, where Tipu Sultan had incarcerated him, his wife, mother, his brothers: Lingarajendra and Appajiraja, along with other close members of the family. With the help of Kodava and Vokkaliga chieftains, he was successful in foiling Tipu Sultan’s schemes to rule Kodagu.

In this endeavour, he forged an alliance with the British East India Company in 1790, which was sealed with a lofty statement: ‘This treaty of friendship between the East India Company and the kingdom of Kodagu is signed with God, Sun and Moon as witness’.

The treaty soon came into play during the third Anglo-Mysore war when Dodda Veerarajendra gave strategic and logistic support to the British army. He also provided transport and provisions for the troops. Similar support was extended to the British during the fourth and the final Anglo-Mysore war which ended in 1799. Eventually, Dodda Veerarajendra was able to consolidate his position in Kodagu.

By 1805, the king had three daughters with his queens Nanjammaji and Mahadevammaji. But in his obsession for a male heir, the raja slipped into deep depression. He started having fits of rage. He increasingly became suspicious of people around him. He was surrounded by the ruthless Siddis, of African origin, as his anga-battas (bodyguards). One day, in paranoiac rage, he ordered the assassination of his brothers Lingarajendra and Appajiraja. While Appajiraja fell to the anga-battas, Lingarajendra barely escaped, and lived to succeed his brother.

Dodda Veerarajendra’s officials were highly concerned and feared for their lives. The court officials then figured that they should bring a hogalu-batta (professional flatterer) to lift the king’s spirits. The feisty hogalu-batta, brought from South Canara, praised the king sky-high with a song composed in his honour. Dodda Veerarajendra was much pleased when the hogalu-batta sang that the king was the valiant ‘Lion of Kodagu’ who vanquished the ‘Tiger of Mysore’. The hogalu-batta got a pouch that jingled with gold coins for his flattery.’

Since there were no lions in Kodagu, the king despatched a letter to Jonathan Duncan, the governor of Bombay Province, to help him get a lion. Duncan replied promptly and asked the king to send his men to transport a lion to Kodagu from a zoo in Bombay.

Dodda Veerarajendra deputed his trusted Jemedhar Monnaiah to head a posse of soldiers to Bombay to fetch the lion. It was an arduous task. The men loaded the cage with the lion on to a bullock cart and trudged along the west coast for a couple of months. Sometime in May, they reached Kodagu at the banks of River Cauvery near Bethari village. While they prepared to cross the river there was an unexpected pre-monsoon downpour. The lion, which had withstood the journey reasonably well, was in distress when it got drenched. Its condition deteriorated. The beast died a couple of days later. Jemedhar Monnaiah and his men were most disappointed and braced themselves for the worst reprisal from the king.

The body of the lion was brought to Madikeri. Jemedhar Monnaiah broke the news to the king. Surprisingly, the king received the bad news quite philosophically. He had the lion stuffed and displayed in his palace.

Emblem-of-DoddaVeerarajendra Photo courtesy: C P Belliappa

Subsequently, in 1806, the king even got his royal insignia redesigned by replacing the elephants with lions.

source: http://www.deccanherald.com / Deccan Herald / Home> Spectrum / by C P Belliappa / August 29th, 2020

After Priest’s Death in Karnataka Landslide, Kodavas Demand Their Duties Back at Talacauvery

Every year, lakhs of devotees visit Talacauvery and Bhagamandala to offer prayers to goddess Cauvery. (News18 Kannada)
Every year, lakhs of devotees visit Talacauvery and Bhagamandala to offer prayers to goddess Cauvery. (News18 Kannada)

The Deputy Commissioner of Kodagu, Anees Kanmani Joy has informed the Kodavas that she would discuss their demand at the highest level and would try to find a solution at the earliest.

The recent torrential rains and landslide resulted in the deaths of the chief priest and his family members at Talacauvery, the birthplace of river Cauvery. The Brahmin priest Narayana Achar, his wife and three other family members perished in a huge landslide, last week.

Now, the Kodava community, the natives of the hilly district, have demanded that the state government should return priestly duties to them from the Brahmins. Locals fear that if this issue is not dealt with carefully, it might lead to a legal battle which could take on a political colour.

Every year, lakhs of devotees visit Talacauvery and Bhagamandala to offer prayers to goddess Cauvery. Amma Kodavas, a priestly class among the Kodavas have made an official request to the Deputy Commissioner of the district in this regard.

According to them, the pooja and all other associated rituals at Talacauvery were handled by Amma Kodavas for centuries and the Brahmins had no role in Kodava religious traditions and rituals. About 150 years ago, after the annexation of princely state of Kodagu or Coorg by the British in mid-19th century, the priestly jobs were transferred to the Brahmins from the neighbouring Mysore kingdom.

Since then, the Brahmins have been conducting all religious activities at Talacauvery, which is a holy place for the Kodavas and other communities. According to Amma Kodava community leader Bananda N Prathyu, their community had transferred the rights of worship to Brahmins due to certain reasons. However, they argue that there are hundreds of historical records to prove their claims that Amma Kodavas have an ancient connection with river Cauvery and its origins.

“We are the original inhabitants of Kodagu district. We are nature worshippers. Cauvery is our goddess. We have the first right to worship at Talacauvery and Igguthappa temple”, he said.

After the tragic death of priest Narayana Achar and his wife, their two daughters who live in Australia, rushed back home to perform their parents’ last rites.

According to a report in the Kannada daily Vijayavani, when the local government officials issued a compensation in their names, they informed them that they are no longer Hindus and have converted to Christianity. This revelation has now created a furore among the devotees of Cauvery. Since the deceased priest was a leader of the Vishwa Hindu Parishat (VHP), this has now taken a political colour with opposition parties questioning BJP’s commitment to Hinduism.

The priest’s daughters have declined to comment on the conversion and have gone incommunicado. Local Tahasildar has confirmed that their given names and names on record don’t match.

The Deputy Commissioner of Kodagu, Anees Kanmani Joy has informed the Kodavas that she would discuss their demand at the highest level and would try to find a solution at the earliest.

However, some fringe groups are opposing the handing over of the temple to Kodavas, by calling it a violation of old tradition. Kodagu, Karnataka’s tiny district is known as the coffee bowl of India. With its deep forests, rivers, waterfalls and hills, Kodagu is also known as the Scotland of Karnataka.

It was ruled by the Lingayat Kings from the Haleri dynasty till 1830s. The last King Chikka Veera Rajendra was a despot and the British exploited the resentment among his subjects to annex Kodagu with British India. The deposed King was sent to Vellore in Tamil Nadu and later Benares, now Varanasi, to keep him away from his subjects.

Hoping to get his Kingdom back, Chikka Veera Rajendra travelled to England to lobby with Queen Victoria and the British Parliament. After his efforts to secure the Kingdom failed, a dejected King died in London and was buried there. His granddaughter Victoria Gowramma, whose only son died in the First World War, breathed her last in London in 1930s ending the line of succession.

The British ruled Coorg/Kodagu as a separate state for over a century till 1947. It was a separate state with an Assembly till 1956. In 1956, Kodagu was merged with Karnataka State. The martial race of Kodavas have produced two of India’s best Army Chiefs Field Marshal KM Cariappa and General KS Thimmaya. They have their own language Kodava Thakk.

source: http://www.news18.com / News18 India / Home> News18> India / by DP Satish / August 26th, 2020

The Amara Sullia uprising, 20 years before 1857

Photos for Spectrum
Photos for Spectrum

Twenty years before the First War of Independence in 1857, there was the ‘Amara Sullia Dange’ or Kodagu- Canara Mutiny against the British government. This fight, which was labelled ‘Kalyanappana Katakayi’ (Loot of Kalyanappa), to tone down its significance, received unprecedented support from people in today’s Kodagu, Dakshina Kannada districts of Karnataka and Kumble region in Kerala.

After Tipu Sultan’s death in 1799, South Canara (Dakshina Kannada) passed into British hands. Neighbouring Kodagu, however, still maintained a precarious independence.

In 1834, the East India Company resolved to invade Kodagu, which was ruled by King Chikkaveera Rajendra of Haleri dynasty. On April 11, 1834, the political agent of the British at Mercara (Madikeri), Lieutenant Colonel J S Fraser, issued a proclamation annexing Kodagu into the British administration. Fraser also resolved to respect the social and religious customs of the locals, but the promise remained on paper.

The British introduced major economic, social, and even territorial changes in Kodagu, for their administrative convenience. Amara Sullia was separated from Kodagu and made part of South Canara district, which was then part of the Madras province. What further incensed the people was a change in the mode of tax payment, which was now to be made entirely in cash. The farmers were used to giving part of their produce as the tax, but the new system only added to their burden. Now, many of them refused to pay the tax outright.

After Kodagu’s annexation, there was a resistance movement planned. In 1835, Swamy Aparampara, a Jangama saint, appeared in Manjarabad in Hassan district and claimed that he was a legal heir to the Haleri throne.

Madikeri Fort
Madikeri Fort

His plan was to attack and occupy Madikeri Fort on December 5, 1836. The people of Kodagu believed him to be the son of Appaji, who was the uncle of Chikkaveera Rajendra. Aparampara planned a resistance movement with the help of other rebellions including Kalyanaswamy, Kedambadi Rame Gowda and Guddemane Appayya Gowda. Aparampara visited Subrahmanya and met Kujugodu Appayya Gowda and Mallappa Gowda, the representatives of the Ikkeri dynasty. From there, they marched towards Madikeri with a battalion.

The British got wind of the plan and imprisoned Aparampara, with the aid of Kodagu’s Dewan, Cheppudira Ponnappa.

Now, the responsibility of the movement shifted onto the shoulders of Kalyanaswamy. He claimed to be the second son of Appaji and therefore, a member of the Haleri dynasty. Declared a king by his men, he popularised the movement by proclaiming that if he became the king, he would stop collecting revenue for the first three years and abolish the duties on commodities.

Dewan Ponnappa proved that Kalyanaswamy didn’t belong to the Haleri dynasty. However, the rebel leader remained popular and enjoyed support from local leaders.

Kalyanaswamy slowly extended the movement to Sullia and other parts of South Canara. Kedambadi Ramegowda of Sullia was primarily responsible for the organisation of rebellion in South Canara. When Kalyanaswamy was travelling from Kodlipet to Wayanad, he was captured by the British forces, though his imprisonment was concealed. His friend Putta Basappa posed as Kalyanappa and continued the rebellion.

Meanwhile, the resentment against the new tax policy continued, and Kedambadi Ramegowda and Nanjayya decided to start a rebellion in Sullia. They killed Atlur Ramappaya, the Amaldar (Agent) of Sullia, who was loyal to the British.

The battalion, headed by Kalyanappa (Putta Basappa), Kedambadi Ramegowda and others reached Bellare and attacked the British treasury. The rebels then reached Mangalore and hoisted the Haleri flag in ‘Bavutagudda’ on April 5, 1837, to mark their victory over the British.

In response, the British brought in reinforcements from Kannanur, and attacked the rebels. Several leaders were captured and killed, while a few others escaped. Putta Basappa and Appayya Gowda were hanged.

The British Commissioner Cotton, who submitted a report on the Canara Insurrection to the government in 1839, mentioned the movement was a furtherance of the Nagar Peasants’ Revolt of 1830-32, in present-day Shivamogga. “The Amara Sullia insurrection has the features of primary resistance, as well as peasants’ movement; the main intention was to drive away the colonial intruders,” says K R Vidyadhara, a lawyer in Madikeri who has studied the uprising.

A few scholars have conducted extensive studies on the Amara Sullia mutiny, with the incident even being portrayed in a Yakshagana performance called ‘Kalyanappana Katakayi’.

source: http://www.deccanherald.com / Deccan Herald / Home> Spectrum> Spectrum Top Stories / by Charan Aivarnad / August 15th, 2020

Arebase: A dialect rooted in cultural harmony

Karnataka teems with different versions of Kannada. There are more than 30 dialects of the language, which contribute to the linguistic richness of present-day Karnataka.

Kavirajamarga, the earliest available work on rhetoric, grammar and poetics in Kannada, from the 9th century CE, speaks of the two major dialectic divisions of Kannada: Dakshina and Uttara. Sri Vijaya, the author of Kavirajamarga alludes to many varieties of Kannada, hinted at by the use of the phrase “Kannadangal”.

Today, traditional linguists broadly classify Kannada into four geographical regions: Mysuru, Mangaluru, Dharwad and Kalaburagi Kannada. In these regions, various communities use a specific dialect as their mother tongue, whether it is Halakki Kannada, Havyaka Kannada, Kota Kannada, Rama Kshatriya Kannada, Badaga Kannada (spoken by the Badaga community in the Nilgiri region in Tamil Nadu) or even Arebase.

Arebase is a dialect of Kannada spoken by the Gowda community in the Kodagu and Sullia regions of Dakshina Kannada, and also in the eastern parts of Kerala’s Kasaragod district.

Arebase is also known as ‘‘Gowda Kannada”, a term first coined by the late Prof Mariappa Bhat, a renowned Kannada scholar.

In 15th century CE, the Gowdas from the ‘Aiguru Seeme’ of Hassan district migrated and settled down in different regions of Dakshina Kannada and Kodagu. However, over the centuries, those who settled amidst the Tulu-speaking communities in Puttur, Belthangady, Karkala, Vitla of Dakshina Kannada adopted the culture of Tulu Nadu, picking up the local language and worshipping deities in the tradition of ‘Daivaradhana’ of coastal Karnataka. In Kodagu, they picked up aspects of Kodava culture.

Purusha bhootha, the Kannada speaking deity of Arebase communities. Photos by Lokesha Kunchadka
Purusha bhootha, the Kannada speaking deity of Arebase communities. Photos by Lokesha Kunchadka

However, the community also developed its own distinct identity, preserved through its language. For instance, the community worships the daivas (spirits) in Arebase.

Arebase shows differences in phonetics, syntax and morphology when compared with standard Kannada. Some of the vowels not present in the Kannada alphabet are considered phonetic in Arebase. The meaning of a word also changes with a change in pronunciation, an aspect of Arebase that is difficult to capture using standard Kannada font.

There are three major variations within Arebase: Subrahmanya, Peraje/Sampaje and Madikeri/Bhagamandala Arebase.

In literature and theatre

Today, there are earnest efforts to ensure the representation of this dialect in literature and theatre. Prof Kodi Kushalappa Gowda, who was a Kannada professor in Madras University, has written Ramayana in Arebase called Manasa Ramayana. Academician K R Gangadhar had prepared a lexicon for Arebase. Then there are Dr Purushothama Bilimale — who has studied the Gowda community, Dr Vishvanatha Badikana — who studied the folk tales of the language, Dr Poovappa Kaniyuru, A K Himakara, Sanjeeva Kudpaje, Kaveramma and Vidyadhara Baddadka who are prominent writers, poets and scholars in Arebase.

Lokesh Urubailu is a young theatre artist who directs Arebase dramas like Mayaka. ‘Mudupu’ is a popular monthly magazine in Arebase run by Vinod Mudugadde.

“Most of the minor languages like Arebase have been restricted to specific communities or caste. These languages should come out of that frame. All the minor languages in India which have been listed in 2011 census should be empowered. India should develop a proper language policy for that,” says Dr Purushothama Bilimale, Professor of Kannada and Kannada Language Chair at Jawaharlal Nehru University, New Delhi.

However, it would be a mistake to limit this dialect to a particular caste; in Sullia, for instance, almost all the merchants communicate in Arebase.

The best example of this exchange of cultures, perhaps comes from a Yakshagana Prasanga written in Arebase by Kepu Ajala, who is a non-Gowda.

The World Arebase Literary Meet (virtual) scheduled on August 3 is expected to give a push to language enhancement and cultural exchange.

source: http://www.deccanherald.com / Deccan Herald / Home> Spectrum> Spectrum Top Stories / by DHNS / August 01st, 2020

Retain Architectural Design During Renovation Of Madikeri Fort: MLA

MadikeriFortKF29jul2020

Madikeri:

With the State Cabinet on Thursday sanctioning Rs. 8 crore for the renovation of the historical Madikeri Fort, the works on which has been taken up by the Archaeology Department, Madikeri MLA Appachu Ranjan has batted for retention of old architecture and heritage characterisitics of the structure, while also giving a modern touch to it.

Speaking to presspersons after inspecting the ongoing renovation works of the Fort located in the heart of Madikeri City, Appachu Ranjan, who is also a former Minister, said that as an MLA earlier too, he had raised the Fort renovation and development issue a number of times in the Assembly..

Pointing out that the renovation works has been taken up following a High Court order, he said that now the State Government has sanctioned Rs. 8 crore for the works and it is satisfactory to note that the works have been taken up at last.

MadikeriFort02KF29jul2020

Asserting that Madikeri Fort and the associated Palace is symbolic of Kodava tribe, he said that it was important to develop the Fort as a Museum, while retaining the original architectural characteristics of the structure.Underlining the need for installation of Sound and Light system in the Fort premises once the renovation works are completed, he said that the richness and uniqueness of Kodava culture, customs and traditions must be portrayed through this system, just as being done in the case of freedom fighters such as Veer Savarkar and Bhagat Singh at Andaman Jail.

Earlier, Appachu Ranjan received inputs on the progress of works from the Department Engineer, who said that 5mm metal sheet has been cemented to the roof of the Fort. Expressing displeasure at the quality of the sheet, he asked the authorities to ensure quality of tiles, wood and other construction materials being used for renovation.

Earlier, Appachu Ranjan received inputs on the progress of works from the Department Engineer, who said that 5mm metal sheet has been cemented to the roof of the Fort. Expressing displeasure at the quality of the sheet, he asked the authorities to ensure quality of tiles, wood and other construction materials being used for renovation.

source: http://www.starofmysore.com / Star of Mysore / Home> News / July 28th, 2020

Old Kodava weddings stage a comeback

A kodava bride and groom being wished by relatives during muhurtha.
A kodava bride and groom being wished by relatives during muhurtha.

Weddings are perhaps the grandest celebrations in any community. This is especially true of the Kodava wedding which is strikingly unique in the fact that the weddings are not solemnised by priests but by family elders.

While the modern-day weddings are typically held in convention halls, the current restrictions due to Covid-19 have led to people reverting to simpler ceremonies, offering a glimpse of how Kodava weddings, called mangala, took place a few generations ago.

In the earlier days, the wedding would be conducted at ainmanes – the ancestral homes of the groom and the bride – and was purely a family affair. Unlike common perception, there is more to Kodava weddings than just merriment, and each ritual is invested with a deeper meaning.

The wedding ceremonies are held for two-days. On the day before the wedding, Karik Muripa, Punda Pani and Oor Kooduvo ceremonies are held separately at the groom’s and the bride’s homes. It is interesting to note that, Karik Muripa means cutting vegetables for curry; Punda Pani means erecting bamboo stumps as pandal and Oor Kooduvo means gathering of villagers.

On this day, all the villagers and family members of the groom and the bride gather at their respective homes and make all the arrangements for the wedding to be followed the next day.

The bride and the groom offer prayers to the gods and the ancestors before the nellakki bolcha (sacred lamp) at their ainmanes and seek blessings from their parents and all the elders assembled there. The groom’s mother then puts a pavala (coral) mala around his neck, and similarly the bride’s mother ties a pathaak (necklace) around her neck, to solemnise the wedding.

While people pitch in to help during the day, the evenings are reserved for festivities. There’s good food, liquor, music and dance.

On the day of the wedding, the groom dressed in traditional white Kupya Chele goes to the bride’s home, along with other family members, where the Baale Kethuva ceremony is held. In this ceremony, maternal uncles of the groom and the bride cut a row of nine or more banana stumps (in multiples of three) symbolising the obstacles that had to be conquered and the ultimate victory of the groom over other suitors.

The groom is then led inside the bride’s home by the bojakara (the best man), and the bride draped in Kodava sari is accompanied by the bojakarthi (bridesmaid). They offer prayers, are blessed by the elders and exchange garlands during the muhurtha.

The bride is granted all the rights at the groom’s home by the elders. The groom also gives her a bag containing gold, silver and copper coins to symbolise the sharing of his wealth with her.

A bride fetches a pot of water from a well during the 'neer edpo' ceremony.
A bride fetches a pot of water from a well during the ‘neer edpo’ ceremony.

The bride then embarks on a journey to her new home with the groom and his relatives. There, as part of the Ganga Pooja or Neer Edpo ceremony, which literally means fetching water, she has to draw water from the well. As a symbol of becoming a part of her husband’s family and taking up the household work, she carries two pots of water from the well to the kitchen. However, the path is blocked by members of the groom’s family, to imply that as a married woman she may have to face hardships. Meanwhile, the youths dance to volaga (traditional music) in merriment.

After her way is cleared, she enters the house and places the pots near the sacred lamp. She is now formally the lady of the house.

source: http://www.deccanherald.com / Deccan Herald / Home> Spectrum> Spectrum Statescan / by Dhanyata M Poovaiah / July 25th, 2020