Category Archives: Arts, Culture & Entertainment

The Tamara Coorg: A bounty of history and nature

The Tamara Coorg in Karnataka is a byword for sustainability, which boasts a magical landscape that melds an ancient forest with tales of a martial race.

The Tamara Coorg is ringed by nature in all its bounty
The Tamara Coorg is ringed by nature in all its bounty

As the veil of mist lifts over the Western Ghats of Karnataka, a panorama unfolds. Rows on rows of coffee bushes, their leaves a lush velvet green, the ruby-red orbs produced here yield the heady Arabica brew.

The Tamara Coorg is ringed by a capillary of streams, creepers of perfumed spices, pepper vines and tropical fruit trees.

Blending into this forested landscape are the unique cottage-style villas built on stilts propped up on the plantation’s terraced rows.

A byword for sustainability, the cottages are forest and land continuum. Crafted out of roughly finished logs of wood, they are an extension of the wilderness.

Calm, meditative and a bit rough around the edges, the private sundecks with a 180-degree view of the valley allow you to seamlessly connect with nature and its rhythms even as the cloud-cloaked hills form grey specks in the horizon.

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It’s a magical landscape, one that melds an ancient forest with the history of a martial race, the Kodavas.

Inside The Tamara, expect a visceral avian experience of the Western Ghats, featuring the Malabar Grey Hornbill, the Scarlet Minivet, the Grey Wagtail and their other feathered friends.

This lush haven of fauna can be punctuated with tranquil coffee drinking sessions, where the perfect cuppa is miles away from jostling cafes and their prohibitively expensive caffeine fixes.

Instead, Blossom to Brew is a customised coffee brewing session organised by the resort, where enthusiasts can sort their favourite coffee beans, make the desired blend, roast it to specifications and grind them manually.

Coorg is, however, not all plantation terrain with a soundtrack of crickets and rainfall. History buffs will get their fix at the Nalknad Palace, which was built between 1792 and 1794 AD, and is hemmed in by the tiny hamlet of Yavakapadi.

The history of Nalknad is, at its heart, a narrative of political intrigue between diverse Indian states and empires in colonial India. The palace itself was the final shelter of the last of the Haleri kings of Kodagu, Chikka Veerarajendra, who was exiled to Varanasi by the British.

The two-storeyed palace, built by the exiled king’s ancestor Dodda Veerarajendra, is a fantasy of highly decorated wooden pillars, windows and doorjambs.

Steps to the main door of the palace come appointed with elephant balustrades, while the Durbar Hall offers a royal welcome by way of 18th and 19th-century paintings.

Coorg effortlessly manages to bundle the twin experiences of history and nature. With the caressing sound of raindrops on coffee bushes, the past lurks in the nooks and corners of this lush landscape.

The Madikeri Fort, right in the heart of its namesake town, is such a portal to history. Some of its elevated structures help you see the city skyline in new and interesting ways.

Built in the later part of the 17th century by Muddu Raja, the then king of Coorg, the fort, though crumbling and overrun with creepers now, boasts of a unique character.

Once believed to be made of mud during the reign of the Kodagu Rajas, it was later re-constructed using granite masonry and laterite blocks after being captured by Tipu Sultan.

Today, the fort premises are home to the Madikeri Deputy Commissioner’s Office. Below the fort ramparts Madikeri hums along, with its chaotic traffic, independent businesses and throngs of spice and chocolate shops.

Even everyday Coorg is a balm to the restless soul.

source: http://www.newindianexpress.com / The New Indian Express / Home> Magazine / by Susmita Saha / February 16th, 2020

Arebhashe Heritage Village to come up in Sullia: DVS

Union Minister D V Sadananda Gowda speaks during the inaugural function of the second Arebhashe Literary Convention at Sangaiahnapura in Aluru Siddapura of Somwarpet taluk.
Union Minister D V Sadananda Gowda speaks during the inaugural function of the second Arebhashe Literary Convention at Sangaiahnapura in Aluru Siddapura of Somwarpet taluk.

Union Minister for Chemicals and Fertilizers, D V Sadananda Gowda, said that Arebhashe Heritage village (Samskrithi Grama) will be built in Sullia taluk of Dakshina Kannada district, in order to preserve Arebhashe language and culture, which is vulnerable to extinction.

He was speaking during the second Arebhashe Literary Convention organised by Karnataka Arebhashe Cultural and Literary Academy at Sangaiahnapura in Aluru Siddapura of Somwarpet taluk on Sunday.

Stating that a study has been conducted at the heritage village in Haveri, towards building the heritage village in Sullia, he further said that a 65-acre land has been identified in Ubaradkamitturu village in Sullia, towards the Samkriti Grama, which will be built at a cost of Rs 100 crore.

The work is expected to be completed in the next five years. The heritage village will feature the everyday lifestyle, customs and tradition of Arebhashe community. The history of Arebhashe Gowda Samaja will also be depicted in the heritage village, said Sadananda Gowda.

The Union minister meanwhile stated that the survival of the language and culture depends on the people of the respective communities.

Karnataka Arebhashe Cultural and Literary Academy Chairman Lakshminarayana Kajegadde hoped that Arebhashe Samudaya Bhavana in Bengaluru and Sullia would turn into hubs of activities related to Arebhashe culture, rather than being used for marriage functions.

More literary works in Arebhashe need to be published, he added.

Arebhashe literary convention former president K R Gangadhar noted that the marriages in Arebhashe community are not being conducted as per the tradition and there is an infiltration of modernity, which is not a healthy development.

MLA K G Bopaiah, MLA Appachu Ranjan, president of the convention Bhavanishankara Hoddetti, Zilla Panchayat Vice President Lokeshwari Gopal and Karnataka Arebhashe Cultural and Literary Academy Registrar Chinnaswamy were present.

An exhibition of day to day items used by the people of Arebhashe community in the older days was the centre of attraction at the venue.

Prior to the formal programme, the convention chair Bhavanishankara Hoddetti was brought in a colourful procession from the Grama Devathe temple in Sangaiahnapura to the programme venue.

source: http://www.deccanherald.com / Deccan Herald / Home> State> Mangaluru / by DHNS, Somwarpet / February 23rd, 2020

21 crore boost for Kodagu tourism post calamity

A kalyani and a stall (right) at a site in Madikeri where the Tourism Department is developing a facility that depicts a typical village.
A kalyani and a stall (right) at a site in Madikeri where the Tourism Department is developing a facility that depicts a typical village.

In an effort to boost tourism post floods and landslips in Kodagu, the government has sanctioned a sum of ₹21 crore for various tourism development works across the region, which is limping back to normalcy.

Many tourist sites and roads connecting them had been damaged. The department had proposed new attractions and rebuilding activities.

“Some works are in various stages and proposals for a few are awaiting approval. Kodagu got an allocation of ₹21 crore for the works,” said Tourism Assistant Director Raghavendra.

A project had been launched along the concept of developing a typical Kodagu village near Raja Seat in Madikeri that signifies thelocal culture and traditions besides making available the crafts, spices and other commodities popular from here. This village will have about 10 rooms for tourists’ stay. This project had been taken up at a cost of ₹98.5 lakh.

Development works near Sri Omkareshwar temple, development of parking at Dubare elephant camp and development of a road connecting Nalaknad Palace at Kakkabe near Napoklu are among the projects approved, he said.

source: http://www.thehindu.com / The Hindu / Home> News> States> Karnataka / by Special Correspondent / Mysuru – February 17th, 2020

Rangayana Is My Only Agenda, Says Director Addanda Cariappa

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Mysore/Mysuru:

“I have come here to build Rangayana and further the cause of theatre, art and culture and not to hoist the flag of BJP or any other political and non-political organisations. Of course, the BJP Government has appointed me as the Rangayana Director. From the day I took charge, I have been tirelessly working with my teams and I will continue to strive for the welfare of Rangayana without any other agenda or ulterior motives.”

These were the words of Rangayana Director Addanda C. Cariappa who has successfully steered the 20th edition of ‘Bahuroopi’ organised by State’s premier theatre repertoire, Rangayana. The festival that began on a grand note on Feb. 14, hit crescendo on Feb. 15, 16, 17 and 18, to conclude on an even grander note last evening.

Addressing a press conference at Rangayana premises this morning, Cariappa said that he has been in the field for 40 years and he will go to any extent to fight for the cause of theatre and artistes. “I have not come here as a Director to build a fort around me and my thoughts. I have come here to continue the good work done by previous Directors and also to take Rangayana to newer heights,” he said.

“Bahuroopi, that earlier meant only for theatre groups, art lovers and intellectuals, now, is a festival of common man and people broke all barriers, shed inhibitions and openly participated in all the events and the packed audience at all the events is a proof for this,” he opined.

“I have worked after gaining the trust of everyone and I do not want to defame Kodagu. I am a Kodava and tomorrow no one should say that Rangayana’s image was spoilt by a Kodava. I have no hidden agenda and I have worked honestly, earning the trust of everyone,” he said.

Gandhi Patha and honest work

Cariappa said that when he took over as Rangayana Director, there were talks of holding this Bahuroopi in the name of Girish Karnad. “I told them that dedicating the festival to Mahatma Gandhi on his 150th birth anniversary was a befitting tribute to the great soul. Everyone agreed and I coined the phrase ‘Gandhi Patha.’ It immediately struck a chord and everyone worked together as one team to ensure the success of the festival,” he revealed.

Gandhiji ubiquitous

Gandhiji was there everywhere, be it plays, seminars, venues, dance dramas, films, folk, cultural performances and even food and handicrafts. “This all-pervading and ubiquitous presence of Gandhiji was achieved with team work, support and participation. I did not differentiate between Left-leaning and Right-leaning thinkers. For me, all were equal. Before the festival began, I fell to the feet of many Gandhians in Mysuru and urged them to be a part of the festival. I visited Dalit Keris, congregations, temples and houses and pleaded them to participate. This paid off as there was overwhelming participation,” Cariappa said.

Atithi Devobhava

“Though there were attempts to disturb the festival and defame me initially, I extended open arms and invited them. I told them that my personal comments and Rangayana are separate, Kodavas are known to speak their heart out and I have done the same. I treated everyone equally with the principle of ‘Atithi Devobhava’ and the results are here,” he said.

Cariappa thanked all senior and junior artistes, repertoire groups, Bharatiya Ranga Shikshana Kendra, Mysuru Amateur Theatre Group, local artistes, staff of Rangayana and Kalamandira, Rangayana Joint Director V.N. Mallikarjunaswamy, Kannada and Culture Department Deputy Director H. Channappa, Canara Bank, donors and Government for providing finance and all those who worked tirelessly for Bahuroopi-2020 and its allied events.

“From the day I took over as Rangayana Director on Dec. 31, I began Bahuroopi work by conducting a series of meetings and by signing many files. I gave the push for the festival by forming various Committees and assigning responsibilities and together, we have achieved great success. From Jan. 1, every day I used to come to Rangayana at 6 am and be at work till 11 pm. I have not discriminated between any theatre groups and have earned the trust of all,” Cariappa added.

source: http://www.starofmysore.com / Star of Mysore / Home> News / February 20th, 2020

Screening Of Kodava Short-Film “Baava Battel” In City From Tomorrow

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Mysore/Mysuru:

“Baava Battel”, the first-ever experimental short-film in Kodava language, will be screened in Mysuru on Feb. 21, 22 and 23 at different venues. The film, Produced by Manavattira Sangeeth Erappa and Directed by Manduvanda Prajwal Ganapathy, will be screened at Kodagu Model School in Vidyashankar Layout, Mysuru, tomorrow (Feb.21) at 2 pm, 3.30 pm, 5 pm, 6.30 pm and 8 pm (5 shows a day).

On Feb. 22 (Saturday), the film will be shown at Kodava Samaja premises in Vijayanagar I Stage at 2 pm, 3.30 pm, 5 pm, 6.30 pm and 8 pm (5 shows).

Feb. 23 (Sunday): Kodava Samaja in Vijayanagar I Stage at 11am, 12.30 pm, 2 pm, 3.30 pm, 5 pm, 6.30 pm and 8 pm (7 shows).

Presented by P&G Creations (Prathish & Gagan Creations), the story is written by Uluvangada Cauvery Uday and the movie cast include Thathanda Prabha Nanaiah, Tejaswini Sharma of Kodagura Sipayee-fame, Cheruvalanda Sujala Nanaiah, Pattada Dhanuranjan, Mallamada Shyamala Sunil, Biddanda Utham Ponnappa, Baby Yashika and Nellachanda Hema Rekha; Cameraman – Yudhisthira, Compilation – Jackson Arnold Pinto, Music – Manurao; English subtitles by Chokira Anitha Devaiah.

International Athlete Theethamada Arjun Devaiah has lent his voice for the background of the film; Film Distributors – Baleyada Prateesh Poovaiah and Acheyada Gagan Ganapathy. The film has been screened at various places in Kodagu and received good response. For details contact Mob: 96326-06913 or 98806-00240.

source: http://www.starofmysore.com / Star of Mysore / Home> News / February 20th, 2020

This Coorg resort is charging guests for wasting food

The Ibnii Spa and Resort in Coorg, Karnataka, weigh the food wasted by customers and makes them pay for it at the time of checkout.

The guests have to pay Rs 100 for every 10 gram of food wasted by them. | Image: Unsplash  |  Photo Credit: Representative Image
The guests have to pay Rs 100 for every 10 gram of food wasted by them. | Image: Unsplash | Photo Credit: Representative Image

Bengaluru:

Food waste is definitely not a good taste. A luxury resort in Karnataka came up with an ingenious way to decrease the wastage of food by its guests. The Ibnii Spa Resort started charging its customers for wasting food.

The resort which is located in the hills of Coorg, Karnataka, has come down from 14 waste bins to just one since the initiative was implemented.

The composting unit of the resort used to be overworked with 14 huge garbage bins of leftover food daily. The resort decided to decrease the quantity of waste by informing guests that they could place their orders any number of times.

However, when the wastage of food did not stop, the resort came up with the unique idea of making the guests pay for the food they ordered but did not eat.

How much do the guests pay for wasting food?
The idea was simple. At the end of every meal, all the leftover food is weighed on a weighing machine in front of the guests. At the time of checkout, the guests are told how much food they wasted during their stay. They have to pay Rs 100 for every 10 gram of food wasted by them. The amount is to be dropped in a donation box which goes to a not-for-profit organisation that feeds children at an orphanage in Madikeri.

How have the guests reacted to the initiative?
The initiative which was started six months ago has made a huge impact on the conscience of the guests. “We have seen a drastic decrease in the quantity of food waste. From fourteen waste bins every day, we now only need one,” Shreya Krishnan, CSR adviser at The Ibnii, told Deccan Chronicle. The guests have appreciated the resort’s efforts to reduce food wastage.

How much food do we waste?
One-third of the food produced in the world for human consumption every year gets lost or wasted, according to the Food and Agricultural Organisation of the United Nations.

Not only is wasting food doing wrong to the farmers who grow the crop and to the chefs who cook the dishes but it is also unfair to those people who can’t afford two meals in a day and impacts the environment too.

source: http://www.timesnownews.com / TimesNowNews.com / Home> News> Buzz / by Saumya Agrawal / February 21st, 2020

Bheeshma Is Going To Be Super Fun: Rashmika Mandanna

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Rashmika Mandanna who tasted biggest hit of her career with Sarileru Neekevvaru this year will next be seen opposite Nithin in Bheeshma hitting the screens in five days.

Rashmika assures that Bheeshma is thoroughly entertaining. “You can expect lots of fun in the film. When I was dubbing, I had great time. This film is going to be super fun.”

About the judgement factor, the actress reveals, “Firstly, script should excite me. I strongly believe that, audience needs to have fun or get emotional while watching a film.”

Rashmika’s character name in the film is Chaithra and she works at Bheeshma organic company. Then, who’s Bheeshma in the film. “Anant Nag is Bheeshma. Nithin is also Bheeshma. But, I can’t divulge much on this now.”

Recently, IT raids were conducted on Rashmika’s house. She, however, clarifies saying the officials found nothing. “My father is a businessman. We have coffee estates in Coorg. When IT officials conducted raids, they found nothing.”

Rashmika also informs that she will be seen in a completely new avatar in Allu Arjun and Sukumar’s film that will start rolling from next month.

source: http://www.gulte.com / Gulte.com / Home> Movie News / February 16th, 2020

Famous Alumni Of A Century-Old School

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Educational institutions were first started in Kodagu after the British takeover in 1834. People took to education most enthusiastically. In 1909, St. Joseph’s Convent was founded by Catholic nuns in Madikeri. It was primarily for girls, but boys were allowed till 7th standard. I recently came across a remarkable group photograph taken in 1911, of the students at the time, along with the European nuns who ran the school. The school catered to both boarders and day-scholars.

This school offered better quality education to children of those locals who aspired to see their chldren well prepared to take advantage of lucrative jobs and career opportunities under the colonial dispensation. This school saw generations of students, especially women, pursue higher education and excel at a time when women were not much involved outside the traditional family responsibilities.

One family in this frame, frozen in time, has members who went on to become famous during the 1930s to 1950s. They are the seven daughters and one son of the first lawyer from Kodagu — Codanda D. Poovaiah. After school, six of his daughters pursued higher education outside Kodagu. The sisters excelled in various fields and soon came to be known as the ‘Poovaiah Sisters of Coorg.’ One of them, Rohini, was the first lady from Kodagu to acquire a degree. She later became the Principal of Crosswaithe College, a well-known institution in Allahabad. She was familiar with the Nehru family and had a brief role in the education of a young Indira Gandhi. She was awarded the Padma Shri in 1973. Another sister, Ashlesha, was one of the first lady doctors from Kodagu. Yet another sister, Swati, did her Nursing degree and later went on a scholarship to Columbia University in 1948 for further studies.

Three of the Poovaiah sisters with their dance guru Jailal. /  Picture right shows Chonira B Muthamma, first lady IFS Officer.
Three of the Poovaiah sisters with their dance guru Jailal. / Picture right shows Chonira B Muthamma, first lady IFS Officer.

The three younger sisters — Sita, Chitra and Lata — became renowned Kathak dancers and were much sought-after not only for their performances all over India, but also to direct dances in Hindi movies. All sisters took part in the freedom movement. Chitra and Lata defied prohibitory orders during the ‘Quit India’ movement. They were jailed for 2 weeks. Sita went on to earn a Ph.D in Arts from Bombay University and became the first Kodava lady to get a Doctorate degree. My father, C.M. Poonacha, was a freedom fighter and knew the family well. I had the privilege of being invited to their home on Malabar Hill in Bombay in 1968. Except for Ashlesha, all the sisters were spinsters.

On a personal note, my wife’s grandmother is one of the little girls sitting in the front row. She later married Pemmanda K. Monnappa who had the unique distinction of being the Inspector General of Police (IGP) in three Southern States. He was the Police Chief who headed the Government action in quelling the Razakars revolt in Hyderabad. He was the first IGP (equivalent to DGP now), of the newly formed Karnataka State in 1956.

My sister’s future father-in-law is one of the little boys sitting in the front row. Interestingly, his future mother-in-law is also in the same frame! This iconic, over a century-old photograph, has many stories to tell.

Over the years several girls who had their early education in this school went on the achieve in various fields. Konganda Accamma, who passed out of this school in the 1920s, joined Lady Hardinge Medical College in New Delhi. She was one of the first Kodava women to earn a MBBS degree. She headed the Vanivilas Women and Children’s Hospital for several years.

One of the most distinguished alumna of this school is C.B. Muthamma, who was the first woman to qualify for the Indian Foreign Service in 1949. She also has the distinction of being the first lady Ambassador from the IFS cadre. Muthamma had to face gender discrimination while in service. She fought against the Government and went to the Supreme Court in 1979. The Apex Court passed a judgement in her favour which paved the way for other women civil servants from being discriminated against. She authored a book titled ‘Slain by the System’ in 2003. Muthamma’s classmate was Jajie Mandanna, who was an MLC and a well-known consumer activist. I am told they fiercely fought for the top rank in their class!

St. Joseph’s is now a co-ed school and continues to provide quality education.

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About the author:
C. P. Belliappa, born in 1946, is a Chemical Engineer. He is currently settled in Coorg. He is known for his writings on issues pertaining to Coorg. Four of his books — Tale of A Tiger’s Tail & other Yarns from Coorg, Nuggets from Coorg History, Victoria Gowramma: The Lost Princess of Coorg, and Tongue of the Slip, have been published by Rupa Publications. He currently serves as President, Coorg Institute of Technology, Ponnampet, South Kodagu.

source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles / February 16th, 2020

Bahuroopi drawing theatre enthusiasts in droves

Mukhyamantri Chandru and another artiste staging the play ‘Mukhyamantri’ at Bahuroopi in Mysuru on Sunday.
Mukhyamantri Chandru and another artiste staging the play ‘Mukhyamantri’ at Bahuroopi in Mysuru on Sunday.

Bahuroopi productions are seeing packed audiences as all roads are leading to the national theatre festival being hosted by Rangayana, the State’s premier repertory.

Mukhyamantri, with ‘Mukhyamantri’ Chandru in the lead role, and Manteswamy Kathaprasanga received overwhelming response with theatre buffs watching the plays on Sunday evening with great excitement. The venues of the both the plays were jam-packed.

Sangeeth Bari, a Marathi dance-drama, was another performance that kept the audience fastened to their seats. The production, directed by Savitri Medhatul, chronicled the evolution of Lavani, the folk art. Oedipus, the Bengali play, was another production staged on Sunday, which was also well received.

The theatre festival had been receiving more footfall with each passing day. Bahuroopi concludes on February 19.

“As many as 500 people and about 400 people could not get to see Mukhyamantri and Manteswamy Kathaprasanga plays, respectively, as the auditoriums were packed. Many watched the plays standing at the corners,” said Addanda C. Cariappa, Director, Rangayana, Mysuru.

People were heard asking the organisers whether Mukhyamantri can be staged once again in Bahuroopi. The epic play saw its 701st show here on Sunday. It is inching towards creating a new record.

However, Mr. Cariappa said: “It’s not possible in Bahuroopi since all plays had been scheduled till February 19. May be, after Bahuroopi, we can try to bring the play once again to Rangayana.”

Other events
Not just plays, all other events – Janapada Utsava and exhibitions – are witnessing a huge response. Every visitor has something catering to his or her interests at the festival, he said, adding that all venues are witnessing packed shows and are unable to meet the demand for more seats.

The handicrafts and book expo has some special displays with the aim of offering something new and fresh to the visitors. A stall has exhibited Ilkal saris, weaved in the distant Ilkal in North Karnataka, that has wide acceptance because of its fabric, design and heritage.

Manjula Hosapete, the exhibitor, has brought all types of Ilkal saris so that everyone gets their picking. “The sari has many admirers in Mysuru and therefore we have come here with good stock,” she adds.

Likewise, there are paintings, organic products, khadi items and much more at the expo.

Members of Kodava Samaj, Mysuru, presented “Ummattat” and “Bolakat” as part of Janapada Utsava at Bahuroopi on Sunday.

An artist from Mysuru has created a Warli painting with images of Mahatma Gandhi, like him spinning the charaka, his marches and so on. S. Anusuya Rangaswamy has brought the painting to the festival since it is themed on Gandhi – Gandhi Patha.

source: http://www.thehindu.com / The Hindu/ Home> News> States> Karnataka / by Special Correspondent / Myrusu – February 17th, 2020

Visitors throng Raja Seat for flower fest on weekend

People dancing to the tune of the traditional ‘Kodava Valaga’, during the fruit and flower show at Raja Seat. DH Photo
People dancing to the tune of the traditional ‘Kodava Valaga’, during the fruit and flower show at Raja Seat. DH Photo

Hundreds of visitors thronged the Raja Seat in Madikeri on Saturday and Sunday, for the fruit and flower show.

The four-day-long fruit and flower show organised by the district administration and the department of horticulture, began on Friday.

On Sunday, the localities and tourists who gathered in the venue, danced to the tunes of traditional ‘Kodava Valaga’ during the cultural programmes organised by Karnataka Kodava Sahitya Academy. ‘Arebhashe Kolata’ and ‘Sobhane Pada’ enthralled the audience.

Selfie zones set up at various parts of Raja Seat, were the centre of attraction among youth during the flower fest. Photo frames were designed with flowers for the purpose.

Open street

The police department restricted the movement of vehicles from M M Circle till Kundurumotte junction, from 6 pm to 10 pm on the evenings of the fruit and flower show. Raja Seat was made completely free from vehicular movements and the stalls featuring various snacks were opened on the road, reminding the ‘Open Street Festival’ organised during the Pravasi Utsav held in Kodagu last year. Traditional Kodava snacks were also sold in the stalls.

Students were provided with a chance to watch the fruit and flower show free of cost. A lot of students witnessed the show on Saturday and Sunday. Most of them were accompanied by their teachers.

The people also visited the stalls set by the departments of agriculture, horticulture, animal husbandry, fisheries and various other departments.

‘Mamateya Marukatte’

Various items such as children’s toys, unused clothes, stationery items, and electronic items in the working condition, were featured at ‘Mamateya Marukatte’ stall set up by Green City Forum and Madikeri City Municipal Council. The items were collected at Kaveri Kalakshetra.

The amount collected from the sale of these items were provided to the civic workers and stree shakti groups. Most of the items have been sold, said Satya, a member of Green City Forum.

source: http://www.deccanherald.com / Deccan Herald / Home> State> Mangaluru / by DHNS, Madikeri / February 10th, 2020