Category Archives: Arts, Culture & Entertainment

Harshika Poonacha and Bhuvann Ponnanna are finally set to put a ring on it

The long-time ‘friends’ will have a traditional Kodava wedding on August 24

Harshika Poonacha and Bhuvann Ponnanna are finally set to put a ring on it
Bhuvann Ponnanna and Harshika Poonacha will get married on August 24

It was an open secret in filmi circles that actors Harshika Poonacha and Bhuvann Ponnanna were more than just friends. In fact, Harshika often introduced Bhuvann as her cousin at public events that they went to together. Since the duo were not willing to openly address their relationship status, it was left unspoken, even though there were tell-tale signs all the way, whether it was their carefully chosen solo pictures from holidays to the same destination at the same time, or their charity work during the pandemic, among others. Bhuvann and Harshika were together pretty much all the time. And now, they’ve finally decided to ‘come clean’ and declare that they are ready to take their relationship to the next level.

Bhuvann Ponnanna and Harshika
Bhuvann Ponnanna and Harshika

Harshika and Bhuvann are set to get married on August 24 back home in Kodagu in a traditional Kodava ceremony. The wedding is expected to be an intimate affair with only close family and friends in attendance, with a reception for their friends from the film industry and Bengaluru’s social circle, where both are quite active, to be held in the city later.

Harshika, who got into showbiz at a young age, way back in 2008, has, over the years, been an integral part of Kannada cinema, and in the last few years, she’d made a mark in the Bhojpuri industry as well. The actress had won a Karnataka State Award for Best Supporting actress in 2010 for her role in the film Thamassu, which had Shivarajkumar in the lead. Bhuvann, who is also an actor, became a household name during his stint on the reality show Bigg Boss Kannada. Bhuvann was a contestant in the fourth season and was later involved in a brawl with eventual winner Pratham, with the latter allegedly biting the former.

source: http://www.ottplay.com/ OTT Play / Home> News / by Team OTT Play / July 01st, 2023

Ban on women ascending Brahmagiri meets strong opposition in Kodagu

The prohibition on women scaling Bramhagiri Hills in Talacauvery stating that women affected the sanctity of the pilgrim centre had stirred strong opposition from the Kodava community.

Pilgrims will henceforth not be allowed to take a dip in the Talacauvery | express

Madikeri :

The prohibition on women scaling Bramhagiri Hills in Talacauvery stating that women affected the sanctity of the pilgrim centre had stirred strong opposition from the Kodava community. Uniting against the stand of the astrologer Narayana Puduval, the ‘Kodava Freethinkers…’, a closed group on Facebook, strongly voiced its opposition and took the issue to the Kodagu deputy commissioner, who reportedly told them that the temple cannot take unilateral decisions outside the purview of its prescribed duties.

Responding to the issue, Talacauvery temple committee President BS Thammaiah said: “We have heard the various suggestions predicted by the astrologer. However, the final decision is pending and the committee has not come to any conclusion. The astrologer has suggested various principles to be followed while mounting Bramhagiri Hills, which is a sacrosanct place of Seer Agasthya. The astrologer has suggested righteous methods to be followed while taking a dip at Talacauvery. The ritual questioning will continue in June and the final decision will be taken in the presence of temple Tantri, the committee and other officials.”

While the decision is still pending, the Kodava community is alert and voicing its dissent against patriarchal chauvinism. Kusum Nehru Mallangada, founder of Komfort Foundation and Nelakki Bolchaa, said: “We are planning to talk to former MP Prema Cariappa, so that it becomes easier for us to talk to anyone in the government or district administration. If nothing works, all the women of Kodagu need to stage an agitation to force our agenda. If the male chauvinism of the temple wins, we will bring up this issue in the Legislative Assembly and submit a memorandum to the government.”

Nevertheless, the temple committee maintains that no decision has been taken to ban women from mounting the Bramhagiri and the final stand will be taken only after the completion of the ritual of octagonal questioning.

source: http://www.newindianexpress.com / The New Indian Express / Home> States>Karnataka / by Prajna GR, Express News Service / May 29th, 2018

The majestic Elephant of Dubare elephant camps. What makes them so special?

Dubare Elephant Camps, nestled amidst the picturesque beauty of Karnataka. It offers an unforgettable experience for wildlife enthusiasts and nature lovers. Located on the banks of the River Cauvery, this unique destination provides an opportunity to interact with elephants in a responsible and sustainable manner. In this comprehensive travel guide, we will explore the fascinating world of Dubare Elephant Camps, providing insights into the camp’s history, activities, wildlife encounters, accommodations, nearby attractions, and essential travel tips. Let’s embark on this remarkable journey into the heart of the elephant kingdom.

History and Background

Dubare Elephant Camps have a rich history rooted in the tradition of the mahouts (elephant trainers) who once served the Maharajas of Mysore. Initially, it served as a training ground for elephants used in the royal processions and other important functions. Over time, it transformed into a conservation and eco-tourism destination, where visitors can learn about the gentle giants and contribute to their well-being.

Getting There

Dubare Elephant Camps are located approximately 240 kilometers from Bangalore, the capital city of Karnataka. The nearest airport is the Kempegowda International Airport in Bangalore, while the nearest railway station is Mysore Junction. From there, one can hire a private taxi or take a bus to reach the camps.

Activities at Dubare Elephant Camps

a. Elephant Interactions:

The highlight of the camp is the opportunity to interact with elephants. Visitors can learn about their behavior, feed them, participate in bathing sessions, and even take part in the elephant grooming process.

b. River Rafting:

The camp offers thrilling river rafting experiences on the River Cauvery, allowing visitors to soak in the breathtaking views of the surrounding forests.

c. Nature Walks and Bird Watching:

Explore the lush green surroundings on guided nature walks, spotting diverse bird species and learning about the local flora and fauna.

d. Fishing:

Engage in a calming fishing experience in the river, trying your luck at catching the elusive Mahseer fish.

e. Coracle Rides:

Hop onto a traditional coracle boat and glide through the gentle waters of the River Cauvery, enjoying the tranquility and scenic beauty.

Wildlife Encounters

Apart from elephants, Dubare is home to a wide variety of wildlife species. Visitors have the chance to spot animals such as deer, gaur (Indian bison), wild boars, and various reptiles. Lucky guests may even catch a glimpse of the elusive leopard or tiger. The forest also boasts a vibrant birdlife, with species like Malabar pied hornbill, Indian roller, and white-bellied treepie making it a bird watcher’s paradise.

Accommodations

Dubare Elephant Camps provide various options for accommodation, ranging from tented cottages to eco-friendly lodges. The camps offer basic amenities while maintaining a close connection to nature. Visitors can enjoy a comfortable stay surrounded by the serene beauty of the forest.

Nearby Attractions

a. Namdroling Monastery: Situated in Bylakuppe, the largest Tibetan settlement in India, the Namdroling Monastery is home to thousands of monks and houses stunning Tibetan architecture.

b. Cauvery Nisargadhama: A scenic island formed by the River Cauvery, Nisargadhama offers lush greenery, bamboo groves, and a deer park, making it an ideal picnic spot.

c. Nagarhole National Park: Located nearby, this national park is a tiger reserve and a haven for various wildlife species. Visitors can embark on a thrilling safari to witness the incredible biodiversity of the region.

Best Time to Visit

The ideal time to visit Dubare Elephant Camps is from October to March when the weather is pleasant. During this period, one can enjoy outdoor activities without being hindered by the monsoon rains.

Essential Travel Tips

a. Carry comfortable clothing, walking shoes, and insect repellents.

b. Respect the animals and follow the guidelines provided by the camp authorities for the safety of both visitors and elephants.

c. Plan your visit in advance and make necessary reservations, especially during peak seasons.

d. Avoid littering and maintain cleanliness within the camp and its surroundings.

Dubare Elephant Camps offer an incredible opportunity to connect with nature, immerse in wildlife encounters, and understand the significance of elephant conservation. From thrilling activities to serene moments amidst the wilderness, this destination promises a memorable experience. By responsibly exploring the Dubare Elephant Camps, visitors can contribute to the conservation efforts and create lasting memories of their wildlife adventure in Karnataka, India.

source: http://www.nativeplanet.com / Native Planet / Home> Travel Guide / by Navya Sona /June 24th, 2023

Meet The Custodian Of Kodava Food: Kaveri Ponnapa

With Indian cuisine in focus both globally and locally, there has never been a better time to chronicle Indian culinary culture in all its diversity. Rushina Munshaw Ghildiyal, herself the custodian of Uttarakhandi food, showcases 16 other women who are each committed to keeping their own culinary heritage alive. These are some of India’s most passionate culinary custodians, who are driving conversations around and exploration of regional, micro regional and community cuisines through media, books, TV, home delivery menus from their own home kitchens, and pop-ups at restaurants.

Kaveri Ponnapa 

Kodava Food
Kaveri Ponnapa is a Bengaluru-based independent writer on gastronomy and heritage, who is thought of as synonymous with Kodava culture and cuisine.

Avare Curry

Why We Think Kaveri Is A Culinary Custodian
While researching her first book The Vanishing Kodavas, Kaveri spent a significant amount of time in the villages of Kodagu (Coorg), connected with the local people, and got a first-hand experience of their lifestyle, which is still connected with the land. The Vanishing Kodavas is acclaimed as a cultural study of the Kodava people based on 15 years of fieldwork documenting their history, customs, worship and cultural practices. Kaveri’s writings on these subjects have been published in leading national and global publications. Her website The Vanishing Kodavas, blog The Coorg Table and its Facebook page continue to be unique rich resources for information and authentic recipes and are followed by audiences from across India and the globe including the Kodava diaspora, as well as people fascinated by the unique cuisine of this small community. Her current project, based on her observations of how a cuisine is born out of a particular landscape, culture and history, is a book documenting the culinary culture of the Kodava community from an anthropological and cultural perspective, enriched with information on local ingredients, practices and recipes including many that are no longer eaten or being forgotten. Kaveri has curated successful Kodava food festivals with ITC Windsor, been consultant to the Leela Palace and Taj MG Road Bengaluru on Kodava cuisine, and continues to train chefs and speak about the cuisine at hospitality institutions such as The Oberoi Centre for Learning and Development, Delhi.

Bale Nuruk

What We’ve Learned About Kodava Cuisine Through Kaveri
– Kachampuli is a souring and thickening agent indispensable to Kodava cuisine. Every kitchen will have a bottle or three of this dark, tart vinegar – made for centuries from the ripe fruits of the Garcinia gummi gutta tree, indigenous to Kodagu – stored away. It is a signature flavour in all the classic Coorg dishes.


– Rice is central to Coorg cuisine and used in many forms. Tari is washed, dried and hand-pounded rice that breaks down roughly into three to four bits and is used to make all the Coorg puttusAkki podi is finely-powdered rice, used to make rice rotis and batters for some fried sweets.
– 

Kartha masala, or black masala, is a signature spice blend made of slowly dry roasted, ground spices that lends a characteristic flavour to many classic recipes. The basic ingredients of cumin, mustard seeds, black peppercorns and fenugreek seeds are roasted slowly to a coffee-brown colour, powdered and used in curries. A few other spices might be used too, depending on the recipe.

Access Kaveri’s Wealth Of Knowledge
Website: kaveriponnapa.com/category/the-coorg-table/; thevanishingkodavas.com
Facebook: The Coorg Table, Kaveri Ponnapa
Instagram: @kaverikamb
Twitter: KaveriPonnapa

Images: Kaveri Ponnapa

source: http://www.femina.in / Femina.in / Home> Trending> Achievers / by Femina Food / July 22nd, 2023

Budding Kodagu Shooter Dies In Bengaluru Accident

Bengaluru:

A budding shooter from Kodagu was killed in a car accident in the wee hours of Monday on the Bannerghatta-Dasarahalli Road.

The car, a Honda City (KA-51-P-3475) was being driven by 22-year-old Kuppudira Prakhyath Chinnappa, son of Kuppudira Ponnu Muthappa and Nayana, residents of Badagarakeri Village in Ponnampet taluk of South Kodagu.

CCTV footage from the accident scene revealed that Prakhyath was driving at a high speed when he lost control of the vehicle and collided with two stationary cars and a bike parked alongside the road, resulting in his immediate death.

After colliding against the vehicles, the speeding car hit an electric pole and a roadside wall. The impact of the accident was such that the car’s engine and tyres got separated from the vehicle. Prakhyath’s three friends too sustained grievous injuries and they are recuperating at a hospital.

Prakhyath, a final year BBM student of Acharya College, was travelling on the road at 3 am on Monday, along with his friends Nataraj, Rikhith and Basanagowda. While Nataraj and Basanagowda hail from Mysuru and Bengaluru, Rikhith hails from Tavalageri village near T. Shettigeri in South Kodagu and is the son of Thadiyangada Karumbaiah and Sowmya.

Prakhyath resided in a rented house near his college and according to the Police, Prakhyath was driving recklessly when he lost control and collided with the parked vehicles on the roadside.

The Peenya Traffic Police have filed a case of death due to reckless and negligent driving against the driver. Further investigations are underway.

The Police have collected samples and sent them to the Forensic Science Laboratory (FSL) for analysis to determine whether the driver was under the influence of alcohol.

The cremation took place at Prakhyath’s hometown last evening. Family sources said that Prakhyath was actively involved in shooting competitions within India and had garnered significant attention among the Kodava community as a potential representative for the nation in the sport. He had bagged the championship at the recently held State-level shooting competitions at Birunani and                     Nelaji in Kodagu.

Prakhyath’s father Kuppudira Ponnu Muthappa is the President of Marenad Kodava Samaja and is also the President of the Management Committee of Sri Mrithyunjaya Temple, Badagarakeri. He has contributed immensely for the development of the Temple.

source: http://www.starofmysore.com / Star of Mysore / Home> News / June 20th, 2023

A Kerala tribal poet recounts life as a child labourer in the ginger farms of Kodagu

In this excerpt from his memoir, Sukumaran Chaligatha, a poet who belongs to the Adiya tribe, writes about his experience working in the ginger farms of Kodagu and the exploitation tribal workers faced.

The following is a chapter from poet Sukumaran Chaligatha’s memoir Bethimaran. The chapter, titled Kudannadili Bulenta Injimu Uganda Njathukkallumu (The Ginger Crop of Kodagu and Sustenance of Life), has been translated from Malayalam by Binu Karunakaran.

Like the Bengalis who migrate to Kerala consider the state their ‘Gulf’, the Kodagu district in Karnataka too was ‘Gulf’ for the residents of Wayanad, who were taken there for work in the ginger farms. The journey was compelling. From every ooru (tribal hamlet) they would take five to six jeep-loads of people – men, women and children – jam-packed like cattle. The children felt happy seeing the adults find work and travel because of them.

Most of the workers in the ginger farms of Kodagu were from Kerala. Landlords in Karnataka owned huge farms running into acres. Houses are located five kilometres from each other. The people who take the land on lease for cultivation have specific instructions for Malayali agents, that on this particular day, in a particular colony, you will find good workers.

Each person would have taken 20 to 30 acres of land on lease and would need five or six jeep-fulls of farm workers. We would board the jeeps at around 6 in the evening. If someone eats on the way, it would be noted down in an account book. When it was time for wage distribution, this amount would be deducted. Sometimes our wages were denied. If we needed money, an advance would be given.

Some workers would take Rs 500 as advance and then splurge Rs 300 on drinks. Whatever is left would be shared with the family to meet expenses till the worker is back. One should remember that this money is meant to last the next one or two months. While returning, what remains would be the overhead of credit against one’s name in the ledger. Sometimes we would be told that money is due to them.

The jeeps would reach Kodagu late in the night. The men would be dead drunk by then. Sighting of elephants and bison was common and the front seats of the jeeps were in demand because of this. There would never be enough seats and many would hang on to the rear throughout the journey. We would reach by 2 am and there was no option but to sleep on the ground.

In the morning, the workers themselves would have to build the shed in which they would stay. It was no better than a large cattle shed, built by cutting trees in the farm and using them as poles. The roof was made of palm leaves and grass. The shed would have a kitchen, where two women would be assigned to cook rice gruel and curries. There would be a mesiri (mestri/head workman) to monitor the workers. He would keep an accounts ledger.

The mesiri was entitled to a separate room inside the shed, where liquor was stored in white-coloured pouches called moolavettis (since the corners or moola of the pouches had to be cut to consume the liquor). Anyone who drank the stuff would spin like tops. It was nothing but plain spirit. Once opened, the packets were emptied straight into the mouth without mixing even a drop of water. The women would drink too. It was nothing like the liquor one gets in Kerala.

For men, the daily wage was Rs 75 and for women Rs 55. Each moolavetti was priced at Rs 3 or Rs 4. Men would polish off five or six packets in a day, the price of which would be cut from their daily wage. Apart from the moolavetti, there would be betel quid to chew too. Mesiri would write down everything in his ledger under various overheads. And the food? Rice gruel, rice, dried sardines, and a chutney made of chillies. The menu was the same every day. After the meal, one would have to work till 5 in the evening or 6. In the mornings, work would start at 7 or sometimes 6.

The mesiri would first arrange some workers to plough the field, then decide the date on which ginger is to be planted and take us. The process resembles a burial. Initially long beds are prepared by scooping up soil from two sides on which seed tubers are sown. There would be boys as young as 10 among the workers. They would keep sowing all day from small baskets filled with seeds, all under the fierce sun. The seeds are topped with soil and over it another layer of dried leaves and grass is added. Sprouts would appear in a month’s time. The beds need to be watered regularly.

The real danger, however, was the highly potent pesticide used in the ginger farms. From a single root, 5 or 6 kg of ginger can be obtained. Which is why pesticides are used excessively. If the price for a sack of ginger goes up by Rs 2,000 or Rs 3,000, they would be rich. I have heard old-timers sharing stories of people who became crorepatis by ginger farming. It’s like winning the lottery. For some people, cultivating ginger once is enough to make it big.

The seed tubers are kept immersed in pesticides in large pit-like tanks. Adivasi men, without any kind of safety gear, have to climb down these tanks to take out the seeds. Not even a glove is provided to take out the pesticide-coated seeds or while handling cow dung. When it’s time to eat, everyone washes their hands with a cake of soap. That’s the only safety they have. Tribal hamlets are rife with stories of people who died because of this lack of safety.

Workers are needed to dig trenches. Ten people would dig side-by-side as the work needs to be completed soon. Employers know how many people they need on a particular day. For Adivasis, the work is hellish. On top of that is the sexual harassment of women by the landlords and mesiris. These happenings are narrated as stories by those who have been to Kodagu, when they work in the fields back home. There have been instances where people have been killed when issues arise.

Once the work ends, the workers come back like kings. It’s as if they have returned from the Gulf.

When one planting phase is over, the men are sent back. After a while, weeds would start sprouting and to deal with this, women are hired. After that workers are again hired to build ledges. The ginger beds need to be filled with more soil and for that men are needed. For each phase, people are hired. When it’s time for harvest, men, women, and children are taken together. When it’s time to return, some would call from Kodagu and inform their dear ones they would be returning on such and such a date. Workers would wait with excitement if their return coincided with the Valliyoorkavu festival or with Onam. After all, they did not have much to do. On the day of return, they would be truly happy. The money they earned working for so long would be splurged in a single day. Nothing is saved. The men would spend the entire money on alcohol. Those days Adivasi men were heavily into drinking. The women would buy clothes and goods for the entire family. Then everyone would leave as a group to watch a movie. From a single colony, 10 jeeps would leave for Mananthavady. Some would go to Batheri. The ambience in the ooru would be festive. Absolutely no tension. The happiness of having returned to ooru after all the torture in Kodagu. On that day, anyone else would fail to get a seat in movie theatres in Mananthavady, Batheri or Pulpally. Everything would be booked by adivasis. If someone else enters the theatre and an altercation happens, adivasis would beat them up. Brawls would be endless and many blows would be exchanged.

When I was in Class 4, I remember listening to the stories of those who returned from Kodagu. The stories were amazing. The men would also sing songs, new songs that they had themselves made up. They spoke about places where you can fish and where the river was. It was a kind of knowledge that couldn’t be found elsewhere. I listened to these stories when studying in Class 4 and 5 and felt the urge to travel. When I told my father, he agreed. That my aunt and other family members were there too made it easier. Thus began my journeys traversing many kilometres. Do you know how many places in Karnataka I have been to? The journeys would end in big estates, places that are hard to reach, without access for vehicles. Calling out to a fellow human would often be futile as there would be no one to respond. These are the kinds of places that I worked. To live, one has to…

These were the only kind of jobs available for adivasis at that time. We have been continuously subjected to disdain for being adivasis. People could subject us to anything by spreading the idea that adivasis are not intelligent or resourceful, that there is no harm if they are threatened, beaten up or even killed. Adivasis would come and work. If we had behaved like them, there would have been no settlers in Wayanad today. Isn’t it because we were decent that they continue to live there. What if we were not so…? We became slaves when the settlers arrived. They became landlords.

I was a small child when I went to Kodagu for the first time. The wage fixed for me was Rs 5. I worked for more than two months. They owed me around Rs 800 for various kinds of tasks, but it was never given. They made me, a child, work, and then stole my money. I planted ginger seeds, I dug canals to drain water from the ginger beds. I ate rice gruel, chutney made of chillies, and dry sardines. None of us could breathe well because women, children, and men were forced to stay in a single room. And there were no toilets. We went outside, to a corner of the field to attend nature’s call. If the men fell sick, they drank a packet of arrack. Our hands never felt clean even if we took a bath, they would always look black-coloured. We learned this when comparing them with the rest of our body. How much ever we decked ourselves up, we were never clean. Our bodies and health underwent many changes. The slavery and torture we went through was never talked about in Kerala. Thinking about it even now fills us with sadness. Ithiyammas (grandmothers) would say: “We brought up 10 to 15 kids only for them to work for a single measure of rice.”

Some old-timers who went to work in Kodagu are still alive. Their bodies bear the marks of their experiences. I worked in ginger farms at a place called Hunsur till I turned 15. I was studying in Class 10 when I finally stopped working. The last time I went for slave work other than in ginger farms was at Shanivarashanthe in the Nagarahole area. It was many years later. A forested place with no human habitation. It was a time when I was jobless and had no money. The work assigned was to stand guard at cassava farms on the estate and keep away wild boars and elephants. We couldn’t speak, we were supposed to listen to whatever they told us. Sometimes they would beat us or shower us with swear words. We had to get up early. At times I was full of anger. They would wake us up at 5 am, sometimes at 3.30 am. Mesiri wouldn’t let us sleep. The reasoning was that only those who rise early work. The tasks we did were full of hardship. On some days I said that I won’t work marking it as leave. If you don’t work, there are no wages. Do you know the days I have worked despite being sick? Many, including women and children, have died. Our people did not realise that they were being exploited in Kodagu. Despite all this, our people used to sing secretly. It is through these songs that they rejuvenated themselves. I think all tribal people across the world, including Africa, would have done the same thing. They would have shared stories of their own and sang songs in between. There was no time to rest between work. No one would be allowed to even sit for five minutes after a meal. I wrote a film script titled Shanivarashanthe based on my experience.

A change came after government interventions in 2008. Many organisations took up the cause, visited the ginger farms in Kodagu, and made the reports public. It became news. People began to talk about these matters that were known but no one had bothered about till then. When adivasi organisations intervened, it became serious. It started affecting families and livelihoods. The government started to keep track of people travelling to Kodagu. The local police station was asked to keep a record of  their names, phone numbers, and dates of leaving. Until then no one knew such details. People would be stuffed till the vehicles are full. The only document was the ledger kept by mesiris, which would have names. But it would be in their hands. Gradually, the police stopped intervening. Adivasis themselves stopped going for such work. The trips to Kodagu from tribal hamlets came to a stop.

I wrote a poem called ‘Soundless Tata’ based on the experiences in Kodagu. When it first appeared in print, I felt as if the history of Kodagu itself had been documented. The poem was first written in Ravula and then in Malayalam.

Soundless Tata

An Adivasi youth

went to Kodagu

and came back

having lost

his umbrella.

The notes he had,

five or eight

were all green.

The coins, a few

more, all white. Two

dhotis and two

shirts wrapped

in a cover from Geetha

Textiles, bath towel,

a warm blanket and in

his hand a packet 

of mixture to snack.

Kids ran to him like

Usain Bolt.

The shy wife

closed her eyes, the hug 

was like Dhritarashtra’s.

Mother-in-law had

more work to do

kitchen

courtyard

kitchen

courtyard

munching by kids

ogling by neighbours

ah, you’ve come…?

Having a blast

today, having a blast

tomorrow

Met everyone, need

to leave day after,

heap soil over ginger.

Got as advance Rs 500,

Rs 200 for the wife,

Rs 50 for mother-in-law,

candies for kids,

employer hasn’t

settled the dues, kids

still have their

candies, wife’s face

is all puffed up in anger.

The jeep has come

Kodagu, Kodagu…

Will be there for the festival.

Sukumaran Chaligatha is a poet who writes in Ravula, a tribal language, and in Malayalam. He is currently a general council member of the Kerala Sahitya Akademi and also the ooru mooppan (tribal chieftain) of Chaligatha near Kuruva Dweep in Wayanad. His memoir Bethimaran, published by Olive Books, can be purchased here.

source: http://www.thenewsminute.com / The News Minute / Home> News> Literature / by Sukumaran Chaligatha / June 14th, 2023

Events – June 11: ‘CLOSET’

Inauguration of Palash Bidappa’s Designer Boutique ‘CLOSET’.

Actress Harshika Poonacha chief guest, MLAs Anil Chikkamadu, A.S. Ponnanna, K. Harishgowa and G.D. Harish Gowda and Corporator Bhagya Madesh guests of honour, ‘CLOSET,’ G3, Damden Centrum, Gokulam Main Road, V.V. Mohalla,  Mysuru ,10.30 am.G D Harish

source: http://www.starofmysore.com / Star of Mysore / Home> Events Tomorrow / June 10th, 2023

Yash, Rajinikanth, Mohan Babu attend wedding of Aviva Bidappa and Abishek Ambareesh

Actor Ambareesh’s son Abishek and Aviva Bidappa tied the knot in a grand Hindu wedding ceremony. An even more grand reception is planned on June 7.

Rajinikanth at the wedding of Aviva Bidappa and Abishek Ambareesh
Rajinikanth at the wedding of Aviva Bidappa and Abishek Ambareesh

Veteran Kannada actor Ambareesh’s son Abishek Ambareesh got married to entrepreneur and model Aviva Bidappa on Monday, June 5, in a grand ceremony that was attended by many notable personalities of the film industry as well as several politicians. Actors Rajinikanth, Mohan Babu, and Yash among others attended the wedding ceremony and blessed the couple.

Rajinikanth has starred alongside Abishek’s mother Sumalatha in a few films and the two get along well. Murattu KaalaiAnbukku Naan Adimai, and Kazhugu are three Tamil films in which Rajinikanth and Sumalatha collaborated. The ceremony also included KGF celebrity Yash who can be seen hugging Abishek in a video.

According to reports, the family will host a grand reception on June 7 in Bengaluru on a large scale. The pair appeared ethereal in the wedding photographs wearing traditional South Indian clothing. Aviva wore a red saree with gold jewelry, while Abhishek wore a beige kurta and a dhoti combo with sunglasses. The stars who attended the wedding also captured everyone’s attention with their simplicity. Rajinikanth was attired in a white kurta and dhoti, while Yash was dressed in a light pink sherwani.

Abhishek made his acting debut in the 2019 Kannada film Amar. He has also worked in the upcoming film Bad Manners, directed by Duniya Suri. Aviva is the daughter of Prasad Bidappa, a well-known celebrity fashion designer. Aviva herself is a popular model, TV personality, fashion designer and a successful businesswoman.

For the uninitiated, Ambareesh was an Indian film actor and politician from Karnataka. Ambareesh made his acting debut in Nagarahavu, Puttanna Kanagal’s National Award-winning film.. After that, his acting career continued with a brief phase of portraying antagonistic and supporting characters in Kannada films.

source: http://www.indulgexpress.com / The New Indian Express – Indulge Express / Home> Entertainment> Celebs / by Team Indulge / June 06th, 2023

Who is Aviva Bidapa, wife of Abishek Ambareesh?

The late legendary actor Ambareesh’s son, Abishek, recently got married to model and entrepreneur Aviva Bidapa. The wedding took place in Karnataka and was attended by family members, friends, as well as notable personalities from the film industry and politics. Superstar Rajinikanth, actor Yash, politician Venkaiah Naidu, and many others graced the occasion.

Several glimpses from Abishek’s wedding have been shared on social media, capturing heartwarming moments from the joyous occasion. Photos also showed the presence of renowned personalities like Rajinikanth and Yash, who blessed the newlyweds with their best wishes. Yash, along with his wife Radhika Pandit, looked stunning in matching pink ethnic attire, radiating elegance and charm. Kichcha Sudeep and Ashwini, the wife of Puneeth Rajkumar, were also at the ceremony.

Abishek and Aviva looked beautiful in ethnic South Indian attires.

Who is Aviva Bidapa?

Aviva Bidapa comes from a family with a strong background in the fashion industry. Her father, Prasad Bidapa, is a renowned celebrity fashion designer known for his contributions to the Indian fashion scene. He has made a significant impact and has been instrumental in shaping the industry. Aviva’s mother, Judith Bidapa, is also reported to be a popular personality in her own right.

Aviva herself has made a name for herself in the fashion world as a well-known model, fashion designer, and TV personality. Her skills, talent, and entrepreneurial spirit have contributed to her success in the media industry. With her diverse range of abilities and accomplishments, Aviva has carved a niche for herself and continues to make her mark in the fashion and entertainment world.

source: http://www.thestatesman.com / The Statesman / Home> Entertainment / by Suman / June 05th, 2023

Gulshan Devaiah says in age of AI, ML; he aims to support artistes monetarily for their work

Gulshan Devaiah feels that as the world gets upgraded with AI and ML, it is his responsibility to support the artistes monetarily for their work.

Gulshan Devaiah says in age of AI, ML; he aims to support artistes monetarily for their work
Gulshan Devaiah

Mumbai: 

Actor Gulshan Devaiah, who is receiving a lot of positive response for his work in the recently released streaming series ‘Dahaad’, feels that as the world gets upgraded with Artificial Intelligence (AI) and Machine Learning (ML) with the former taking over creative jobs, it is his responsibility to support the artistes financially in lieu of their work.

Recently, Bengaluru-based caricature artiste Prasad Bhat, who is the founder of Graphicurry, reached out to Gulshan to pay a tribute to him as an actor, by caricaturing some of his iconic characters.

The actor could not accept it for free. Touched by the gesture, Gulshan commissioned the work from the artiste.

Talking about the same, Gulshan said” “If I really like something then I’m willing to pay for it. I’m very grateful & privileged to receive offers from artists to make me something for free but it’s their livelihood too and in this age of Machine Learning and AI, the least I can do is support artists by offering to pay them their rates”.

Prasad had picked Gulshan’s looks from his movies and series, like ‘Commando 3’, ‘Dahaad’, ‘Goliyon Ki Raasleela Ram-Leela’, ‘Mard Ko Dard Nahi Hota’, ‘Ghost Stories‘, ‘Durangaa’, ‘Badhaai Do’, ‘Hunterrr’, ‘Death in the Gunj’ and ‘That Girl in Yellow Boots’.

The actor further mentioned: “Prasad offered to make me something. I liked his idea and decided I wanted to commission him to kinda summarise my career until now with his art. I’m very happy with Prasad’s caricatures and each one of them has wonderful memories attached to them.”

Meanwhile, on the work front, Gulshan who was last seen in the movie ‘8 A.M. Metro’, opposite Saiyami Kher, will soon begin filming his upcoming action thriller movie ‘Ulajh’ with Janhvi Kapoor and Malayalam star Roshan Mathew.

source: http://telanganatoday.com / Telangana Today / Home> Entertainment / by IANS / June 01st, 2023