Chennai Super Kings (CSK) captain MS Dhoni was recently seen partying with his wife Sakshi at former teammate Robin Uthappa’s house.
MS Dhoni’s entrepreneur friend Hitesh Sanghvi shared an Instagram story on Thursday, December 28, in which the couple posed with Robin Uthappa and his wife in their Dubai residence.
Hitesh Sanghvi’s latest Instagram story
On the cricketing front, MS Dhoni will next be seen in action in the upcoming edition of the Indian Premier League (IPL 2024). Earlier this year, he led Chennai Super Kings (CSK) to their record-equalling fifth IPL title.
As many as 10800 devotees initiated the Koti Geetha Lekhana Yajna on December 27 at the Gayathri Kalyana Mantapa.
Sri Sugunendra Theertha Swamiji himself preached the oath ceremony of registering the initiated devotees for Koti Geetha Lekhana Yajna, a religious global initiative of the swamiji.
Sankarshana Prakhanda Koti Geetha Lekhana Yajna Parivara, Kushalnagar, Kodagu district, organised the event in the presence of Sri Sushreendra Theertha Swamiji, junior seer.
As many as 10800 devotees participated in the event.
source: http://www.daijiworld.com / Daijiworld / Home> Karnataka / by Daijiworld Media Network – (TP) / December 28th, 2023
I wish to thank Santhosh Thammaiah for his touching and respectful tribute (“The Soldier who Saved Siachen”) to my late father, Lt. Gen. B.C. Nanda in SOM dated Dec. 26, 2018. I am immensely proud of what my father achieved in his professional career and, most of all, of what he meant to me as a beloved father.
I would, however, like to correct a portion of the account here: My father’s role model was his father, B.S. Chengappa (Chief Conservator of Forests, Andaman Islands) whose extraordinary work and contributions are held in high regard. It is from him that my father’s lifelong association with, and love of, nature and environmental issues came. It was during the early years of his childhood in Andaman Islands that my father’s keen observations of natural life began. This was the bedrock of my father’s interest in nature and environment.
As a young boy of 7, my father was able to assist a visiting English Naturalist in compiling an extensive list of local names for the fish of the Andaman waters — knowledge that he had imbibed through his passion for fishing, combined with a sharp eye and ear for all things in the natural world. Anyone who knew my father would know what an amazingly keen and astute observer of animal and bird life he was.
After my father retired from an illustrious career in the Indian Army in 1989, he devoted tireless hours to various causes, be it the issues and concerns of ex-servicemen, adventure sports foundations, or giving fresh direction and impetus to the Coorg Wildlife Society, to name but a few.
Over the years, my father, on his regular visits to Kodagu, visited Field Marshal Cariappa’s residence, to pay his respects as a nephew.
Also, my parents had always planned to retire in Kodagu.
Thank You once again for this tribute to my father.
Note: I had not met Lt. Gen. Nanda personally, but had seen him from afar and heard about his interaction with people living in remote villages beyond Gaalibeedu. I was told he was visiting Sri Bhadrakali Temple at Monnangeri, staying overnight in the humble house of a local. I heard of Gen. Nanda’s humility and love of nature when I visited his host’s house about five years ago.
My contact with him was mostly per letters on issues concerning Kodagu and Kodavas. On reading his daughter Shalini’s letter, I tried to look for Gen. Nanda’s letters in my file and was able to find just one written by hand. It is an eloquent testimony to what his daughter has written and his abiding love for Kodagu. Hence, I reproduce it here below. – K.B. Ganapathy, Editor-in-Chief
Dear Sir,
Thank you for sending me a copy of your letter dated 10.8.2003 addressed to Mr. Ulliyada M. Poovaiah. I fully endorse your view that the Kodavas must be united. We are at the moment making efforts towards that end. I am sure you are aware of what is happening.
When I retired from service after 40 years in uniform, the Govt. of India sent me messages after messages asking me if I wanted a job. I declined as I needed to attend to my personal affairs that had been totally neglected. Any query to Mr. K.C. Pant, Mr. Jagmohan or Mr. Naresh Chandra will confirm what I say. Also Mr. Arun Singh. Later it was Mr. Moily. Now that I think back— may be that if I had accepted those offers — Kodavas would have benefited in some ways. It was just that those living in comfort in Kodagu were swallowing up my heritage and my land — I needed to put this in order.
I continue to dedicate myself to Kodagu and the Kodavas. With best wishes and regards
Yours sincerely,
B.C. Nanda
(15th Sept., 2003)
source: http://www.starofmysore.com / Star of Mysore / Home> Voice of the Reader / January 04th, 2019
Supreme Court Judge Justice A.S. Bopanna and his wife Monica being felicitated by Ajjikuttira family members at a function held at Kodava Samaja in Ponnampet recently on his elevation as the Judge of the country’s Top Court.
Family members A.C. Subbaiah, Raja Nanjappa, A.C. Poonacha, A.K. Achaiah, A.S. Madaiah and others were present on the occasion.
source: http://www.starofmysore.com / Star of Mysore / Home> Photo News / January 02nd, 2020
Women from the Kodava community showcase their shooting skills at ‘Thok Namme’. | Photo Credit: Special Arrangement
On Monday, December 18, hundreds of Kodavas in the Kodagu district came together for a unique get together called “Thok Namme” (Gun Carnival), emphasising the cultural significance of the gun in their tradition.
On the occasion of the United Nations World Minorities Rights Day, the Codava National Council (CNC) organised the 14th Annual Public Gun Carnival in the district. Kodavas, during their festivals, engage in the worship of firearms.
Speaking to The Hindu, CNC president Nandineravanda U. Nachappa said, “This is the only such gun carnival in the country, observed annually by members of the Kodava community. It aims to raise awareness about the legislative rights of Kodavas to possess a gun.” The gun carnival event included a collective gun worship ceremony during which guns were adorned with flowers and worshiped. Subsequently, shooting competitions were organized for children, women, and men.
Women from the community enthusiastically took part in the event, showcasing their shooting skills by hitting a coconut hung several yards away. Speaking to The Hindu, Kaliyanda Meena Prakash said, “Equality between men and women is a cherished aspect of our community. Kodava women actively participate in various shooting competitions held throughout the district. Our goal is to train and pass on shooting skills to the younger generation.”
“The guns have a prominent position in the lives of Kodava Kshatra tribals and are being worshiped at the Nellakkiyadi, which is an important place for the tribals,” Mr. Nachappa explained. Senior Congress leader and MLC B.K. Hariprasad, and Virajpet MLA and Karnataka Chief Minister Siddaramaiah’s legal advisor A.S. Ponnanna participated at the event.
source: http://www.thehindu.com / The Hindu / Home> News> India> Karnataka / by Darshan Devaiah B.P. / December 19th, 2023
It narrates the ancestral connection with the elements of nature and recounts mythological tales.
Madikeri :
Rhythmic and upbeat songs fill the air across the villages of South Kodagu during summer. Dressed in bright and colourful attire, villagers dance to the rhythm of nature and mythology while visiting each house – marking the celebration of the unique festival ‘Bodu Namme’ aka ‘Bedu Habba’. People dress as brightly coloured tigers in body paint and slush smeared hay, as bamboo horses and elephants… to an outsider, it seems like a mass fancy dress event.
However, this unique festival of the indigenous tribes of Kodagu is much more than fun and frolic. It narrates the ancestral connection with the elements of nature and recounts mythological tales.
Following the ‘Cauvery Theerthodbhava’ (gushing of river Cauvery at Talacauvery) festival in October, the ‘Bodu Namme’ is kindled at the Kunda Hills near Ponnampet in South Kodagu. Rituals are offered at the Ishwara Temple in the village, marking the beginning of the ‘Bodu’ festive season. Post the first ‘Bodu Namme’, several other villages in South Kodagu celebrate the festival after the Kodava New Year (in April) and each village narrates its rich folkloric culture. The festival is linked to the folklore of Ishwara and Bhadrakali.
There is a Kodava saying – ‘Kundathl Bottl Nhenda Kudure, Paranamanil Alunja Kudre’ – that states that the horse (made of bamboo) that was raised in the Kunda Hills marking the beginning of ‘Bodu Namme’ will be sacrificed at Paranamani, ending the annual festivity. “At Paranamani, the festival is about the story of deity Ishwara and demon Basmasura. Three horses and two elephants made of bamboo collected from the sacred grove in the village are worshipped and later sacrificed,” explained Raghu Machaiah, a resident of Paranamani.
Mythological stories connected to each village are unique, he says. “The different costumes in which the villagers dress up during the festival depict the different forms of Lord Ishwara.” Another story links ‘Bodu Namme’ to the story of the deity Bhadrakali. “In the deity’s ferocious avatar, no one could calm her down. To appease her, devotees worship her in different attire. Tiger, hay costumes, cross-dressing by men of the village are ways to placate the goddess,” narrate Parvathi Chengappa and Kundranda Sannu Pemmaiah of Aimangala village.
Villages in South Kodagu – Chembebelluru, Aimangala, Parana, Kavadi, Bilugunda, Nalvathoklu, Kutandhi, and Aarji – observe the festival. “Natives here are indigenous and Ishwara worshippers,” explained Parvathi. As was inevitable, modernity touched the tradition of outlandish dressing. Politicians, famous and infamous personalities, film actors, comedians, and mafia kingpins have found their way into the festival of appeasing Goddess Bhadrakali and Lord Ishwara. During the festival, people visit every home across the village to offer prayers and seek blessings.
Apart from the fascinating fusion of colours, the festival also stresses the protection of nature with many restrictions, including a ban on cutting trees during the celebrations. “The history of ‘Bodu Namme’ dates back to ancestral times, and the rituals and culture of this festival have stood the test of time. While it looks exciting, there is a religious aspect to the festival. In an era of rapid urbanisation, the festival unites villagers and speaks of love, trust and harmony,” opined Shashi Somaiah, a resident of Madikeri.
source: http://www.newindianexpress.com / The New Indian Express / Home> States> Karnataka / by Prajna GR, Express News Service / May 22nd, 2022
The invigorating aroma of the coffee blossoms carried by chilled breeze, the midnight green ambience along the loopy roads… it is not just the abundant natural beauty that makes Kodagu a distinct place. Its people — the Kodavas — with discrete culture and heritage, boost the glory of this coffee land.
Be it the language (Coorgie), cuisine, attire or rituals, Kodava culture moves away from the humdrum reckoning a distinct ethnic identity. And safeguarding this ethnicity while preserving their way of life is the architectural legacy known as the ain mane or ballya mane.
Ain Manes (ain in Coorgie translates to original) are the ancestral heritage homes of the Kodavas that reflect the eminence of a sanctum sanctorum. With quintessential framework, an archetypal heritage home comprises traditionally-carved wooden , bricked white and red walls, intricately-carved wooden doorways and windows. With a typical style, each of them has an unmatched old-world charm.
Every corner of the house is given a name and holds mythical importance. With two types — the othe pore (single roofed house) and mundh mane (courtyard house) — the traditional features of ain manes include kannikamba (a sacrosanct pillar), kayyale (verandah), aimaras (wooden slabs in the verandah), machi (wooden ceiling), mundh (open courtyard) and kannikombre (worship room). Most of the ain manes have kaimadas – a sacred shrine built to worship the ancestors. Since the existence of nuclear families, there were outhouses built around the premises called ale pore.
While the interiors reflect somber and subdued beauty, its exteriors manifest valour and strength. As Chakku Chengappa, a member of Nadikerianda clan, explains, “Hidden and safeguarded amidst the estate were the fort-like structures of ballya mane (ballya means huge); built in this manner to prevent an ambush from enemies. The entrance to the ain mane has many sections. There is a long curvy oni (alley), bakka pare and ala pare (extensions of the alley), which lead to the verandah.”
Nonagenarian Nadikerianda Muthamma adds, “The Kodava women were known to be beautiful, and this is why ain manes needed to be protected at the time of British rule. However, today the ain manes play an important role in reuniting families.”
“Much more than just a roof over the head, ain manes are an important part of the tangible heritage of the native community of Kodagu,” write Boverianda Chinnappa and Nanjamma in their book Ainmanes of Kodagu. Built in the ancestral or the jamma land the ain mane is a binding force that is a pillar of strength — both literally and figuratively. Many findings state that the inception of the concept of ain mane dates back to eighth century.
The origins
“The early settlers of Kodagu stayed in forests as a family. Due to feudal fights, it was common for people with the same bloodline to stay together in a small thatched hut. These settlements grew in size and became stronger, which made the ruling king seek their support. In return, the king gifted them land, which is the jamma land. As their living conditions improved, they built a strong fort-like structure on the jamma land, which came to be known as ain mane or ballya mane,” explains Boverianda Nanjamma.
However, the architectural style takes its root from Kerala. She adds, “Kodagu grew paddy abundantly but depended largely on Kerala for other commodities. During the travel for exchange of commodities, the Kodavas were pleased by the Kerala architectural style and there flowed workmanship from Kerala to build the ain mane.”
While there are over 900 clans in existence in Kodagu, not all of them have an ain mane. Nanjamma explains, “During the research work for our book, we found out that many deteriorating ain manes were never rebuilt.” According to their findings, only 40% of the ain manes were renovated keeping the tradition intact and the rest did not see the light of the new era.
Today, there are over 400 ain manes in existence and each of them belongs to a patriarchal clan, which is recognised by unique family names known as mane pedas. They bustle with ritualistic celebrations during festivities including Putthari, Kailpodh and annual kola (spirit dance). “The annual hockey matches conducted between families shed light on the revival of ain manes,” opines Kayapanda Shashi Somaiah, a journalist in Kodagu. Nonetheless, the revival of the ain manes are not just a process of renovation of age-old structures but also a resurgence of Kodava culture.
Unity in diversity
The Kundyolanda clan, which has 35 families, has its ain mane in Kolakeri village that was recently renovated to its pre-eminence. The rituals followed in this ain mane are uncompromising and many. “It is a family temple for us. We strictly adhere to the rituals and it is mandatory for women to wear traditional Coorgie saree and vastra (veil) over the head while entering the house. Apart from this, there are various other restrictions followed religiously in the ain mane,” explains Kundyolanda Dinesh, owner of a hotel.
They have a 400-year-old othe pore ain mane with 14 rooms, but there is no one residing here. However, it is made sure that lamps are lit twice a day and the house is maintained meticulously. “Each nuclear family of the clan takes turn to maintain the house and no one can back out from their duties,” he explains.
The Nadikerianda clan, with over 40 families, has a mundh ain mane in Karada village, which bustles with ritualistic activities during the festivals. A diligently maintained heritage home, it reflects the glory of the past and is keeping alive the the culture and traditions. A 350-year-old house, it has a kaimada and a snake shrine in its premises. With 10 rooms, it has a beautifully-carved wooden window frame and a small wooden post box at the entrance. The huge mundh open to the skies is supported by four wooden pillars — all carved differently.
The Arapattu Mukkatira clan has their ain mane in Kadanga village. With 13 rooms, the uniqueness of this ain mane is that it has two mundhs and two kayyales. A 300-year-old structure, it is said that the temple treasure from the village Bhagavathi Temple was locked safely in a wooden treasure box kept in the attic of this ain mane. This wooden treasure box still lies in the attic. “We are a clan of 45 families. The age-old rituals are still in practice here. The renovation of the house is soon to take place with help from all the family members,” explains Katty Uthappa, deputy manager of a bank.
The Biddanda family has the ain mane built in the property gifted by King Veeraraja in 1795. With eight partitions in this mundh mane, there is a kaimada close by and the pictures of ancestors of eight generations can be seen hanging on the wall at the entrance. “One of our ancestors, Sarvakayaka Bopanna, was very close to the king. His (Bopanna’s) tombstone is right next to King Veeraraja’s tombstone,” explains Biddanda S Ganapathi, a retired navy officer.
The ain manes are a matter of pride to the Kodavas and are unique to their ethnicity. This uniqueness in architecture has been adopted by many resorts in Kodagu that woo the tourists. However, ain manes do not just demonstrate pride but bespeak culture. They are the souls of Kodava rituals, and their revival provides a surety to Kodavas’ customs and legacy.
source: http://www.deccanherald.com / Deccan Herald / Home> India> Karnataka / by DHNS / January 24th, 2017
The East End Hotel is a well-established hotel and restaurant located in Madikeri, Coorg, Karnataka, India. It’s known for its comfortable accommodations and a restaurant that offers a diverse menu of Indian and Chinese cuisine.
Amidst Coorg’s embrace, where nature’s sighs, East End Hotel’s dishes, a feast for eyes, In sonnet’s verses, their essence shall rise.
Spice-Infused Symphony: Chicken Biryani
In fragrant notes, where spices entwine, Chicken Biryani, a dish divine, Each grain tells tales of flavors that shine.
Tandoor’s Enigma: Seekh Kebab’s Delight
From the tandoor’s flame, where secrets ignite, Seekh Kebab’s Delight, a savory flight, Each bite whispers stories of the spicy night.
Garden’s Bounty: Vegetable Manchurian
In the garden’s embrace, where colors unite, Vegetable Manchurian, a veggie’s delight, Each ball of joy, in the sauce takes its flight.
Coastal Rhapsody: Fish Curry’s Dream
By the coastal breeze, where waves excite, Fish Curry’s Dream, a sea’s endless sight, Each morsel dances in the flavors so right.
Paneer’s Serenade: Paneer Butter Masala
In creamy melodies, where curdles unite, Paneer Butter Masala, a vegetarian’s light, Each bite in richness, brings comfort to sight.
Sweet Euphoria: Gulab Jamun’s Bliss
Under dessert’s spell, where sweetness takes flight, Gulab Jamun’s Bliss, in syrup’s embrace so tight, Each dumpling of joy, in the sugary night.
At East End Hotel’s table, where dining complies, These dishes, in sonnet, their essence shall rise, In Coorg’s heart, where nature’s beauty belies, A poetic feast, under the open skies.
A sonnet is a structured and highly stylized form of poetry that has been used for centuries in various literary traditions, most notably in English and Italian poetry. The sonnet is a structured and versatile poetic form known for its precise structure, rhyme scheme, and meter. Its rich history and ability to convey complex themes in a concise manner have made it a beloved and enduring style of poetry in both traditional and contemporary poetry.
source: http://www.timesofindia.indiatimes.com / The Times of India / Home> News> Blogs> Lifestyle / by Food Connoisseur in Symphony of Taste, Lifestyle. TOI / September 10th, 2023
Kodagu Gowda Samaja President Thotambylaya E. Manohar said that the new auditorium of Kodagu Gowda Samaja at Vijayanagar Railway Layout in the city will be inaugurated on Dec. 23 at 9.30 am.
Addressing media persons at Pathrakarthara Bhavan in city yesterday, Manohar said the auditorium built on the top of the existing building will be inaugurated by Adichunchanagiri Mutt Seer Dr. Sri Nirmalananda-natha Swamiji and Adhi-chunchanagiri Mutt, Mysuru branch’s Someshwaranatha Swamiji. Mysuru-Kodagu MP Pratap Simmha, MLA K. Harishgowda, former MLAs L. Nagendra and Vasu, President of Kodagu Gowda Samaja Okkoota Soorthale R. Somanna, former Corporator K.V. Sridhar and others will participate.
Kodagu Gowda Samaja Vice-President Kuyyamudi B. Ramappa, Honorary Secretary Kuntikana S. Ganapathy, Assistant Secretary Kaleramma M. Nanaiah, Directors Naduvettira G. Lakshmana and Kombarana U. Basappa were present at the press meet.
source: http://www.starofmysore.com / Star of Mysore / Home> In Briefs / December 20th, 2023
Writer Sangeetha Raviraj was presented with the Gowramma Endowment Fund Award given by the District Unit of Kannada Sahitya Parishat.
Madikeri:
Kannada Sahitya Parishat district unit president Sangeetha Raviraj was conferred with the Gowramma Endowment Fund Award for Kodagu.
She was felicitated with a shawl and fruits and tambourines at a function held at Saraswathi DEd College auditorium in the city on Monday. Speaking on the occasion, Sangeetha Raviraj said that valuable writings should increase. Only then will a new wave be created in the society. She also opined that creative writing will be seen.
In the past, writings upheld the value of society. Writings should come in that direction. She said better literature should be written.
She suggested that the Sahitya Parishat should take the lead in reprinting the book Gowramma of Kodagu.
Writer Kasthuri Govindammaiah said that literature hides the pain of the mind. He said that writing helps in documenting the happenings of the society.
Gowramma of Kodagu has written many stories and poems to highlight the ups and downs of the entire society. He said that the youth should be able to develop a taste, taste and fondness for literature.
It is a matter of happiness that a programme is being organized in the name of Gowramma, who has contributed immensely to the field of literature in Kodagu. The exception that Kodagu has not contributed to the field of literature is decreasing today. He said that it is highly self-evident that women today are not confined within the four walls but also pervade the field of literature.
He advised the students to take full advantage of the opportunity available in the competitive era and move forward.
Speaking as the keynote speaker, Smita Amritraj said that Gowramma’s stories are about questioning, protesting and highlighting the slants of society through literature.
Sreekumar, principal of Saraswathi D.Ed. College, said that the shortcomings of the society can be highlighted through literature. In this regard, he suggested that students should study the work of Gowramma of Kodagu.
Janapada Parishat district president B.G. Ananthasayana said that students should develop literary writing and share it with everyone. Similarly, scientific writings should come, he said.
Lokesh Sagar, president of the District Unit of The Sahitya Parishat, said, 5. Gowramma of Kodagu is the birth anniversary and is being celebrated as Literature Day. The reason why Kodagu has made a name for itself at the national level is the freedom struggle of Gowramma of Kodagu and her love for literature. Keeping this in mind, gowramma’s birth anniversary is being celebrated, he said.
There was talk that Kodagu was lagging behind in literature. However, this problem has been overcome in recent times and the role of women writers in this has been immense, he said. He said that various programmes are being organised through the district unit of Kannada Sahitya Parishat.
Baithadka Janaki Belyappa spoke. The winners of the competition were Sirigowri (1st), Aishwarya (2nd), Vishank (3rd) and Shravani (Consolation Prize).
Kishan Poovaiah, Diwakar, K.S. Ramesh, Sunitha and Muralidhar were present.
source: http://www.vijaykarnataka.in / Vijay Karnataka, Kannada / Home> Kannada News> Kodagu / by Vijay Karnataka / March 06th, 2018
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