The Sandooka-makers of Kodagu

In the village of Bilugunda in Kodagu district is a Bhadra-Kaali temple. At the centre of its annual festival, is the ‘kudure’ procession — a group of Kodavas centred around a boy wearing a hollow frame with the head and body of a horse. During this festival, an oracle called Airira Devani accompanies the procession, as his father Boju used to in the past.

‘Kodava’ is both the name of a caste and a language. Around twenty castes of Kodagu, besides the Kodavas, speak the language. The Airi are one of them. Airira is the most common family name among this community. 

According to researchers Boverianda Nanjamma and Chinnappa, the Airi were once skilled artisans, often either achari (carpenters), thatta (goldsmiths) or kolla (ironsmiths) by profession.

Central to the Airi community and Kodagu is the local mythology built around six gods and a goddess. Igguthappa is the chief among these siblings. Pannangalathamme, the younger sister of Igguthappa, has three main temples dedicated to her in the villages of Yavakapadi, Kedamallur and Armeri.

The Pannangalatamme temple gateway in Armeri

Near the Armeri Pannangalathamme temple lives an Airi family. Kaveriappa, an elder of the family, was my guide. He led me from the temple to his ainmane in Ettmani hamlet. It is an old, two-storeyed house with a red-tiled roof and in need of maintenance.

The front yard is roughly paved with large stones. The veranda has traditional wooden pillars rising from a low wall and a plank used as a seat between the pillars. Inside the house, there are pictures of various Hindu gods on the wall. 

Treasure chests

This family in Armeri is called Mookairira. The word ‘Mooka’ means ‘eldest’ in Old Dravidian. The family got its name because they were the elder of two branches of an Airi clan. The younger branch was called ‘Ele’ (younger) Airira. 

A Sandooka made by the Airis of Armeri

The Mookairira clan used to make sandookas and troughs for the kings and lords of Kodagu. Sandookas are wooden boxes used to store jewellery, documents, and other objects. It has a hinged lid, and is called a chandooka in Kodava. The family showed me an old one in their possession which had several small compartments inside.  

A sandooka is a treasure trove, used to store precious objects which invoke feelings of nostalgia, fondness, attachment and joy in its owner. Common in the old houses of the Kodavas, they were a symbol of family, heritage and inheritance.

Unfortunately, sandooka-makers are now on the decline. The Mookairira, like others in their community, have switched over to agriculture for a living.

Kaveriappa got his family members Sujay and Kiran to help him explain things to me. “We were originally from the Vishwakarma caste. We brought our family goddess Cheerambe with us and established her nearby. Every year, around April 25, we offer her paal-pann (cow’s milk and fruits),” Kaveriappa explained. 

They were given to hunting in the past. A large odikaththi war knife, probably made and used by their forefathers, was displayed on a yellow plastic stool. Like the Kodavas, the family worships their Guru Kaarana (principal ancestors) and offers them food and drink during an annual ceremony. They showed five small metal plates with crude human figures in relief on them, representing their deceased relatives.

Small metal plates with the images of the deceased family members

The periphery of their settlements was lined with stone piles. They had two small stone troughs in their garden. There was an old bent stone post in the yard. A pair of old stone posts and a lane with stone steps which led down to the fields were nearby. There was a large stone trough in their fields. It was said that this was made for the elephant of Uththa Nayaka, a Kodava ruler from Armeri.

Kiran, a Class 9 student, led me across the fields to a stone quarry nearby. This must have been the place where the family procured stone for making troughs and other objects in the past. The quarry forms a depression in a hillock and hence holds a large pool of water.

The family reportedly used to make traditional knives, and woodwork in ainmanes, temples, forts, and palaces. They were also employed as goldsmiths and carpenters by the kings. Largely forgotten, these skills are no longer being learnt by the family descendants and their community. But there are people from across castes making some of these articles nowadays.

source: http://www.deccanherald.com / Deccan Herald / Home> Spectrum> Spectrum Top Stories / by Mookanda Kushalappa / February 08th, 2023

Madikeri: B D Jagadeesh Rai elected president of Kodagu district Bunts association

The annual general body meeting of Kodagu district bunts association was held on February 5 at Cavuery hall in the city.

Entrepreneur B D Jagadeesh Rai was elected as the new president of the association unanimously. V Ravindra Rai, entrepreneur of Kushalnagar was unanimously chosen as the chief secretary.

Vice president B K Ravindra Rai gave details of assests of association and trust. He also said that some members are spreading false propaganda with regards to the assets of the association. There is no truth in those statements. Accurate records of the assets are with the association and anyone can verify the same anytime.

Speaking on the occasion, Ravindra said, “We have got together after many years. Former president and secretary and conveying false information to the people. Some have declared association by themselves. Earlier, they did not even show interest to call the meeting of administrative committee.”

New president Jagadeesh Rai said, “There will not be any chaos in future. All works needed for the community will be carried out. Bunts bhavan is required for the community. It will be done during my tenure. Office bearers of the association will be elected soon.”

Virajpete Ratnakara Shetty, who declared himself as the president of the association without anyone’s consent and made derogatory video on social media about the community was rusticated from the association for indefinite period.

Many gave proposals with regards to the development of the association.

Secretary Harish Rai read the report. Treasurer B N Ratnakara Rai presented financial report. Honorary president B B Aithappa Rai did the introductory speech.

Balakrishna Rai welcomed the gathering. Kishore Rai Kattalekadu compered the event. Hita Yogesh Shetty offered prayers and rendered vote of thanks.

source:http://www.daijiworld.com / Daijiworld.com / Home / Daijiworld Media Network – Madikeri (MS) / February 10th, 2023

Coorgi Saree: Know why Coorg prefer this style of saree draping

Coorgi Saree: Know why Coorg prefer this style of saree draping

HIGHLIGHTS

The pallu is neatly tucked over the shoulder and saree pleats are pushed backwards, the above style of saree draping is Coorg style of adorning saree.

The above style reflects the unusually beautiful culture of Coorg.

__________

Coorgi saree hails form the neighbouring state of Karnataka and it is very popular across the globe for its unique draping style.

While wearing the saree in this style, pallu is neatly tucked over the shoulder and saree pleats are pushed backwards, this one is also called Kodagu style saree or kodava Attire.

Along with this saree, women of Coor wear a piece of cloth which looks similar to the saree on their head, called vastra.

Origin

The origin of Coorgi saree is associated with a mythological tale of the great sage Agasthya and his wife Cauvery. The legend has it, that Cauvery transformed self in a river so that, she can serve people. The sage Agasthya tried his best to stop his wife from transforming herself into a river in the process her saree pleats were pushed back. It was from that time that women from Coorg wear saris in this manner.

Why Coorg women prefer this style?

One of three reason, the fable of Sage Agasthya and his consort Cauvery is an inspiration for the women in Coorg to drape their saris in Kodagu style. Another main reason for them to wear their sari is, they feel comfortable and make it convenient for them to move around in the hilly slopes of the area and even climb trees.

The Kodagu style draping is unique

The above style reflects the unusually beautiful culture of Coorg. The pleats of the sari, which are usually in the front in other saree, here, they are tucked at the backside of the waist. Similarly, the pallu of the saree too is draped from rear to front tucked neatly over the shoulder. These look apt when work in lustrous fabrics such as silk, satin or cotton for crisp pleating.

Originally, coton fabric was used to tie the above style of saree. But, when the British people annexed Coorg, they brought numerous changes to the Coorgi sari and the style of stitching. The blouse or jacket, which is worn beneath the sari also witnessed few changes from time to time and even the neckline changed and band collar and high neckline was introduced. Fabrics such as velvet and satin and silk were also experimented with.

The coorgi sari is coupled with blouse or jacket that is available in different styles. A veil or vastra (head scarf) is added in case of a bride. There is a petticoat along with another undergarment of calf length, which is usually made using cotton wool, Coorg being usually cold.

Be it a small celebration to one own’s wedding, kodava attire is worn by every women with great pride.

These sarees are made using different kind of fabrics, which make them ideal for every season or occasion. Mostly wedding attire, the brides in Coorg wear a red colored Kodagu style saree made with golden dots and she combines it with a red blouse and a red head scarf . Accessorized well with tradtional gold jewelry and shoes and socks. The kodava attire is unique on its own.

source: http://www.thehansindia.com / The Hans India / Home> Life & Style> Fashion / by Mary Sagaya / Hans News Service / February 07th, 2023

Pombolak Kodava Koota Holds Puthari Othorme Koota

Mysore/Mysuru:

Puthari Othorme Koota of Pombolak Kodava Koota, Vijayanagar 4th Stage, was held recently at Kodava Samaja here.

Mundottira Jaya Chengappa, President of Pombolak Kodava Koota, welcomed. Hon. Secretary Chottanda Chengappa read the report of various activities undertaken by the Koota. 

Sponsors’ list was read by Joint Secretary Guddanda Rashmi Uday.

Kullachanda Vinutha Kesari, Treasurer, presented income and expenses of the Koota. 

Boppanda Appaji, Mallengada Sharan Somaiah, Mullanda Vinu,  Theetharamada Dr. Devaki, Thithira Beena, Sports Secretary Adikera Sajan Kariappa and area representative of Kodava Samaja Ammanda Somaiah were the dignitaries on the dais.

Thathira Bheemaiah, Vice-President, proposed a vote of thanks.

The entire programme was anchored by Kullachanda Sahana Kesari. Kodava traditional dances were the highlight of the function.

The members actively participated in all the activities.

source: http://www.starofmysore.com / Star of Mysore / Home> News / February 06th, 2023

National Defence College team in Kodagu

An 18-member team from National Defence College, New Delhi visited Gen. Thimayya Memorial Museum at Madikeri in Kodagu district on Wednesday.

The team was led by Air Vice-Marshal Tejbir Singh who said that the museum is a source of inspiration for present and future military leaders and eulogised Gen.Thimayya’s role in strengthening the defence forces.

source: http://www.thehindu.com / The Hindu / Home> News> India> Karnataka / by The Hindu Bureau / February 01st, 2023

Flower show at Raja Seat

Tourist footfall at Raja Seat in Madikeri has risen with the top tourist destination and one of the most visited sites in Kodagu hosting a flower show since Friday.

The flower show concludes on February 6.

Nearly 20 species of flowers and about 12,000 plants are part of the show with special floral decorations.

The highlights of the show include varieties of exhibits created in flowers, bonsai plants and others.

The Principal Secretary, Horticulture, Rajendra Kumar Kataria, visited the flower show with Deputy Commissioner B.C. Satish on Saturday.

source: http://www.thehindu.com / The Hindu / Home> India> Karnataka / by The Hindu Bureau / February 04th, 2023

Famous For Its Tea, Assam Trying To Carve Its Name On India’s Coffee Map

Coffee cultivation is mushrooming in Assam following the growth of cafes, government-backed guilds and organic farmers in the northeast.

Famous For Its Tea Assam Trying To Carve Its Name on India Coffee Cultivation Map Famous For Its Tea, Assam Trying To Carve Its Name On India's Coffee Map
A woman picking coffee cherries on a plantation. About 4,700 acres are used for coffee farming in the Northeast. ( Image Source : Getty Images )

Guwahati: 

Assam, famous for its tea worldwide, is also making efforts to carve its name in the coffee map of India. With the growth of cafes, government-backed guilds and organic farmers in the Northeast, coffee cultivation is mushrooming in Assam. 

Navin Kumar Bahl Ryntathiang, Joint Director, Coffee Board (northeastern region), said they have put a lot of emphasis towards making coffee cultivation a major farm produce in the region.  

“We have a total planted area of 4,600–4,700 hectares of coffee cultivation. From all seven states combined, the average production has been around 150 MT. Coffee is a biennial crop that is grown on an alternative schedule. If it has a high count for the current year, it can have a low count the next year,” Ryntathiang told ABP Live.  

About 4,700 acres are used for coffee farming in the Northeast. According to data, coffee is cultivated on 479 hectares in Arunachal Pradesh, 429 hectares in Assam, 1,100 hectares in Meghalaya, 1,300 hectares in Mizoram, 932 hectares in Nagaland and  264 hectares in Tripura.

Arabica and Robusta are the two main types of coffee grown. Robusta is cultivated in lower altitudes (500–1000 meters above sea level) while Arabica is grown in altitudes 1000–1500 meters above sea level.

While there are only two-three regions where coffee is grown in Assam, it is majorly cultivated in Haflong in Dima Hasao district. Mostly Arabica coffee is grown in Haflong.

Robusta coffee is mostly cultivated in Assam districts of Karbi Anglong, Chirang, Bijni besides others. A coffee research center is also located in Karbi Anglong.

Both the Arabica and Robusta types are produced in Assam and Meghalaya.

Arabica is mainly cultivated in Mizoram and Nagaland’s steep terrain. Robusta coffee is mainly found in Arunachal Pradesh’s Dirang area in the West Kameng district.

“Main farming areas are in Meghalaya and Mizoram. When it comes to producing coffee, Assam leads the way, followed by Arunachal Pradesh and Meghalaya” Ryntathiang said.

source: http://www.news.abplive.com / abp Live / Home> News> India / by Pallav Bora / February 04th, 2023

In pics: Crowd at Book Fair, postal stamp unveiling and more news from Kolkata

A quick look at the day that was for Kolkata.

pix: Suvendu Das/My Kolkata

To commemorate the distinguished services rendered by General KS Thimayya, Padma Bhushan, DSO, a commemorative postage stamp and the first day cover were issued by the Department of Posts and Army Postal Service Corps at Fort William, Kolkata on February 4, 2023.

Lt General RP Kalita, General Officer Commanding-in-Chief of the Indian Army’s Eastern Command, and Col of the Kumaon & Naga Regiments and Kumaon Scouts unveiled the stamp and signed the First Day Cover in the presence of prominent dignitaries, veterans, senior serving Army officers and the present and Ex-Commanding Officers of 4 & 8 Kumaon, the battalions where General KS Thimayya had served.

source: http://www.telegraphindia.com / The Telegraph Online / Home> My Kolkata > News / by Kolkata Web Desk (edited) pix 2 of 4 / February 04th, 2023

MKF Museum of Art presents exhibition, ‘Realism Revisited’ in Bengaluru

Featuring works of artists Amit Srivastava and Duhita Samaiyar, the exhibition will go on till February 5

Two oil paintings at the exhibition
Two oil paintings at the exhibition

“Classical realism portrays how human beings naturally see the world. Different (art) movements will come and go; there will be contemporary takes on it so that realism can be used to document what’s happening in our times. But the genre itself will never lose relevance – it will never go away,” said artist Amit Srivastava. We spoke to him at MKF Museum of Art in Bengaluru. The Delhi-based artist was in town for the exhibition Realism Revisited, which is featuring some of his paintings along with the works of Coorg-based artist Duhita Samaiyar

“…it’s what the canvas does to you”

Apart from their shared passion for classical realism, the artists share one more commonality – both of them started pursuing art as a full-time career later in life. For instance, an IIT-Delhi alumnus, Amit had a successful career in IT before he quit it in pursuit of his long-standing passion for the arts. He then studied under master painter Anthony Ryder at The Ryder Studio in the US. According to Amit, the most profound learning he received there was when Anthony Rhyder told him, “It’s not what you do to the canvas, it’s what the canvas does to you.”

Taking cues, Amit now has developed a body of work that can be described as a synthesis of  “careful observation and classical painting techniques,” based on his belief that when one pays enough attention to something, it opens up to them. 

Amit’s works showcased at the ongoing exhibition bears testimony to that. Seemingly mundane objects like teapots and wine bottles find their way as recurring motifs in his still-life paintings. But little nuances like the play of light on the objects would suggest a painter with an observant eye and patient mind. 

Morning Tea, an oil painting by Amit Srivastava

“Teapots, wine bottles…these are things I am very close to because I am a very tea-and-coffee person,” the artist smiled and said. Speaking further about the exhibition, he said, “This is a very refreshing exhibition for people in Bengaluru because it’s a different take on realism. From academicians and accomplished artists to collectors and students, this exhibition is something that must be seen.”

“…when you paint from life, you understand the special relationships among objects”

On the other hand, Duhita only started pursuing art as a full-time career at the age of 45. A graduate of the National Institute of Fashion Technology (NIFT), Duhita had a rewarding career as a fashion designer. It was only in 2015 that she decided to use her natural flair for arts and enrolled in The Florence Academy of Art. Since her graduation in 2018, she based her art on the observation of nature and universal themes – which had, by then, disappeared from contemporary art schools. 

One can see similar themes portrayed in her works at the gallery. Even still images featuring antique objects — like old copper vessels — carry an element of nature like an egg. When asked whether she is trying to put any particular message consistently through most of her works, the artist spoke about championing environmentalism. 

One of her still-life images displayed at the exhibition — called the Antique Brass and Benares Silk — features an azure silk cloth coming out of a brass vessel as if it is ‘pouring’ the cloth. The artist let us in on the story of its creation. “The vessel you see was the kind of vessel Indians used to carry water in, long ago; the silk cloth was representative of water. During the time, a lot of thoughts around water conservation were going on in my mind… and about how marine life is dying.” The painting also depicts a candle that has gone off, symbolising that we are running out of time in conserving and regenerating natural resources.

Antique Brass and Benares Silk, an oil painting by Duhita Samaiyar

On a concluding note, the artist also shared notes on the techniques of her craft and how painting from life makes a work of art more interesting. “When you paint from a photograph, the image is very flat. But when you paint from life, you get a sense of depth, a sense of all the special relationships among the objects, and how the effects of atmosphere diffuse edges.”

The artists also spilled beans on the future of artists in a world filled with AI-driven art tools, their upcoming projects, and much more. To catch up, listen to the exclusive two-part series of interviews to be out soon on Spotify and YouTube!

Till February 5, 11 am onwards. At Lavelle Road. Details: +919019276294.

E-mail: prattusa@newindianexpress.com
Twitter: @MallikPrattusa

source: http://www.indulgexpress.com / Indulge Express , The New Indian Express / Home> Culture> Art / by Prattusa Mallik / February 03rd, 2023

20th Annual Meet Of Ramakrishnanagar ‘I’ Block Kodava Welfare Association

Mysore/Mysuru:

The 20th Annual Sathyanarayaswamy Puja and Annual Meeting of Ramakrishnanagar ‘I’ Block Kodava Welfare Association and adjoining residents was held recently under the Chairmanship of Kodandera Puspha Machaiah at Shree Ganapathy Temple in Ramakrishnanagar.

Puja rituals were performed by Kadiyamada Kariappa couple.

Advisory Committee Members Dr. Kodira A. Kushalappa, Kattera A. Nanaiah,  Maletira Ganapathy – Vice-President,    Kenjangada Cariappa –   Secretary  and Codanda Swagath – Joint Secretary/ Treasurer were present on the occasion along with about 50 Kodava families.

source: http://www.starofmysore.com / Star of Mysore / Home> News / February 01st, 2023