Meeting held on rejuvenation of Lakshmanteertha river

The Karnataka State Western Ghats Chairman Ravi Kushalappa visited Hunsur on Thursday and apprised himself of the pollution in Lakshmanteertha river that flows through the town.

The tributary of the Cauvery is highly polluted, carrying untreated sewage from various towns along its course, and efforts to clean the river has not yielded the desired results so far.

Mr. Ravi Kushalappa met the local MLA H.P.Manjunath, Deputy Commissioner Bagadi Goutham, ZP CEO Yogesh, Deputy Conservator of Forests Mahesh Kumar and other officials and held extensive interaction on reviving the quality of the river.

Citizens of Hunsur including NGOs and environmentalists who met Mr. Kushalappa also gave their feedback and the latter promised to incorporate the suggestions while drafting an action plan to clean up the river.

The activists suggested that release of untreated effluents including sewage into the river should be stopped and measures should be initiated to treat the effluents and sewage and diverted for secondary use in agriculture.

There are small rivulets that join the river to augment the volume of water but some of them have been encroached and the flow has been blocked, said the activists. Hence efforts should be made to clear the encroachment to facilitate inflow of water.

S. Sreekanth, founder of Development through Education (DEED), an NGO working for tribal rehabilitation and empowerment, said it was imperative to take up massive afforestation along both the banks of the river and declare them as an eco-sensitive zone to improve the local environment.

There was also a suggestion to divert Konganahole rivulet to Lakshmanteertha to augment the river flow. Activists also called for a crackdown on sand mining along the course of the river and said that the action plan to rejuvenate the river should be implemented in a time-bound manner.

source: http://www.thehindu.com / The Hindu / Home> News> States> Karnataka / by Special Correspondent / January 06th, 2022

A Place Apart: English Translation Of Some Kodava Poems

There are two basic forms of writing. One is prose and another verse. Prose is used in speaking and writing, distinct from verse. Prose follows a basic grammatical structure. In verse, poetry, there is compromise on grammar and even use of words and phrases. It is called poetic liberty. It follows a metrical structure.

With this, brief, succinct introduction to prose and verse, let me take on a book that landed on my desk for review and critique. The title of the book  ‘A Place Apart – Poems From Kodagu,’ is alluring. It is originally written in Kodava language, a dialect, using Kannada script. The author, a junior college lecturer in Kodagu and a Kodava by race.

Much thought and labour seem to have gone into the writing and production of this book which carries both translation from Kodava language (written in Kannada script) into English and a transliteration where Roman script (english alphabets) is used to write the original poem, just as Kannada is used in the first part of the book that contains 21 poems.

The translation and transliteration are by Kaveri Ponnapa, the famous author of the book ‘The Vanishing Kodavas,’ a magnum opus of a pictorial, research-based book on Kodava people, their heritage, culture and a dismal future. She has a Master’s Degree in Social Anthropology from London. Naturally, the book acquires its importance because of the quality of the translation and transliteration that enables the reader to understand the sound and pronunciation of the spoken Kodava language.

She has indeed played the role of James Boswell to Dr. Samuel Johnson, the english lexicographer, so to say. Of course, Boswell made Johnson more famous by writing a masterpiece of a biography of the latter. Let it be. But here, the book of 21 selected Kodava poems written by B.P. Appanna and rendered into english by Kaveri Ponnapa, seems like serendipity for B.P. Appanna in getting a scholar of Kaveri Ponnapa’s stature to select his works for this book in english. For me those poems, described elsewhere as ‘deceptively simple poems’ did not seem to portray, as claimed, ‘the sense of dislocation and erosion of identity’ of Kodava people at all. This  was the subject of Kaveri Ponnapa’s book ‘The Vanishing Kodavas.’ Here it is a poetic narration of Kodagu’s natural beauty — the deep verdant valley, the cloud kissing peaks of mountain ranges, dark forests, wildlife — almost like a prose sans soul, emotion, without igniting imagination in the reader.

Even so, this book will surely expose the author and the translator to the world outside Kodagu ignorant of Kodagu and Kodavas, a land and its people with distinctive geography and culture.

Kodava language, the dialect, has its vocabulary limited to that of the hunter-gatherer of the early ages related to agriculture, hunting and skirmishes. Naturally, a Kodava writer or a poet has to express himself using these limited vocabulary only. To overcome this handicap, perforce he has to borrow words from another language, here Kannada. Which is why, for example, in one poem where he should have used the pure Kodava word ‘Batte’ for road, he has used the word ‘Marga’, road in Kannada. May be for the purpose of alliteration in the stanza.

The transliteration section of the book is a testimony to Kaveri Ponnapa’s patience, tenacity and dedication to her work. It is a transliteration of the Kodava poems (written in Kannada script) using Roman, with a Kodava-english key to reading them. It offers an opportunity to those who do not know Kannada but know english to approach the sound and sense of Kodava language.

According to Kaveri Ponnapa, Romanisation like this will offer a practical opportunity to keep the language alive by reaching out to maximum number of speakers. Indeed, very true. As she further avers, “If we are looking at a way to taking endangered languages into the future, we need more speakers (and also readers).”

Here is her final word to those who tried to develop a new script for Kodava language, including the well-known Kodava author I.M. Muthanna. She says: “Languages like Kodava Takk do not need new scripts, they need more accessible scripts that open them up to a greater number of speakers or readers.”

We read in ‘Alice in Wonderland’, ‘What is a book without pictures’ and ‘A picture is worth a thousand words.’ Fortunately, for the reader of this book, there is much consolation and compensation when he sees those water-colour illustrations of people, places and artefacts of Kodagu the land, by artist Rupesh Nanaiah. Wish they were in colour. They speak about the subject of the book more eloquently than all  those words.

I also wish Kaveri Ponnapa had chosen for this book some poems from other Kodava poets also.

There are some brilliant poems written by non-Kodavas about Kodagu and Kodavas like Panje Mangesh Rao, for example. A Kodava Sanyasi of Ramakrishna Ashram Swami Shambhavananda, I.M. Muthanna and others too have written about the people, flora and fauna of Kodagu that evoke nostalgia among the old and the diaspora.

Anyway, A Place Apart is a significant contribution to the Kodava community and its literature. The book must adorn every Kodava household and also the libraries of every Kodava Samaja. To purchase the book, contact: Dushyant on WhatsApp 99009-99994 or place your order at: https://www.coorg.com/kaveri.

e-mail: voice@starofmysore.com

source: http://www.starofmysore.com / Star of Mysore / Home> Columns> abracadabra / by K.B. Ganapathy / January 08th, 2022

Precious Stones Plundered From Pattighat In Kodagu

Forest Dept. complicit, says MLA; seeks high-level investigation

Madikeri: 

Rampant illegal mining of precious stones has been reported from Pattighat Reserve Forests (Nishane Motte) near Bhagamandala of the Western Ghats under the very nose of the Forest Department and those who are duty-bound to protect it have now been accused of openly allowing plunderers to loot the forest wealth.

These smugglers are unearthing gemstones from the forests with the help of locals and selling them at a premium to luxury hotels, jewellery shops, spas and massage parlours. These virgin forests are an integral part of Kodagu and the Western Ghats and except for wild animals and Forest Department staff, no one — not even cattle — is allowed inside.

In such a forest, covered with fully grown trees, deep pits are dug and mud is lifted out and loads and loads of mud are sieved for precious stones, especially red ones, resembling rubies. Ironically, the Forest Department camp and the tents where they stay guarding the jungles are located metres away from the places that have been dug up and still, this has not come to the notice of the Department.

The Pattighat Reserve Forests begin at the very end of Thannimaani village that can be reached from the entrance gate of Bhagamandala via Karike Road. One has to trek around a six-kilometre area that is full of ravines and steep gorges to reach there. The Reserve Forest is spread across 2,200-hectare land and joins the Subramanya-  Kadamakal Forests.

While Subramanya Range Forest comes under Dakshina Kannada, Koojimalai, Suttathmalai Pushpagiri Wildlife Sanctuary and Pattighat (Nishane Motte) comes under the jurisdiction of Kodagu district. Public entry has been banned here and unfortunately, this ban is a blessing in disguise for smugglers to carry out the illegal stone mining.

The 30-ft pit dug up to extract precious stones.

Well-concealed operation

When the first report of this rampant precious stone mining was reported by some local villagers of Bhagamandala a week back, teams from the Forest Department were sent to inspect the area. But strangely, the inspecting teams did not find any pits dug up deep inside the forest. They only found mounds of mud from where the pits were dug and the same was reported by the teams to their higher officers.

Even as the Department justified that there are no pits, local villagers said that a little bit of effort would have unearthed the entire racket as the pits were cleverly covered with hay stack, small wooden blocks and mud.

The pits were finally spotted on Jan. 6 by the Forest Squad personnel who were accompanied by Assistant Conservator of Forests Mohiseen and Chairman of Karnataka State Western Ghats Task Force, Shantheyanda Ravi Kushalappa.

The Forest Department base camp at Pattighat.

Mining network spread out

According to people in the know of things, this mining activity has been going on in many reserve forests around Kodagu especially in the Bhagamandala region for the last 20 years. Before the Pattighat was declared as a Reserve Forest, the illegal mining was concentrated on one or two locations from where the stones were extracted. However, after the Reserve Forest restrictions came into place, mining spread out to many locations.

For instance, one deep pit that was used to excavate soil was closed in 2020 with cement. Recently, another 4-ft wide and 30-ft deep pit has been dug nearby and from there, another ‘L’ shaped pit has been dug up connecting this deep pit, shocking the Forest Squad.

The tent set up by forest watchers 10 metres from the pit.

Organised gangs camp in woods

So organised the gangs are that many earth-digging implements, pulleys and ropes to pull out mud, sieves, cooking vessels, fireplaces and iron rods and pipes have been recovered indicating that the smugglers camp inside the area, set up fireplaces and even prepare food. How can this be possible without the Forest Department knowing, ask local villagers. The stones earlier used to fetch a price of Rs. 500 to Rs. 700 per kg, now costs over Rs. 30,000 to Rs. 50,000 per kg, making it a lucrative deal for smugglers. The illegal trade was first reported in the 1990s at Subramanya Forest Range and Pushpagiri Ranges. Gradually, the trade spread to Madikeri and Bhagamandala ranges.

Once the stones are extracted, they are polished and marketed to massage parlours, five-star hotels and spas. Once polished, the texture and appearance of the stones change and they look similar to precious gemstones.

Jewellery shops too purchase these precious stones and they are sold with actual precious stones. The stones, in different colours, are used in ‘hot stone massage’, ‘aromatherapy’ and the quality is decided on the stones texture after polishing.

Excavation materials camouflaged to prevent detection.

Regular affair since 2007

Illegal mining at Pattighat Reserve has been rampant since 2007 and the name of an influential person from Madikeri circling around the racket. All the investigation that has been conducted so far is just an eye-wash and only lower-rung Forest Department staff has been the targets. All the senior officers who have been in-charge of Pattighat Reserve Forests since 2007 must be investigated for the truth to come out. It is clear that the Forest Department is complicit. I will press for a detailed investigation and impress upon the Government to conduct a high-level probe. — K.G. Bopaiah, MLA Virajpet

1 guard, 2 watchers missing

Our inspection clearly establishes the involvement of Forest Department staff and without their knowledge, no one can enter the core area of the Reserve Forests. This is a classic case of the fence eating the crop. Villagers here say that some unscrupulous Forest Department officers take bribes up to Rs. 5 lakh to Rs. 10 lakh to allow mining once inside the forests. One forest guard and two watchers are missing from duty and they must be arrested. 

Shantheyanda Ravi Kushalappa, Chairman of Karnataka State Western Ghats Task Force

source: http://www.starofmysore.com / Star of Mysore / Home> News> Top Stories / January 08th, 2022

Mangaluru: Varsha Acharya makes big in action, fashion

Mangaluru : 

Varsha Acharya with versatile talent is making her big career in both acting and fashion designing industry at the same time.

Coastal region always known for producing talents and Varsha Acharya is one who manages both professions with ease. In her short span of career, Varsha has grown exponentially with managing multiple roles that can set example for young generations.

Varsha Acharya hails from Kodagu, has done her pre-university at Canara College and fashion designing at Karavali College. Varsha is the daughter of Venkataramana Acharya and Vidyalatha Acharya and has a sibling Vrushab Acharya. Varsha was titled ‘Princess of Malnad’ in a beauty pageant in 2016.

During her fashion designing course at Karavali College, Varsha used to do lots of shoots, designing where the opportunity popped out for Varsha four years ago through Hombanna.

Varsha Acharya was always passionate about designing, illustrations, paintings. Apart from acting Varsha has shown interest towards fashion designing for several occasions. Kannada movie Padavipoorva was the first breakthrough for Varsha to showcase her creativity in fashion designing. Apart from fashion designing, Varsha is playing a key role in the movie Padavipoorva.

Varsha has also designed a main sequence in the movie Abracadabra directed By Shishir in the banner of Paramvah Studios. She is also the designer for an album song as well in a movie starring Pruthvi Ambar And Kushee Ravi, while two projects as an actor is on card. Varsha is delighted to pull of both the professions equally by being an actress and a designer.

Speaking to daijiworld.com about her dual job Varsha Acharya said, “Although they are two different professions, there is quite a bit of overlap but it all comes under how passionate I am about the work I do to manage both the professions equally. Being an actor was always my passion, as I have done my Fashion Designing i love to carry forward that in the industry too as if feel I can put both under the same roof.”

She also says, “Acting is all about fitting into the character and requires more of homework, practice and so on. Perhaps in Fashion Designing we have lot of groundworks, pre-production, try to figure out different looks of the character, fitting them in , figuring out the exact time scales per project for the preparations of the attire, time management, sudden schedule changes, being active, involvement, interest. I love to take challenges. It’s a whole different feeling being in both the professions.

“I will have a clear idea about the costumes once the script is narrated. I always have a word with my directors if they have any particular visually planned ideas, so that I can get an actual output as per the director’s plan, she says.

When asked about managing tight deadlines, Varsha says, “Tight deadlines have always made me feel good, that makes me happy knowing that I am doing good at it. However tight the schedule is, I keep my charm and smile on my face that makes my work even easier.”

source: http://www.daijiworld.com / DaijiWorld.com / Home> Coastal> Cine World / by Daijiworld Media Network – Mangaluru (ANK) / January 05th, 2022

HC junks PIL against construction of jungle resort in Kodagu, slaps Rs 50K fine on petitioners

The petition was filed by PS Mohan and others from Kodagu district on the ground that permission was not obtained from the central government under the provisions of the Forest Conservation Act.

Bengaluru :

The Karnataka High Court on Tuesday slapped a cost of Rs 50,000 on a group of petitioners for wasting the precious time of the court by filing a public interest litigation challenging the construction of the Jungle Lodges and Resorts (JL&R) by the Karnataka State Tourism Development Corporation (KSTDC) at Dubare forest in Kodagu district.

“We are of the view that the writ petition is filed without any material to support the contention raised in the petition and it appears that it has been filed with ulterior motives in order to pressurise the respondents — the state authorities. The conduct of the petitioners as such is deprecated for the purpose of wasting the precious time of the court by imposing cost of Rs 50,000 which has to be paid to the Karnataka State Legal Services Authority,” said a division bench of Chief Justice Ritu Raj Awasthi and Justice Suraj Govindaraj.

The petition was filed by PS Mohan and others from Kodagu district on the ground that permission was not obtained from the central government under the provisions of the Forest Conservation Act for construction of JL&R.

In counter, the government advocate contended that no permission of the central government is required for construction of the jungle lodge by the KSTDC in the reserve forest area coming under the state government.

The counsel of JL&R raised preliminary objections regarding the maintainability of the petition. It was alleged this petition was filed on some personal interest and that JL&R has installed river rafting activities in Dubare area which adversely affected the petitioners. But no public interest is involved in the petition and it has been filed with ulterior motives, the counsel of JL&R argued.

After hearing the parties, the court noted that the JL&R which was constructed in Dubare is a body created by the KSTDC which itself is totally controlled by the state government and no private interest is involved in the activities of the JL&R.

source: http://www.newindianexpess.com / The New Indian Express / Home> States> Karnataka / by Yathiraju, Express News Service / January 04th, 2022

Olympian M.P. Ganesh, Padma Shri Awardee, Is ‘Coorg Person Of The Year-2021’

Mysore/Mysuru:

Olympian M.P. Ganesh, who captained the Indian hockey team and was honoured with the Padma Shri by President Ram Nath Kovind, is Coorg Person of the Year-2021.

Mollera Poovaiah Ganesh, hailing from Suntikoppa in Kodagu district, was selected ‘Coorg Person of the Year’ in a poll conducted by www.coorgtourisminfo.com, Kodagu’s first news portal, promoted by journalist and author P.T. Bopanna.

There may not be many such extraordinary instances of a person running away from home to join the Army ending up at the Rashtrapati Bhavan to receive the coveted Padma Shri. Ganesh was also conferred the Arjuna award in 1973.

Ganesh, born on July 8, 1946, was an achiever both on and off the field. Though he ran away from home without informing his parents to join the Army after writing his matriculation examination, Ganesh managed to complete his MA in English, diploma in sports coaching from the National Institute of Sports, Patiala and Ph.D in Physical Education.

Although Ganesh joined the Army to fulfil his childhood dream of becoming a football player, he failed to make it to the football team. Then he went for the hockey selection where he was successful. This goes to prove the adage that “hockey is in the blood of the Kodavas.”

Ganesh represented the Services (Defence Services) in the National Hockey Championships from 1966 to 1973.

After he found a place in the Indian hockey team in 1970, Ganesh played for India at the 1972 Olympic Games in Munich, finishing third. He was one of the coaches of the Indian team that won a gold medal at the 1980 Olympic Games in Moscow.

Ganesh, a right winger, twice represented the country in the Asian Games, first in 1970 in Bangkok and then in 1974 in Tehran. He was in the Indian team that won Bronze at the first World Cup in Barcelona in 1971 and captained the team that won Silver at the next World Cup in Amsterdam in 1973.  He also played for World XI in 1972.  Ganesh last played for India in 1974, as his career was cut short following a knee injury.

His most disappointing moment probably was during the finals of the World Cup in Amsterdam when India lost to Netherlands in the finals, after missing a penalty stroke.

Ganesh had a long reign as a sports administrator. He served as Director of Sports Authority of India (South) and in 2017 took charge as the High Performance Director and CEO of the National Hockey Academy in Delhi.

He is married to Keethiyanda Prema and their only son Ayyappa passed away when he was 20 years old due to a rare medical condition.

P. Shrividya Somanna, who helped Ganesh to put together his autobiography ‘Living The Dream: My Autobiography’ told this reporter that Ganesh’s wife Prema was instrumental in motivating him to pursue his higher education.

source: http://www.starofmysore.com / Star of Mysore / Home> News / January 01st, 2022

Culture Ministry starts work on ‘Year of Saudi Coffee’ initiative

The traditional Arabic coffee has always been associated with generosity and the unique Saudi hospitality. (Shutterstock)

A wide range of programs, events and competitions will be held throughout 2022

The ministry was inspired by the traditional Arabic coffee cup for the logo, which has always been associated with generosity and the unique Saudi hospitality.


The ministry started working on the “Year of Saudi Coffee” when Minister of Culture Prince Badr bin Abdullah bin Farhan announced the initiative and allocated an electronic platform for the celebrations: 

https://engage.moc.gov.sa/year-of-saudi-coffee.


The ministry also provided a detailed description of the initiative and its objectives and set guidelines for using the visual identity. At the end of January 2022, the platform will provide a space to receive the ideas of individuals and all parties wishing to implement joint projects that serve the initiative and promote its objectives.


The initiative is part of the Quality of Life Program, one of the Kingdom’s Vision 2030 realization programs, through which the Ministry of Culture seeks to celebrate the cultural value of Saudi coffee and its close connection with the customs and traditions of the Kingdom.

______________

HIGHLIGHT

At the end of January 2022, the platform will provide a space to receive the ideas of individuals and all parties wishing to implement joint projects that serve the initiative and promote its objectives.

______________

The ministry, in cooperation with the Culinary Arts Commission, plans to hold a wide range of programs, events and competitions under the initiative’s umbrella throughout 2022, with government and semi-governmental agencies, private sector institutions, restaurants, hotels, cafes and individuals involved in this field.


Through this initiative, the ministry seeks to celebrate Saudi coffee as a distinctive cultural product of the Kingdom and contribute to its marketing locally and internationally, in addition to encouraging related products and activities.


It further aims to highlight the Khawlani coffee produced in southern Saudi Arabia and underline how coffee is prepared in different ways in each of the 13 Saudi regions. It also details how coffee is served to guests in various ways, which gives the Kingdom’s coffee a unique cultural depth.

source: http://www.arabnews.com / Arab News / Home> News> Saudi Arabia / January 01st, 2022

Kavery Nambisan’s account of healthcare in India reveals bitter truths but also beacons of hope

‘A Luxury Called Health’, written by a doctor who is also a novelist, needs to be not only read but also discussed.

Kavery Nambisan. / Modified from screenshot via YouTube / Author TV

What do you get as a reader when a writer of fiction, and also a surgeon who has worked closely in both the public as well as private health sector, picks up her pen to write on the state of the health system in the country?

The answer is easy: you get a book that lays bare the fact that the health of the citizens of a nation is an investment, that the health system is a part of nation building and effective governance and that it is time to learn from mistakes that have been made and continue to be made.

You get a book that comes from years of working amidst the dust and the grime of government health care set-ups, from having observed the profit-oriented approach of the private sector. A book that offers quiet hope that things can, and must, improve.

What’s wrong…

Kavery Nambisan’s first work of non fiction, A Luxury Called Health: A Doctor’s Journey Through the Art, the Science and the Trickery of Medicine, is exactly what its title says, with little drama or exaggeration. It is an honest examination of this thing called healthcare, of the systems that are working and not working, of the people who are its faces and, at times, because of whom, healthcare turns into what it should be: effective, affordable and something that can be trusted by everyone.

A passage from Fyodor Dostoevsky’s The Brothers Karamazov, where a doctor examines a terminally ill patient in a very poor home, that features in the introduction is an apt reminder of what happens when the poor try to access healthcare: the hope and despair felt by the patient’s loved ones and the disdain that the doctor projects. It sets the tone for what follows in the subsequent chapters.

Later, Nambisan conveys how patients and their families often put doctors and healthcare staff on the pedestal of demigods and do not try to find out about the nitty gritty of how illnesses are treated. This makes them resort to threats and abuse when things do not go as they should.

From the early traditional medical practices to the first steps taken in India to institute a medical institution to train and educate health-workers and medical staff, the author puts the focus on how the poor health of individuals affects the overall well-being of a nation. She takes readers into the time the seeds of a new nation were being sown and, along with them, the hopes and aspirations that went to building the health care system. It was a task made more difficult by entrenched caste practices, such as those of not even touching corpses, leave alone dissecting them as medical students.

Nambisan’s note of appreciation for the first wave coming from Kerala when it was still a profession that had few takers soon after Independence is a reminder of how far the health care system has come. But, as she shows with anecdotes and analysis, with this has come disparities between the public and the private sphere when it comes to health.

… And what’s right

What works for this book is that it stays clear of rhetoric or the blame game. Instead, it injects humaneness through personal insights while making a point on how the health system is interconnected to nutrition, poverty, hygiene, water, and sanitation. Nambisan makes the point that urban development ends with more buildings but little attention to, among other things, waste and rainwater management and water resources, which in turn, affects the health system. She emphasises that treating medical situations on a case by case basis, without a holistic strategy for improving health, leads to little progress.

Thankfully, none of these heavy-duty issues weigh down the book and for that we have the quality of her writing to be thankful to. Perhaps only a writer of fiction used to the economy of words would have been able to cover such complex matters in a little over 300 pages. There are no appendices with tables and data, for the author speaks from her own long years of practice, with quiet, unwavering authority.

The use of anecdotes from the history of medical practices across the world and in India, peppered with the author’s own experiences, makes the book come alive in a way that is informative as well as thought-provoking. In one chapter that details the list of medical procedures in a health set-up, Nambisan admits how easy it is to treat patients as mere technicalities, and that it takes a lot to probe further or ask questions of a supervisor or senior colleague.

There is little of handwringing or giving into hopelessness, even when the book details corruption and political apathy, as well as greed. In a chapter titled “Doctoring Reality”, the author highlights rural initiatives started by medical practitioners who have given up lucrative placements to set up affordable and accessible services. It makes you wonder why we don’t see many of these inspiring stories in the mainstream media.

Towards the end the author takes readers into her personal space, as a spouse having to play part- bystander and caregiver when her husband, the acclaimed poet Vijay Nambisan, is diagnosed with cancer.

Kavery Nambisan’s voice is gentle but firm, with words of caution about how critical it is to listen to the voices on the ground, the doctors who work in remote areas with poor resources. For they are the ones whose intervention saves lives, instead of following protocols laid down by international organisations like the WHO, especially in the wake of the Covid-19 pandemic.

A Luxury Called Health is an important book, one that needs to be read and discussed. It exposes the failings of the medical system in the country over the years, but it also shines a light on the people who mend worn-out bodies and organs, bringing hope and succour.

Chitra Ahanthem is former editor of Imphal Free Press, a newspaper published in Manipur. She is also a Manipuri-to-English translator.

A Luxury Called Health: A Doctor’s Journey Through the Art, the Science and the Trickery of Medicine, Kavery Nambisan, Speaking Tiger Books.

source: http://www.scroll.in / Scroll.in / Home> Book Review / by Chitra Ahanthem / December 19th, 2021

Don’t Wear Kodava Traditional Dresses For Political Events

Akhila Kodava Samaja appeals not to trivialise tradition to appease politicians

Madikeri:

The Akhila Kodava Samaja has unanimously decided not to use the Kodava traditional dresses to appease any political party and not wear it to any event that is political or have any connection to politics.

Samaja President Mathanda Monnappa had recently issued a press note appealing to the community members to desist from trivialising the ‘Kuppiya Chele’ and other outfits by wearing them to all and sundry events. Now the Akhila Kodava Samaja has formally taken the decision in this regard at its AGM held in Virajpet on Dec. 28.

All the traditional dresses like the ‘Kuppiya Chele’, ‘Mandethuni’, ‘Peeche Kathi’ worn by the male members of the community and the traditional ‘Vasthra’, and traditional ornaments worn by women of the community should be worn only to the events and functions of the community where the dress has more value.

These dresses cannot be worn at political rallies or whenever a political leader comes calling. “It has been observed that Kodava community members wear the traditional dresses whenever a political leader comes to Kodagu. This is insulting to the community as the elders have attached special significance to the dress and there is a decorum to be followed,” the Samaja decided.

Also, the Kodava traditional dresses like ‘Bolakaat’, ‘Kolaat’, ‘Ummathaat’ that have a religious significance and performed only at temples and village sacred places must be restricted to the places where they are meant to instead of performing such dances on every dais and also at any political rally or event. These dances and dresses must not be a thing to exhibit. Rather they must serve the community purpose they are meant to.

Dress code at holy places

The Akhila Kodava Samaja also called for strict implementation of dress code at all the holy places of Kodavas in the district including Talacauvery and Bhagamandala that have now become a place of tourist attraction. The management committees of the respective temples must impose restrictions and effectively implement the same, the Samaja has decided.

Appealing to the community members not to indulge in wasteful expenditure during events like wedding and child naming ceremonies where usually there is unlimited supply of liquor, the Akhila Kodava Samaja has said that the community members must exercise restraint and must not indulge in wasteful expenditure.

Community welfare

Also, the community must serve its own interest in joining hands with Kodava Samajas that initiate plans and programmes for the welfare of the community. Everyone must voluntarily cooperate with each other for the larger interests of  the community.

Pointing out that unity is a crucial aspect in keeping the community strong, the Akhila Kodava Samaja has appealed to the community to resolve the issues between families and within families in an amicable way. Family unity, unity with other families and unity of villages will go a long way in protecting the interests of the community, it stated.

Mentioning about the way Kodavas indulge in criticism about each other and each other’s political views on social media platforms, the meeting advised the community members not to discredit a fellow Kodava just to serve political interests. Efforts must be made to strengthen the community instead of criticising each other, the Samaja  has stated.

source: http://www.starofmysore.com / Star of Mysore / Home> News / December 30th, 2021

Sprinter Machettira Raju Poovamma marries boyfriend in Mangaluru

Poovamma has represented India twice in Olympics and four times in the World Championship.

pix: mangaloretoday.com

After a brief courtship, sprinter Machettira Raju Poovamma married her boyfriend, Malayali athlete Jithin Paul, at a wedding ceremony organised at Adyar Garden in the city’s outskirts on Wednesday.

The reception is being planned in Chalakudy in Kerala on January 1. Povamma, a native of Mangaluru, specialises in 400m running and is presently serving in ONGC Mangaluru.

In the Asian Championship, Povamma had won two medals in 2013, two medals in 2015, one medal in 2017 and three medals in 2019. In the Asian Games she won two medals in 2014 and two medals in 2018.

She has represented India twice in Olympics and four times in the World Championship. Jitin Paul, a champion in the 400m hurdles, had represented India in the Asian Games and the Commonwealth Games. He had won silver in the 400m hurdles on the SAF Games. He’s at the moment working in the Revenue Tax Division in Pune.

source: http://www.deccanherald.com / Deccan Herald / Home> State> Karnataka Districts / by Harsha , DHNS, Mangaluru / December 29th, 2021