Monthly Archives: June 2014

Sarajevo art museum gets boost from Italian coffeemaker

Sarajevo-born artist Dean Jokanovic Toumin, designer of a special edition illy coffee cup, holds up one of the cups, in the ARS AEVI museum of contemporary art in Sarajevo, June 4, 2014.  CREDIT: REUTERS/DADO RUVIC
Sarajevo-born artist Dean Jokanovic Toumin, designer of a special edition illy coffee cup, holds up one of the cups, in the ARS AEVI museum of contemporary art in Sarajevo, June 4, 2014.
CREDIT: REUTERS/DADO RUVIC

( Reuters) – It is hard finding a bright side to the museum scene in the Bosnian capital Sarajevo, where the Olympic Museum burned down during a 1992-95 siege by Serbian forces and the main national museum closed in 2012 for lack of funds.

But thanks to a grant from the Italian government and a plan by Italian coffeemaker illycaffe to sell designer coffee cups to support the project, there is hope for one man’s vision of creating a modern art museum for a city still suffering the aftershocks of the ethnic conflict of the 1990s.

“That night when the museum was burned down, a spontaneous idea emerged as a reaction to all those religious and ethnic divisions,” said Enver Hadziomerspahic, who directed the 1984 Sarajevo Winter Olympics opening and closing ceremonies.

The idea was “to invite world artists to form a collection of their own future museum of contemporary art which would become a symbol of a new Europe and an expression of international collective will”, he told Reuters in an interview.

Hadziomerspahic lobbied European museums and galleries to take part in the project even while the war, pitting Muslim Bosniaks against Orthodox Christian Serbs and marked by the longest siege in modern history, still raged in Bosnia.

Museums in Milan, Prato, Venice – all in Italy – and Ljubljana and Vienna became partners of his ARS AEVI collection. That helped persuade world-renowned artists such as Michelangelo Pistoletto, Marina Abramovic, Joseph Beuys and Janis Kounelis to donate works for a collection estimated to be worth around 20 million euros ($27 million).

Twenty-two years on, the collection of around 150 works is still homeless because of political bickering in the Balkan country, where rival ethnic elites cannot agree on any nation-wide cultural project.

But a temporary ARS AEVI exhibition depot was opened in Sarajevo in February after the Italian government contributed $1 million through UNESCO.

Special edition illy coffee cups are pictured in the ARS AEVI museum of contemporary art in Sarajevo June 4, 2014.  CREDIT: REUTERS/DADO RUVIC
Special edition illy coffee cups are pictured in the ARS AEVI museum of contemporary art in Sarajevo June 4, 2014.
CREDIT: REUTERS/DADO RUVIC

LIMITED EDITION CUPS

Last Thursday, Trieste-based illycaffe launched a limited edition of its art cups designed for ARS AEVI by Sarajevo-born artist Dean Jokanovic Toumin. The unique lines of cups, designed by top contemporary artists, have been sold around the world.

“The idea is magical, we think we can be the catalyst to bring other people,” Giacomo Biviano, illycaffe’s deputy general manager, told Reuters. “Through this cup we can let other countries know there is this museum in Sarajevo.”

A quotation written on the cups from an 18th century writer, Avigdor Pawsner, could very well apply to artists and cultural institutions in modern-day Sarajevo: “If you are looking for hell, ask the artist where it is. If you don’t find the artist, then you are already in hell.”

The arrival of the first private partner has raised hopes that the collection can find a permanent home in a museum building already designed – but not yet built – by prize-winning Italian architect Renzo Piano.

“We hope and we are working to get more private partners,” said Ruggero Corrias, the Italian ambassador to Bosnia who lured the Italian roaster into the ARS AEVI museum project.

“Our final goal remains to have a sustainable ARS AEVI so we can land into the Renzo Piano museum,” Corrias told Reuters.

With museums in Sarajevo barely surviving, Hadziomerspahic knows he is lucky. The National Museum closed in 2012 because of lack of support from any government institutions. It had survived two world wars and the Bosnian war in the 1990s.

“I am happy and sad at the same time, happy that we are moving forward but sad that Italy, and not our own politicians, should be behind the drive for promoting the project,” Hadziomerspahic said.

($1 = 0.7345 Euros)

(Reporting by Daria Sito-Sucic; Editing by Zoran Radosavljevic, Michael Roddy and Gareth Jones)

source: http://www.reuters.com / Reuters.com / Home / by Dario Sito-Sucic / Sarajevo, Monday – June 09th, 2014

Arpinder Singh jumps to glory

Arpinder Singh mocked the hot and humid conditions as he improved the National record in men’s triple jump with an effort of 17.17 metres on the final day of the 54th National inter-State athletics championship at the PAC Stadium here on Sunday.

The 23-year-old ONGC employee shocked the previous holder Renjith Maheshwary, who set it in 2010, by ten centimetres and added insult to injury by beating him to the gold by 63 centimetres.

Interestingly, Arpinder improved on his personal best of 16.84 metres, with one of his two valid jumps as he had no mark on four of his jumps. In the process, he also went past the Commonwealth Games qualification mark of 16.83 metres with ease. His first good jump on the third attempt measured 16.49 metres.

M.R. Poovamma outclassed a strong field that included Olympian Tintu Luka, in the women’s 400m with a new meet mark of 51.73 seconds that beat Mandeep Kaur’s 51.74 set in 2008.

It was easy to announce Arpinder Singh (1174 points) of Punjab and Poovamma (1141) of Karnataka as the best male and female athletes respectively. The men’s, women’s and overall team honours were bagged by Kerala ahead of Tamil Nadu.

The results: Men: 100m: 1. Krishnakumar Rane 10.32 (NMR, old 10.36); 2. Manikanta Raj 10.52; 3. Anirudh Gujar 10.63. 400m: 1.Arokia Rajiv 46.13; 2. Kunhu Muhammed 46.17; 3. Sachin Roby 46.79. 1,500m: 1. Sajeesh Joseph 3:48.16; 2. Anil Kumar 3:50.41; 3. Chandrakant Manwadkar 3:50.89. 10,000m: 1. Suresh Kumar Patel 30:00.03; 2. Rahul Kumar Pal 30:36.69; 3. Kheta Ram 30:50.95. 110m hurdles: 1. Siddhant Thingalaya 13.84; 2. Surendhar 13.97; 3. Prem Kumar 14.06. Triple jump: 1. Arpinder Singh 17.17 (NR, old 17.07); 2. Renjith Maheshwary 16.54; 3. Karthik 15.91. Hammer throw: 1. Charodaya Narain Singh 69.38 (NMR, old 68.98); 2. Kaushal Singh 65.31; 3. Neeraj Kumar 63.74. 4x400m relay: 1. Kerala 3:10.64; 2. Karnataka 3:11.39; 3. Tamil Nadu 3:16.82.

Women: 100m: 1. Saradha Narayanan 11.39 (NMR, old 11.48); 2. H.M. Jyothi 11.49; 3. Srabani Nanda 11.59. 400m: 1. M.R. Poovamma 51.73; 2. Tintu Luka 53.22; 3. Debashree Majumdar 53.54. 1,500m: 1. O.P. Jaisha 4:16.27; 2. Sini Markose 4:18.94; 3. Jhuma Khatoon 4:20.53. 10,000m: 1. Preeja Sridharan 34:34.98; 2. Suriya 35:26.75; 3. Monika Athare 38:19.93. 100m hurdles: 1. K.V. Sajitha 14.16; 2. Gayathri 14.21; 3. Hemashree 14.51. Discus: 1. Pramila 46.99; 2. Vasumathy 42.12; 3. Ankita Julka 41.03. Hammer throw: 1. Manju Bala 62.74 (NR, old 62.67); 2. Gunjan Singh 61.19; 3. Ritu Dhiman 59.96. Heptathlon: 1. Liksy Joseph 5386; 2. Niksy Joseph 5154; 3. Purnima Hembram 4932. 4x400m relay: 1. Kerala 3:38.40; 2. West Bengal 3:50.84; 3. Uttar Pradesh 3:57.82. 20km walk: 1. Rani Yadav 1:46:49.00; 2. Shanty Kumari 1:58:16.00; 3. Rajani 2:01:29.00.

source: http://www.thehindu.com / The Hindu / Home> Sport> Other Sports / by Kamesh Srinivasan / Lucknow – June 08th, 2014

Lush Places: The Scotland of India

Samyak Kaninde/Getty
Samyak Kaninde/Getty

India has become known for the congested traffic and crowds of the cities. To escape the madness, Indians head to Coorg, a land of lush beauty, traditional food, and—sigh—tranquility.

On a recent family visit to Delhi, with its acrid air and evil traffic, my mother suggested an escape—a long weekend in Coorg, some 1,400 miles away in a tiny corner of the southern Indian state of Karnataka, just north of Kerala. In spite of its unprepossessing size, Coorg, which the British called the Scotland of India, is a region of intense pride and history. Many Indians regard it as a quasi-mythical place, a land of lush hills, temperate climate, martial men, and handsome women. Its ample rain and still-thick forests, not to mention its low population density, make it one of the few remaining Shangri-Las in over-peopled India.

Tyrannical rajahs ruled Coorg until the British, who knew a promising escape from the heat when they saw one, annexed it to the East India Company’s territory in 1834. The British established farms there, recruited the famously valorous Coorg natives for their Imperial mission, and, in 1947, left behind tidy settlements of Victorian-influenced cottages in shades of lavender, rose, and mint, along with graceful plantations of Robusta and Arabica coffee. Coffee flowers smell something like jasmine, and from mid-March to early April, the white blossoms add their perfume to the other scents of the region—orange, pepper, cardamom, vanilla, honey.

While venerable hill stations in other parts of India are overrun with tourists, doughty little Coorg is still putting up a fight to retain its old essence, even as it welcomes visitors with courtly hospitality. Coorg is a fashionable destination for wealthy Indian travelers hungry for places cool and green—not merely in the literal sense, but also in keeping with the eco-alert, Indo-centric new ethos of the country’s intelligentsia. Coorg is not a hippy-strewn, land-locked Goa. Nor is it a more verdant Jaipur, overrun with Bloomingdale’s buyers. It’s a more understated and introspective sort of place that honors its roots. The locals worship their ancestors, and their attachment to family land is almost visceral. Coorg isn’t easy to get to from afar, for which we should be grateful. Bangalore is the nearest international airport, a six-hour drive away. The highway is smooth and hassle-free by Indian standards, until you get close to Coorg, when you hit sinuous roads that wind through hillsides: these can range from bumpy to bone-jarring, and are best tackled at a sedate pace, all the better to take in the landscape.

“India’s cities are so insistently provocative that, for a certain class of Indian, to be under-stimulated has become the ultimate luxury.”

India’s cities are so insistently provocative that, for a certain class of Indian, to be under-stimulated has become the ultimate luxury. For some time now, members of the Indian elite who have no family connection to the place have been quietly buying land in Coorg, building vacation houses in its remote hills and valleys. Once obsessed with gleaming hotel towers and swimming pools in the “foreign” mold, India’s domestic tourists have grown infinitely more sophisticated and, even, jaded. Indians who have “been there, done that” in Sri Lanka, Singapore, and the Swiss Alps want languid escapes from their overscheduled lives. And they are deeply nostalgic for the quiet India—so recently changed—that they remember from childhood vacations.

Enter the Taj Group, with its astute understanding of the needs of the well-heeled and the well-traveled. Their hotel in Coorg, situated near the region’s capital, Madikeri, is called “Vivanta by Taj,” and it is the company’s nimble response to travelers who clamor to get off the beaten track without collapsing from weariness and worry.

With its hotel outside Madikeri, Taj promises “a haven for the curious mind,” dotted with “interpretive nature trails” set in a “model of coexistence.” The Eden theme is coupled with a celebration of modesty that seems to reflect a wider backlash against modern Indian brashness. The property comprises 180 acres of rainforest, and each of the 60-odd cottages and villas offers views of woods, cloud, and vibrant green. The buildings are beautifully unobtrusive, designed to be in hushed harmony with the surroundings. In the evenings, the lighting is subdued, almost apologetic, and this deference to nature is apparent also in the materials used: wood and local stone, the architecture seeking to emulate the Coorg vernacular.

The hotel was built on land carefully surveyed to avoid displacing trees in a rainforest teeming with some 350 species of flora and fauna. Compressed soil from the site was used to make the bricks for the resort. Most of the stone used was sourced from within a 200-mile radius of the hotel’s premises. The interiors of the cottages resemble the sort of understated living room you might find in a gracious Indian home. The roof-tiles are handmade and repurposed from dismantled houses in Tamil

Nadu, Pondicherry, and Andhra Pradesh. “Revived craft” artifacts made by indigenous tribes—like light fixtures fashioned from old-style fish traps—are incorporated into the décor, providing both authentic ambience and employment for local craftsmen. The property’s architect, Pramod Ranjan, aimed for an unobtrusive, minimalist design that allows the organic landscape to outshine the manmade artifacts. That said, the manmade and the natural do converge in a setting of utter glory: the infinity pool in the hotel’s main building, where, immersed in warm water, one can gaze upon a lush green heaven that stretches for miles before the eye.

Traditional food is also “revived with love” at the hotel. Native Coorg cuisine is a delight to savor. It revolves around a few local ingredients, such as Kachampuli (a type of vinegar), pepper, chilies, rice flour, coconut, and Maddu Soppu, a medicinal leaf believed to confer 18 healthful properties, each especially effective if delivered on a particular day of the year. Succulent pork also figures centrally in the local cuisine, along with dishes made from bamboo shoots, wild mushrooms, banana stems, and jackfruit—flavors that have not yet been appropriated by the vacation-industrial complex.

Coorg also offers its share of picturesque anthropology. The Kodavas, the people of Coorg, revere weaponry and maintain a reputation as brave soldiers well represented in India’s wars. They are tall and light-skinned, when compared with other south Indians, and some attribute their appearance to Arab blood. Others contend that Greek mercenaries who came to India with Alexander the Great left their genetic mark in Coorg. At the hotel, however, the staff reflects the variety of modern India: our bartender, whom I tested with the making of a martini, was from Himachal Pradesh, in the far north; the cheerful chatterbox who waited on us at dinner was from Orissa, in the coastal east. But the unmistakable tenor of the place was that of a Coorg bastion, a hotel in the heart of a fabled region, bathed in mist in the morning and alive with the sounds of birds at dusk. A graceful, benign getaway it was, and we wrenched ourselves from it sorrowfully at the end, hating the horror of a return to Delhi.

source: http://www.thedailybeast.com / The Daily Beast / Home> Great Escapes / by Tunku Varadarajan / March 25th, 2014

College in the hills

In a bid to maintain the quality of education, Coorg Institute of Dental Science has limited its student intake to 40 a class.

Nestled in the womb of the Western Ghats in the hilly highlands of Coorg is the Coorg Institute of Dental Science (CIDS). As you reach the institute you begin to wonder if you have arrived at a holiday spot, for, so breathtaking is the panoramic view from the top. The aesthetic essence of the tile-roofed stone buildings amidst the greenery is hard to ignore. The buildings of the institute are built by cutting the slopes to tuck in the brick and mortar structures. The mist covered mountains, the rich foliage and the specks of the tiny town of Virajpet below is a sight befitting the Gods.

Built on a sprawling 35-acre space, the institute boasts of excellent infrastructure and well qualified and dedicated staff. The institute is run by a Trust and Managing Committee consisting of members of the Kanjithanda family. The management of the institute is by a group of professional doctors and the managing trustee, Dr Sunil Muddaiah is an orthodontist. The Institute is the dream project of the father son — duo, Dr Sunil and his father KK Aiyappa. In fact the campus is called ‘Kanjithanda Kushalappa Campus’ after the patriarch. The institute is recognised by the Dental Council of India and the Ministry of Health and Family Welfare, New Delhi.

The management believes that the quality of education can only be enhanced by a small class. Hence the intake of students is limited to 40. Monthly tests and a unique system of evaluation of students with the help of counsellors, who are senior members in the faculty has ensured good results.

The institute churns out nearly cent percent results since its inception in 1999. An interesting trend is that the girls outnumber the boys in a ratio of 85 per cent:15 per cent. Dr Sunil says this is probably due to the safety and security provided in the campus. Not to mention the ambience and climate.

The institute is affiliated to the Virajpet General Hospital and the Tata Hospital, Ammathi. There are 100 chair modern Dental Hospital with round the clock service. The dental hospital also has a modern major operation theatre with anesthesia facilities. Attached to the operation theatre is a 30 bed in-patient ward. Latest equipments in Dentistry like OPG and RVG units; Ceramic Laboratories and casting units, latest audio visual aids and Minor OT’s are available.

A Department of Implantology which is the third in the country under the Global Oral Implant Academy (GOIA) is fast developing. The management says a new special dental wing with state of the art facilities comparable to European standards and way above any similar existing facilities in the country is taking shape in the campus.

The department conducts frequent dental and screening camps. ‘Doorstep Dentistry Project’, is a unique programme where the staff and students go door-to-door in the far flung villages of Coorg and conduct basic dental check-ups and impart dental health education.

The number of patients treated through these camps touch 70,000.

While dental education is the focus, the all-round development of the students are also borne in mind. Facilities for a host of indoor and outdoor games are provided on campus. A full-fledged aerobic centre, gymnasium and a club for student activities is made available. There’s a film show twice a week and an auditorium with modern audio and visual aids are some of the other attractive amenities.

An internet kiosk with VSAT facility allows for easy communication. Hostel facilities are provided for all students in the campus.

The campus kitchen serves both vegetarian and non-vegetarian food. Fast food joints and coffee shops within the campus are popular with the students.

source: http://www.archive.deccanherald.com / DH Education / Home> DH Education / by Anjali Kariappa B / August 17th, 2006

Shibulal’s family office bets big on hospitality, realty biz

SUMMARY
Infosys co-founder and CEO SD Shibulal’s family office, a private limited company that manages his family wealth, is expanding its hospitality
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Infosys co-founder and CEO SD Shibulal’s family office, a private limited company that manages his family wealth, is expanding its hospitality and real estate business further with investments worth R130 crore. The family office, which manages around R6,500 crore through various assets, including his family’s holdings in Infosys, runs a resort in Coorg, Karnataka called ‘The Tamara’, a 56-room luxury property. The family office is registered with the registrar of companies as Innovations Investment Management India.

“We established this family office because we expect the wealth to grow for generations. The BMW family in Germany is into the seventh generation and we want to be something like that,” said Senthil Kumar N, director and CEO of The Tamara.

The family is currently building two hotel properties, a 50-room luxury resort in Kodaikanal, a hill station in Tamil Nadu and a 108-room city hotel in Thiruvananthapuram, Kerala. While the Thiruvananthapuram property entails an investment of around R80 crore, Kodaikanal will need around R50 crore.

“We realised that we need to be proud of the properties we own. We want to do involvement management, not investment management,” said Kumar, who joined Shibulal’s family office in 2005 after some of the family shares were sold at the American Depository Receipts issued by Infosys. An IIM-Bangalore and BITS-Pilani graduate, Kumar said the Coorg property, which started operations in April 2012, broke even in its seccond year.

“We are doing our own operations and marketing, and gaining experience in running the hospitality business, and we don’t have any partnerships,” said Kumar. According to him, the family believes in giving an experience rather than sight-seeing. For instance, the Kodaikanal property is a restoration of a 150-year-old building. “This gives us lots of stories to tell the guests and, today, people are willing to pay the premium.”

He added, “You can’t click photos of millions of honey bees buzzing when the coffee blossoms,” he said, referring to the Tamara, which is built amid a 170-acre coffee plantation.

The family also owns nearly 900 acres of plantations of coffee and cardamom in Valparai, Tamil Nadu and Sakhleshpur, Karnataka. The company’s other investments include a 50% stake in ‘Avant Garde Hospitality’, which runs fine-dining restaurants ‘Caperberry’ and ‘Fava’ in Bangalore.

The company’s other key portfolio is apartment properties in the US and Germany. In the US, we manage 800 apartments in the Seattle area, which houses US multinationals like Microsoft, Amazon and Starbucks. The family has two apartment complexes of 20-25 units in Berlin and Frankfurt.

“We have a bias towards real estate. We believe it has the highest potential to cover you against inflation. You can’t make money in a steady way from portfolios when you are managing thousands of crores unless you are a Warren Buffet!” said Kumar.

source: http://www.financialexpress.com / The Financial Express / Home> Front Page / by Anand J / Bangalore – March 12th, 2014

‘Baambe Mitayi’ Complete

BambeKF14jun2014

This one appears a travelogue as the shooting of this film was held at Mysore, Madikeri, Kushalnagara, Golden temple Bylakuppe, Chikkamagalur, Kuduremukha, Kalasa, Bidadi, Murudeshwara, Karawara, Hubballi, Gadag, Rani Bennur, Chitradurga and others place by debutant Chandramohan.

It is a Touchwood Creations maiden cinema in the debut direction of Chandramohan. Like the title the film is sweet in narration and who gets Disha Pande who comes from Bombay in the film is narrated in humor touch. Anchor and RK Niranjan Deshpande plays the major role. Chandramohan in the field of cinema as assistant for 12 years working with V Ravichandran, Umesh MS, Indrajith Lankesh, R Chandru, Sridhar and others.

Indrajith Lankesh one of the mentors of Chandramohan was present at the first media meet of ‘Baambe Mitayi’ at Kanishka Hotel to unveil the poster of the film starring Niranjan Deshpande, Disha Pande, Vikram, Chikkanna, Kishore Ballal, Sunil, Bullet Prakash, Moogu Suresh, Nallur Narayan, Baby Bindusri. Veera Samartha has scored music and RK SHivakumar is cameraman.

source: http://www.indiaglitz.com / IndiaGlitz / Home> IndiaGlitz Telugu / Saturday – June 07th, 2014

BADMINTON / APPRECIATION : Awesome foursome

If Saina and Sindhu performed well, no praise is less for the way Jwala and Ashwini combined to give their best against tougher rivals. By Rakesh Rao.

The jubilant Indian women with bronze medals./ Photo: by Sandeep Saxena
The jubilant Indian women with bronze medals./ Photo: by Sandeep Saxena

In the past four years, women badminton players have brought laurels to the country. Saina Nehwal, P. V. Sindhu and the crack doubles combination of G. Jwala and Ashwini Ponnappa have given India the much-needed identity and a place among the elite nations.

For long, the success story of Indian badminton was associated with the unprecedented achievements of Prakash Padukone and the lone All-England triumph of P. Gopi Chand. Now, there is not much to talk about our men when compared to the feats of our women players. No wonder, when the prestigious Thomas Cup and Uber Cup Finals were hosted by India, only our women’s team was expected to win a medal.

In a format where each tie has five matches — three singles and two doubles — India went in with optimism in two singles and a doubles.

For a nation, that had failed to produce true world-beaters in women’s badminton until 2006, the event was a huge opportunity to showcase India’s worth at the global stage.

With Saina and Sindhu among the world’s elite, having won bronze medals in Olympics and World Championship respectively, India had hoped to make initial headway. With the experienced doubles combination of Jwala-Ashwini looking hungry to make up for the lost time, India was hopeful of claiming the decisive third ‘rubber’ in these best of five match format.

The anticipated, dismal performance of Indian men — losing to Malaysia and Korea in the league — was soon pushed into the background as the women’s team produced a series of consistent performances.

Clubbed with Thailand (headed by World champion Ratchanok Intanon), Hong Kong and Canada, the host gained in confidence by winning every tie.

Saina ended her lean trot to beat Intanon, the Thai girl, who has struggled with fitness and form since winning the World title in August last year.

Saina had not beaten a higher-ranked player since the conquest of World No. 2 German Juliane Schenk in the BWF Superseries Finals in December 2012. Therefore, the 22-20, 21-14 triumph over Intanon was more than just another victory.

Like Saina, Sindhu too won all her five singles. Creditably, the 18-year-old has beaten all three leading Chinese girls — World No. 1 and Olympic champion Li Xuerui, former World champion and World No, 1 Wang Yihan and the reigning Asian Games and All England champion Wang Shixian.

Among Sindhu’s victories, the ones against Indonesia and Japan stood out. The youngster fought match-points in both these matches.

Sindhu bounced back to stop Indonesia’s Bellaetrix Manuputty 21-16, 10-21, 25-23 and returned the following day to overpower Japan’s Sayaka Takahashi 19-21, 21-18, 26-24. In recent times, Sindhu had lost a few three-game encounters. Therefore, these victories should boost Sindhu’s self-belief.

If Saina and Sindhu performed well, no praise is less for the way Jwala and Ashwini combined to give their best against tougher rivals.

Unlike Saina and Sindhu, whose professional needs are taken care of by the Gopi Chand Academy, life is much tougher for Jwala and Ashwini.

Jwala trains under Mohammad Arif in Hyderabad and Ashwini with Tom John in Bangalore. They had to fend for themselves when they had travel to each others’ city for joint training.

Perhaps, these challenges and the adverse times they had faced together in the days leading to the Indian Badminton League (IBL) auction last year, have toughened them. Jwala even fought a legal battle and won a favourable verdict from Delhi High Court against the Badminton Association of India (BAI). So over all, the coming together of these two doubles specialists, who won the National title in December, has helped the country more.

“I think, Ashwini and I are playing better and enjoying our game more than we did before the 2012 Olympics. We will surely improve ahead of the Commonwealth Games, followed by the Asian Games this year,” assures Jwala.

It was against Japan, in the semifinals, that the World No. 36 doubles pair lost its only match to World No. 4 Misaki Matsutomo and Ayaka Takahashi 12-21, 22-20, 21-16. Indeed, it was a gallant performance.

But this loss, after Saina and Sindhu had put India 2-0 up, proved costly. Japan easily won the third singles and the second doubles, where coach Gopi Chand experimented with Saina-Sindhu combination instead of the off-form pair of Pradnya Gadre and Sikki Reddy.

Overall, barring these four players, there is no bench-strength even in women’s badminton as well. India went in with just one plan and lasted as long it worked. All credit to Saina, Sindhu, Jwala and Ashwini for taking India to a historic medal. Will this prove as a catalyst for future medals in team events? Only time will tell.

source: http://www.sportstaronnet.com / Sports Star / Home> Vol.37, No.24 / June 14th, 2014

“Coffee: The World in Your Cup” Pours into Bradenton

by Lucielle Salomon

Have you ever been interested on what goes into that morning cup coffee? You can find out tonight at the South Florida Museum in Bradenton.

Coffee has been at the center of our lives for centuries.The South Florida Museum presents “Coffee: The World In Your Cup,” revealing that there is much more in your cup of coffee than you think. Tiffany Birakis, the museum’s curator, shares how one of the world’s most traded products became the American national drink.

“Coffee has impacted the American culture since the Revoution,” she says. “The Boston Tea Party, after that happened, the tax on tea, Americans switched to coffee and we’ve really never looked back.”

She says coffee is often described as work of art. Whether you drink it for a morning energy boost, or simply like the flavor, Birakis says coffee will always be associated with sparking good conversation.

“And especially with coffee, there’s always that aspect of getting together, at a place like a coffee house,” she says. “That’s a social aspect with coffee that I think we’ll never lose.”

The reception starts tonight at 5:30 p.m.

South Florida Museum presents Coffee: The World in Your Cup, an exhibit that tells the story of one of the world’s most widely traded commodities and how it has affected cultures, economies, and environments across the globe. Learn about the impacts of caffeine, the world’s most commonly-used drug, on your body, discover coffee’s early controversial reputation as a “revolutionary drink,” and consider the culture that surrounds coffee in the twenty-first century.

source: http://www.wusfnews.wusf.usf.edu / Wusf News / Home> Culture / by Lucielle Salomon / Thursday – May 29th, 2014

Delectable destinations at Seven Roads

From the junction at Seven Roads, Sujatha Shankar Kumar picks some centrally located eating places in Kodaikanal with unique hill-town flavours.

From bakeries and gourmet cafes to five star resorts, Kodaikanal’s kitchens have a zest for organic, churning out recipes from scratch. Cheeses, herbs and vegetables are procured farm fresh. The laid-back atmosphere of a small town is deceptive. Restaurants and cafes bustle about to cater to the busy crowds of the season.

Cafe Cariappa is a delightful nook with tables on barrels and wood panelled walls./ by Special Arrangement / The Hindu
Cafe Cariappa is a delightful nook with tables on barrels and wood panelled walls./ by Special Arrangement / The Hindu

Cafe Cariappa

A miniature gourmet coffee house for true coffee lovers, Cafe Cariappa is a delightful nook with tables on barrels and wood panelled walls. Alongside, they serve hot Belgian waffles with chocolate syrup and honey, carrot cake and organic muffins. Sandwiches are filled with cheese and mustard from Caroselle, specialty cheese maker from Pethuparai. Kishore Cariappa’s dream was sparked by environmental interests and a yen to grow organic coffee. Purchasing a small farm 35 km from Kodaikanal, Cariappa set out to preserve the natural ecosystem engaging the local Mannadiyars, early agricultural settlers. The single origin coffee at the cafe is pure Arrabica, a premium brand. Cariappa roasts and grinds the coffee beans, all in-house, with his specially procured Italian machines. An elephant drinking coffee from a cup adorns the brown Kraft packaging with Cariappa’s trademark stamp ‘Origin Palani Hills’. He says, “I want this to be a revolutionary centre for ecology where coffee is the meeting point.” As coffee grows in the shade, trees are never cut in his estate. Elephants do visit the Cariappas and my bet is Kishore wishes they drink his coffee!

JS Heritage Complex, PT Road

source: http://www.thehindu.com / The Hindu / Home> Features> MetroPlus> Food / 1 part of 7 outlets / by Sujatha Shankar Kumar / Chennai – June 05th, 2014

IPL 7: India’s got talent

SUMMARY
It was a challenging year for the IPL. From a cricketing point of view, it grew, writes Harsha Bhogle

Captain Gautam Gambhir with teammates during KKR's felicitation ceremony at the Eden Gardens on Tuesday (Express Photo by Partha Paul)
Captain Gautam Gambhir with teammates during KKR’s felicitation ceremony at the Eden Gardens on Tuesday (Express Photo by Partha Paul)

I am overjoyed by the resurgence of Robin Uthappa; not as much for the talent he possesses but for what he has overcome, for the decisions he took in life and the effort he was willing to commit to his decision. Most times most people know what to do; if they don’t, an informed opinion isn’t too far away. But it is the commitment to doing what it takes that is worthy of admiration. With Uthappa the runs were merely a by-product, a consequence of training and working hard when the result was far away and unknown. That is what produces applause and brings a smile.

I like the new-look Uthappa because his batting is tighter, more stylish than it was (and he was always stylish) and in an almost contrarian way, he has found freedom through going back to technique. By becoming tighter, by playing closer to his body I suspect he is playing shots that give him greater value and greater longevity. With Uthappa, it was never a question of class or timing, it was about being in long enough to cause lasting damage. He has chiseled his game and is looking so much better for it.

But now, the challenges begin. Can he continue to play within the new boundaries he has set for himself? Or will he rebel against his own discipline and seek newer territories for his boundless talent? Just as investors follow certain scrips, cricket watchers must follow Uthappa to see where he goes. I wish him well, he is a fine young man who has endured, and frittered away, much. He has now found peace and stability; those are boundaries for some, pathways for others.

If Uthappa’s was the dramatic resurgence at the IPL, it was a new look Wriddhiman Saha who caught everyone’s eye. You knew Saha was smooth and classy behind the stumps, that in front of them he was more than just capable, also that he was a brilliant fielder when the gloves were worn by someone else. But could he hit the ball with such intensity? Very few, dare I say nobody, could say they saw this coming. We never know, do we, who really resides within a person!

This is excellent news for Indian cricket. And it can be even better if Saha catalyses an Uthappa like resurgence in Dinesh Karthik. I suspect that a year from now, MS Dhoni would be looking at his career through a more critical lens and India will benefit from having a healthy competition between Saha and Karthik for the latter is a possessor of rare gifts too.

And what of Manish Pandey? He has promised much, often scoring big when the occasion was big enough, earning

source: http://www.indianexpress.com / The Indian Express / Home> Cricket> Indian Premier League / by Harsha Bhogle / June 04th, 2014