C.S. Arun Machaiah, former MLC, Hon. President of Mysore Karate Association, senior Vice-President of Karate India Organisation and President of Akhila Karnataka Sports Karate Association, is representing Team India at the 10th Commonwealth Karate Championship being held at Birmingham in London (UK) from today (Sept. 7).
The 70-member Indian Team of Karatekas, led by Arun Machaiah, left for London last Sunday. A total of 70 countries are expected to take part in the Championship.
Arun Machaiah has represented India in various International Karate Championships across the globe and has brought laurels to the country.
source: http://www.starofmysore.com / Star of Mysore / Home> News / September 07th, 2022
CabinA homes are built keeping in mind the local landscape, flora and fauna, but without compromising on modern-life luxuries.
Sunny Watwani and Adithya Roongta could be termed as dendrophiles—people who love trees and nature. The two founders of CabinA have been backpacking to the hills for years. Since they live close to the coastal city of Chennai, they love spending time in the Nilgiris.
An experience that usually promises serenity, however, didn’t feel quite peaceful in the last few years. The mountains are inundated with crowds, commercial spaces and reckless new buildings today. “People in India love travelling to the mountains and have, over time, even created second homes there. But the way they’ve built their homes is alarming—there’s little or no regard for the surrounding nature. People have blocked natural streams, cut down trees and damaged the local biodiversity. Looking at this we realized that a sustainable, responsible and sensitive concept for homes was the need of the hour, and that’s how we came up with CabinA in 2019,” says Watwani.
One of a Kind
To give their dream a form, the founders reached out to several architecture firms that they’d worked with before, and had strong connections with. The idea that Watwani and Roongta fostered was to have small homes that were fitted with modern-day luxuries. The homes would have minimal carbon footprint, a pre-fab structure that could be transported from the factory to the site, and would not need clearing of land; it would also be able to very seamlessly merge into the surrounding landscape. With several discussions and iterations, they fine-tuned the design.
While the work for these cabins is on-going in several locations such as Coorg and Conoor, with all cabins customized according to the landscape, the first of its kind is now ready in a coffee plantation in the picturesque mountain range of Suntikoopa, Bettagere Estate, Coorg for an upcoming resort called Betta Living.
This CabinA24 was built for client Vishal Sivappa, for an upcoming experiential boutique stay called, Betta Living—a concept and design of an upcoming resort that makes use of a series of these cabins to create a wonderful new living experience. While the conceptual render for the cabin is by SPASM Design Architects, the design development and execution was done by the firm Dev Desai Architects and Associates (DDAA), who also made several reiterations to reach the final design.
“We have another company called CabinA Living that speaks to landowners, planters and people in the hill station who want to create homes, resorts or gated communities responsibly—and we help them execute the project,” says Watwani.
True to the Land
On its conceptual render, Sangeeta Merchant, co-founder of SPASM Design Architects says, “Creating a concept for this was challenging for us as we’re used to working on large-scale, high-end residences and such. A small cabin that is fitted with all luxuries was something new yet exciting for us. As for the sustainability factor, we envisioned the entire cabin to be made with recycled, eco-friendly materials. The biggest convenience would be that it can be very quickly put together.”
The CabinA24 is the smallest cabin in the Cabin A series with a carpet area of 250 square-feet. “Every corner strives to visually, if not spatially, connect with the natural context, be it the bathroom, which is furnished with all the modern amenities or the kitchen that captures stunning views of the valley,” says Dev Desai of DDAA.
“The featured project is one of the smallest cabins in the series with a carpet area of 225 square feet. The form stems from the desire to celebrate a strong architectural identity while ensuring efficiency and functionality of each space. Nestled amongst the site’s towering trees and a lush coffee estate, the sleek, prefabricated cabin manages to both, contrast and complement its natural context. The spatial configuration consists of a spacious living space and a cozy bathroom. Every corner in the cabin strives to visually if not spatially connect with the natural context, be it the bathroom which comes furnished with all the modern amenities or the kitchen that captures stunning views of the valley,” avers Desai.
While the bespoke furniture blends in with the interiors, the tinted pendant lights accentuate the interiors with a warm yellow glow. The exteriors are clad in ACP walls and the outdoors are in ACP black roofing. The flooring is in a granite base with click and lock SPC tiles. The entire cabin can accommodate two-to-four people. What’s interesting is that it rises 2-5 feet above the ground, so that the fauna underneath is left untouched. “We visualize that all other cabins too will be equipped with temperature control. Even the tiniest details like a kettle, to wardrobes hangers, will be provided. The loose furniture—from the beds, breakfast table to lighting—will be equipped in all cabins, so the client literally has to (only) move in with his clothes,” Watwani says.
A Responsible Future
For building these cabins, Watwani and Roongta are cognizant of the fact that not a single tree should be cut. And so, the two, along with the architects, evaluate the position of where the cabin should be placed. “In case we do cut trees, we undertake replantation. Apart from that, we’ve tied up with the global organization called OneTreePlanted.Org. So, for every cabin we sell, we donate for 10 trees to be planted. For our future cabins that are underway, we’ve given completely off-grid solutions so the cabins are self-sufficient and powered by solar energy,” says Watwani.
source: http://www.architecturaldigest.in / Architectural Digest / Home> Decorating / by Aditia Mahesh / Photography by Kunal Daswani Photography / November 08th, 2021
Category : FACE TO FACE / Author : Sowmya Dechamma
Professor and Head Centre for Comparative Literature, University of Hyderabad
Q. Could you tell us a little bit about your area of research, and why it is of particular interest to you? What has your journey been like?
Currently, I am interested in and working on the languages of the minority. While this term ‘languages of minority’ itself demands some explanation, my interest in this springs from the fact that I speak one such language, Kodava, a language that is spoken by many ethno-linguistic minorities in Kodagu, Karnataka. Although I have been interested in the politics of languages ever since I can remember, I began working in this area for the last 5 years or so, especially because the language discourse is so dominated by English Vs. Indian Languages, Hindi Vs. Other Languages, debates around ‘national’ language’ — in which these languages of minorities have become almost invisible, although the number of such languages are many. I also work on Translation Studies and related areas. Language and translation for me are inseparable from other factors that are so decisive in our lives. So, my attempt is to understand how caste, gender, religion, class and other factors frame our histories alongside language and translation.
Q. Coming particularly to the question of language, there has been a concerted attempt to impose certain languages – for instance, the assumption that Hindi is the ‘mother tongue’ and ‘national language’ of the country, neither of which is true. But even on regional levels, there may be further levels of stratification and domination of some languages over others. How does this work, and what has been the result of such policies?
You are right. I had written elsewhere as to how this one nation — one-language, one nation – one religion kind of idea is actually new even to European nations. The nationalization of particular languages in Europe is an exercise in what is known as European modernity. Despite our critique of colonialism, it is ironic that nationalists here in India subscribe to this one nation – one language / religion policy. This as you mention is replicated at the regional levels as well. I am vary of using the term regional, I think Kannada nationalism, Malayalam nationalism, Tamil nationalism are nationalisms that pretty much follow the same pattern, in different contexts. I find that in Karnataka, because Tulu, Konkani and Kodava speakers wield some kind of political pressure, these 3 languages are recognised at some level. But there are innumerable other ‘small’ languages that do not get any recognition in the public at all. The worst scenarios are in Tamil Nadu and Kerala where language and intellectual chauvinism has had huge implications for speakers of smaller languages, (more often than not from the Adivasi communities). This obviously points to the situation of the people and the conditions they live in, not just of the language.
Q. The relationship between the ‘written’ and the ‘spoken’ is often discussed in terms of languages – where only languages with a script are seen as legitimate while others are dubbed dialects or even ‘broken’ languages. How do you see this in terms of your own language, Kodava?
This distinction between a ‘written’ and ‘spoken’ one is so popularized that we forget that almost all languages are spoken and have survived in the spoken form since speech has evolved. Except perhaps in the case of Sanskrit and Latin which are ‘dead’ in their spoken versions and survive only in their written form. So, one has to remember that written is a privileged form that has been associated with powers that began with record keeping, religion, surveillance, in their monarchical and now nation-based contexts. Throughout history, only a miniscule of the population (not more than 1%) have had access to writing. Many productive communities never required the act of writing but have used memory-based performative acts for transmission of knowledge and survivals.
Yes, as long as I can remember, when I say I speak Kodava, people ask “Does Kodava have a script?” This again is a notion that wrongly connects a language with a written script. If we pay attention we realize that most European languages, be it English, Spanish, French, German use the Roman script and this is true for India as well. Hindi, Gujarati, Marathi, Bengali and almost all Indo-Aryan languages use the Devanagari script.
Q. You have been associated with a vibrant and politically diverse campus, HCU. It has also been a space of institutional discrimination and a fightback against this, as in the case of Rohith, Senthil and others. How has this shaped your experience and approach as a teacher and also a member of the academic community?
It has been a learning experience throughout my journey in Higher Education. All the movements you mention have made many of us more aware of the backgrounds students come from and how we need to fine-tune our pedagogy into one that places students at the centre. It also points to the problems with the manner we understand and functionalize the idea of ‘merit’; who is a ‘good’ student and who is not. I think as teachers what we need to focus on is how we shape our curriculum and how we engage with that curriculum and students. Teaching cannot separate itself from the vagaries of our lives and we need to address our experiences in the classroom and outside. It is a lesson we are still learning.
Q. The recent NEP-2020 also had sparked controversy due to its focus on Sanskrit and active ignorance of other languages of cultural and literary value such as Arabic. Do you see this merely as a failure of policy or as reflective of something deeper?
Absolutely. Although the NEP mentions institutionalising ‘mother tongues’, what it means by mother tongue is itself not clear. And how do we plan for the training and required infrastructure for teaching in multiple mother tongues in a classroom? How do we accommodate without appropriating languages like Gondi, Chenchu, Ho, Irula, and such?
Needless to mention, languages like Arabic, Persian, and Urdu which have had a rich history on lines with Sanskrit but different from the ones mentioned above find no place. This only strengthens our argument that it is not language per se, but the people and the history of the language that the NEP and by extension, the government is uneasy about. Languages therefore cannot be thought of in a vacuum, but will have to see how they mutually shape histories, politics, and communities.
Q. Finally – the pandemic is something we cannot escape when we talk about education or pedagogy. What has your experience been, whether as a scholar or a teacher? How have your students coped with the immense challenges and difficulties of it?
As a scholar, teacher, and as a parent, this pandemic has taught us many things. I am acutely aware of how I am able to work with my own children, teaching them a wide range of things — from cooking, gardening, playing sports and academics — all this despite the constant anxiety of our friends and family being ill and sometimes dying. This in itself is distressing because most of my students are undergoing stress, some have lost their dear ones and many do not have the means to access digital education. We have been trying to reach out to students through various means, to enable them both academically and personally. But the anxieties are real and it is not easy to cope. From women students being pressurized to get married, from having no access to digital means, living in a one-room house and sharing one smartphone among siblings for online classes, having to take care of many household responsibilities including financial, having to deal with almost an impersonal mode of pedagogy, what we call academics is undergoing a turbulent phase. I only hope this will make many of us reflect on the state of education in India and push towards an equitable public education that is holistic.
source: http://www.auramag.in / Aura / Home / July 2021
An ancient Shiva Temple, said to be about 700 years old, has been discovered at Bollumadu village in Virajpet taluk. The temple, found at a spot behind the Post Office on Kadanga Paraane is in a highly dilapidated state and is on the verge of total collapse.
The temple, said to be built using red stones, first came to be known to the villagers through Tantris in 2008. Subsequently, the villagers had cleaned up the spot by cutting down the trees around the temple. But as the temple was not accessible by road, no renovation works could be taken up and the temple remained in its dilapidated state.
However, the temple exploration resumed two days ago with villagers again cleaning the vicinity by cutting down the bushes and other plants. During the exploration, a Shivalinga stone sculpture was found in the well of the temple premises. Also, the almighty’s Ayudha (weapon) ‘Kadtale’ and small Ganapathi idols have been discovered. This apart, the stone sculptured images of Tripata, Kumuda, Jagatti, Kanta, Pattika and Devakoshta Sopanas were found at the temple foundation. After the discovery of the ancient temple, Bollumada villagers contacted Nayakanda Prakash, who is staying at Mysuru, seeking his help for tracing the history of the ancient temple. Prakash is a former official of Archaeological Survey of India and had also served as a site supervisor at Ram Janmabhumi in Ayodhya, UP.
Prakash, who visited the spot, opined that the temple dedicated to Lord Shiva may be 600 to 700 years old and it may also be a contemporary of the times of the ancient Bhagamandala Temple.
Prakash, who collected some documents regarding the site, observed that an excavation was necessary to trace the complete history of the temple, according to Bollumadu Gram Panchayat President Matanda Arun.
Pointing out that the spot where the temple has been discovered is said to be a Pysari land, Matanda Arun said that a few families are residing in the vicinity of the newly discovered temple. Though the temple was discovered earlier, it could not be reached as there was no access and as such no one bothered to go there. Now a huge tree has fallen on the temple’s ‘Garbhagudi’ (Sanctum Sanctorum), destroying it.
Now, a villager has come forward to part with his land to make way for accessing the temple, Arun said adding that the Kodagu District Administration will be appealed to take up excavation of this centuries old temple.
source: http://www.starofmysore.com / Star of Mysore / Home> News / October 23rd, 2022
The second-seeded men’s doubles pair of Rohan Bopanna and Matwe Middelkoop finished as the runners-up at the European Open.
Rohan Bopanna(right) and Matwe Middelkoop / @Twitter
The second-seeded men’s doubles pair of Rohan Bopanna and Matwe Middelkoop, on Sunday, finished as the runners-up at the ATP 250 European Open. The Indo-Dutch pair went down 6-3, 3-6, 5-10 to the all Dutch pair of Tallon Grieskspoor and Botic van de Zandschulp in the a hard-fought final.
Bopanna and Middelkoop started well as they broke right in the second game of the first set. The Indo-Dutch pair then cruised to win the first set 6-3, but Grieskspoor and Zandschulp were too hot to handle for the remainder of the contests.
During the duration of the match, Bopanna and Middelkoop hit nine aces and converted 3 out of their 4 break points. They had earlier reached the final with a hard fought 7-6 (8-6), 2-6, 10-7 win over Sander Arends and David Pel in the semifinal.
Rohan Bopanna and Matwe Middelkoop had combined to lift the men’s doubles title at Tel Aviv Open earlier this month.
source: http://www.thebridge.in / The Bridge / Home> Tennis / by The Bridge Desk / October 24th, 2022
It was a proud moment for Colonel Bommanda Dhiraj Chengappa from Kodagu as he led a contingent of 46 horse-mounted Bodyguards and presented the National Salute to President Ram Nath Kovind.
The President’s Bodyguards also escorted Kovind to the Parliament House for the swearing-in.
Later, both President Kovind and ex-President Pranab Mukherjee were given an Inter Services Guard of Honour separately.
On conclusion of the Guard of Honour, The President’s Bodyguards escorted Mukherjee from the forecourt to the Iron Gate of the Rastrapathi Bhavan.
source: http://www.starofmysore.com / Star of Mysore / Home> News / July 25th, 2017
Air Vice Marshal P.K. Ghosh, Senior Officer-in-Charge Administration, Training Command, Indian Air Force, Bangalore and Chairman, Local Board of Administration, Sainik School Kodagu, chaired the 24th meeting of the Local Board of Administration of Sainik School Kodagu recently.
The Chairman was escorted to War Memorial of the school by the Horse Cavalcade where he laid the wreath and paid homage to war heroes.
A special assembly was organised in honour of the Air Vice Marshal P.K. Ghosh which began with a vandana prayer dance by girl cadets. The event preceded by a skit on ‘Women Empowerment’ and ‘Kamsaale’, a folk dance form of Karnataka, followed by a group song embracing the folk culture of Karnataka and our sister State West Bengal under a unique initiative of Government of India, namely Ek Bharat Shreshth Bharat Abhiyan, was presented during the programme.
The Chairman thanked the Government of Karnataka and Kodagu District Administration for their unflinching financial support for the growth of the school.
The Chairman interacted with the staff and cadets and inaugurated a weather station recently installed at the school. The weather station is equipped with many advanced weather instruments like Sunshine Recorder, Open Pan Evaporimeter, Cup Type Anemometer, Stevenson Screen, Wind Vane and Rain Gauge which would be instrumental in imparting quality education amongst the students in the coming years.
Gp. Capt. R.R. Lall, Command Education Officer, Bangalore, Dr. Nanjunde Gowda, Additional Deputy Commissioner, Kodagu district, Lt. Col. Ajit Singh, School Administrative Officer, Dr. V. Prasad, Associate Professor, Representative from Regional Institute of Education, Mysuru, Vedamurthy, DDPI, Kodagu District, M.G. Mallikarjun, Executive Engineer, CPWD, Mysuru, M.S. Chandrashekhar, Assistant Engineer (Civil), CPWD, T. Nagendra, Assistant Engineer (Electrical), CPWD, Mysuru, Asha Ram, Junior Engineer, CPWD, Mysuru and Prakash Krishnabhatta Joshi, Parent Member were present in the Local Board of Administration Meeting.
Col. G. Kannan, Principal and Member Secretary, briefed all the training and administrative aspects of the school and the progress made in the past six months. The members deliberated and arrived at various policy decisions for future development of the school.
source: http://www.starofmysore.com / Star of Mysore / Home> News / October 21t, 2022
The ace shuttler opens up on her career, India’s position in badminton and Red Bull Shuttle Up
Ashwini Ponnappa has regularly been one of India’s highest-ranked women’s doubles players over the last decade Red Bull Shuttle Up
For more than a decade, Ashwini Ponnappa has been the gold standard when it comes to women’s doubles in Indian badminton. Whether as one half of a record-breaking pair with Jwala Gutta or later on with N. Sikki Reddy, Ashwini has endured as a beacon of consistency in a format that often gets overshadowed by the superstar culture around singles players.
In the midst of the fourth edition of Red Bull Shuttle Up, India’s first-ever exclusive women’s doubles badminton competition, Ashwini, who is also the face of the tournament, spoke to My Kolkata about her career, the disparity between men’s and women’s badminton in India, how Red Bull’s initiative is making a difference in women’s doubles and more. Edited excerpts from the conversation follow.
My Kolkata: When did you realise that you wanted to take up badminton professionally and what made you opt for doubles?
Ashwini Ponnappa: I got into badminton because of my parents. I was too young to make a decision myself, so my parents were the ones who helped me get into the sport. Ever since I started playing badminton as a kid, I haven’t played any other sport seriously. Growing up, I had a coach who was very strict and firm about the basics of the game. When I won my first national title in the sub-junior girls’ doubles category, I realised that I really want to take up badminton professionally. Once again, my parents’ support was crucial in making that decision. As for why doubles over singles, I’ve always done better in doubles and won more titles there. So, it was quite a simple choice for me.
Doubles is much faster and requires more smashing and forearm strength as well as better reflexes
Ashwini initially trained as a singles player for several years before switching to doubles Red Bull Shuttle Up
What are the most challenging aspects of playing doubles and how should one prepare separately for those challenges?
When I started playing doubles, most of us, especially the women, were singles players. We hardly had a specialised focus on doubles in India. Even when I trained at the Prakash Padukone Badminton Academy in Bengaluru, all the kids wanted to be singles players. Apart from Jwala (Gutta) and Shruti (Kurien), there were no other established female doubles players to look up to either. It was only in the junior category competitions that I was first part of doubles camps. Switching from singles training to doubles was quite difficult, as doubles is much faster and requires a lot more smashing and forearm strength as well as better reflexes. When you have two people on court on the same side, it’s not just about yourself. There’s a lot of coordination that goes into it, which is the most challenging aspect. You could be a great player by yourself, but if you can’t coordinate, you won’t succeed in doubles.
Jwala and I had a natural understanding of what the other person would do on court
Ashwini and Jwala Gutta are widely regarded as the best women’s doubles pair in Indian badminton history / BAI
What did you enjoy most about teaming up with Jwala Gutta for so many tournaments? What do you think set the two of you apart?
When I started playing with Jwala, I was a junior with little to no experience and she was already an established senior. She took a chance by deciding to play with me and I managed to rise to the occasion. Being able to match up to her standards was important and I’m glad I could do that. What made our partnership special and successful was the fact that our styles matched a lot, so we had a natural understanding of what the other person would do on court. We didn’t communicate a lot when we were playing, but managed to sync quite easily. At that point, we were also quite close off the court and she was extremely supportive, which made our team even more formidable.
Ashwini and Jwala with their gold medals at the 2010 Commonwealth Games BAI
Was winning the gold medal at home in the 2010 Commonwealth Games (with Jwala) the proudest moment of your career or would you prefer your bronze medal at the BWF World Championships (also with Jwala) in 2011? Or something else altogether?
I’ll have to go with both, the Commonwealth medal as well as the World Championships one. Nobody had achieved either feat before. But more than anything else, what makes these two achievements among my favourites is that I had a great time while I played those tournaments. Often people go through a lot and sacrifice a lot to win, but don’t enjoy the process. I was lucky in that I had a blast while having my proudest moments on court.
The system at the 2012 Olympics was flawed
Do you have any regrets from your career so far, especially in relation to the Olympic Games?
The 2012 Olympics would definitely remain a regret. Given what happened (Japan had shockingly lost to Chinese Taipei in what was seen by many to be a deliberate defeat or an instance of “throwing a match” to secure an easier opponent in the next round, which, incidentally, also led to India’s elimination), it was disheartening, because we had played very well. Looking back, I think the system was flawed, they shouldn’t have let players know who was going to play whom in the next rounds. A month before the next Olympics in 2016, I had had a horrible bout of dengue. As a result, I wasn’t able to smash as hard and that had an impact on the result, which was also quite disappointing.
Red Bull Shuttle Up is trying to make badminton more inclusive
Ashwini has been pushing for greater focus on women’s doubles as the face of Red Bull Shuttle Up /Reb Bull Shuttle Up
Coming to Red Bull Shuttle Up, Simran Sanghi (a previous winner of the tournament) said that it’s “the perfect example of empowered brands empowering women… proving that women are the real matadors of society”. What do you make of Red Bull Shuttle Up and how it has been making a difference to women’s doubles?
The most important thing about Red Bull Shuttle Up is that it gives women’s doubles players an opportunity and a platform that belongs solely to them. This is really important because in India we have leagues that don’t even have the women’s doubles format, which seems unbelievable to me. That’s where Red Bull Shuttle Up is trying to make badminton more inclusive. The second aspect is about having fun. I’ve always believed that you play sport because you want to have fun and that’s something that Red Bull Shuttle Up manages to provide in ample doses.
We don’t see the sheer number of quality players in women’s badminton as we do in the men’s game
Ashwini believes that there is a big gap between Saina Nehwal and P.V. Sindhu and the rest of the field in women’s badminton /BAI
Looking at the larger picture, where does India stand as a force in badminton today? Are we a global power or are we still in the process of getting there?
The fact that we won the Thomas Cup in May speaks volumes about the strength in depth when it comes to men’s badminton. Beating powerhouses in international badminton like we did in the Thomas Cup is no joke. In that sense, we’re definitely a global power among the men. On the other hand, the women’s game still has a long way to go. We don’t see the sheer number of quality players in women’s badminton as we do in the men’s game, especially when it comes to doubles. Even if you take singles, there’s quite a bit of a gap between P.V. Sindhu and Saina Nehwal at the top and the rest of the field. There are a fair few young singles players who are doing well, but it’ll take them years to get to the levels of Sindhu or Saina. Coming back to the doubles, it’s the same problem I stated earlier. How can you expect doubles players to give you points in big tournaments when you don’t include women’s doubles as part of your domestic leagues? When it comes to women’s badminton, it’s not that we don’t have talent, but the talent that’s there isn’t being nurtured the right way.
Switching tracks, how do you relax and zone out? What are your hobbies and interests outside badminton?
Of late, I’ve enjoyed just chilling and watching dramas. I watch any and every kind, including Anime. I also watch a lot of YouTube content, especially motivational talks and conversations that pique my interest in general.
My most important goal is working on myself
Ashwini feels that she still has a lot of goals and dreams left to realise Red Bull Shuttle Up
What are the dreams and goals you are still chasing as an athlete?
I’ve still got a lot of dreams and goals, which is why I’m still playing! I feel like I’ve spoken a lot about them in the past and at the moment, I’d rather talk about my most important goal, which is working on myself. I’m trying to take a different approach with my holistic development on and off the court, and if that goes fine, the rest of the goals should fall into place.
source: http://www.telegraphindia.com / TelegraphIndia Online / Home> My Kolkata> People> Badminton / by Priyam Marik / October 17th, 2022
Indian designer Prasad Bidapa wants India’s hand-made khadi and handlooms recognised globally, saying that there are immense opportunities for foreign stylists to work with thousands of weavers across the country.
“We want to expose Indian textiles to the world and show every designer that they can come to India, work directly with the artisans and create something very original,” Bidapa told PTI after the show “Handlooms@75: Celebrating the Fabric of Freedom” here.
The designer urged truly conscious designers to work with Indian weavers at the grassroots level and help them create something new and fresh. “Something that the world has not seen before.”
“Prime Minister Narendra Modi has been a wonderful support. He wears so much khadi and handlooms that he has had the spotlight trained on the clothing,” said the designer after hosting the fashion show in Singapore on Saturday.
“We have thousands of artisans working on Khadi and handlooms skilled in block print, leheriya dyeing,” said Bidapa, adding that there were immense opportunities for foreign designers to work with thousands of weavers in India.
“We are trying to sensitise young people all over the world, trying to get them to understand the beauty of the handmade textile,” the designer stressed.
The designer also called on the Prime Minister’s Office to include skills of the hands, weaving, printing and dyeing in the national skilling programme.
Bidapa highlighted how Japanese fashion designer Issey Miyake created the label “HAAT” — all of which uses Indian Khadi.
The Saturday exhibition was held at the invitation of the Indian High Commissioner in Singapore, P Kumaran, and sponsored by the Global Indian International School, as well as micro, small and medium enterprises (MSMEs) from Karnataka among others.
The Bangalore-based Bidapa has hosted the exhibition in the Middle East and will be travelling with his fashion wears as well as 20 models to Japan and South Korea next. (PTI)
source: http://www.dailyexcelsior.com / DailyExcelsior.com / Home> International News / by PTI / October 18th, 2022
Thousands of devotees from Kodagu, across the State and Tamil Nadu congregated at Talacauvery in Kodagu last night to witness Cauvery Theerthodbhava amid chanting of mantras and other religious rituals.
The holy event took place exactly at the predetermined Muhurtha of 7.22 pm in Mesha Lagna at the foothills of Brahmagiri inside the Holy Brahmakundike, considered to be the source of River Cauvery.
It is believed that Goddess Cauvery comes in the form of a fountain-head where water gushes from the Brahmakundike. A team of priests, led by Prashanth Achar, Raviraj Achar and Gururaja Achar chanted Vedic hymns before sprinkling holy water on the devotees. Later, devotees collected the Theertha (holy water) to be distributed among community members and to be kept at homes as holy signs.
The rituals associated with the holy occurrence began at 5 pm and as the predetermined time neared, devotees chanted mantras and welcomed the Goddess. The Theerthodbhava took place after the Sankalpa Puja and Mahamangalarathi. As the water bubbles appeared in the Brahmakundike that was filled with flowers, Kumkum and vermillion, the cries of devotees reached a crescendo.
Devotees took a holy dip in the main pond (Kalyani) in front of the Brahmakundike and offered their prayers. They jostled to collect holy water in pots from the Kundike and the priests sprinkled the holy water on them.
The area around the pond was barricaded to enable crowd management and only small groups of devotees were let inside by the Police to prevent crowding and stampede. Despite barricades, devotees swarmed around the Brahmakundike and the Kalyani.
Devotees also thronged Triveni Sangama at Bhagamandala and many took a dip in the river and many offered the ritualistic Pinda Pradhana as a mark of respect to their elders.
The Kodagu Ekikarana Ranga distributed free breakfast and lunch to the devotees as part of its 27th year food distribution. Free food will be supplied till the end of Tula month on Nov. 17. Kodagu District Minister B.C. Nagesh, MLAs Appachu Ranjan and K.G. Bopaiah and others were present.
Devotees in traditional attire walk from Bhagamandala to Talacauvery
Unlike the last two years, thousands of devotees turned up to watch the spectacle and notably, many Kodava community members walked from Bhagamandala to Talacauvery along with musical bands and sang songs in praise of Goddess Cauvery. The holy place was teeming with devotees since early in the morning and the place was overcrowded by evening.
Various Kodava organisations like Akhila Kodava Samaja Youth Wing, Connecting Kodavas, Kodava Riders Club, Jabbhoomi Trust, Thingakoru Mottu Sanghatane, Ammathi Kodava Samaja, Ponnampet Kodava Samaja, Madikeri Kodava Samaja, Balele Kodava Samaja, Kodava Kootaaliyada Koota, Kodava Samajas of Napoklu, Virajpet, Hudikeri, Mysuru, Amma Kodava Samaja, Youth Council, Kodavaamera Kondata, United Kodava Organisation and Codava National Council walked along the route, singing paeans to the Goddess.
source: http://www.starofmysore.com / Star of Mysore / Home> News> Top Stories / October 18th, 2022
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